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Paul Delamare has been roped into accompanying his old friend on a luxury cruise aboard the magnificent superyacht Mal de Mer. It’s all plain sailing until his friend’s priceless necklace is stolen, and everyone falls under suspicion. As Paul races to catch the thief, the ship begins to drift off-course, veering into the storm-lashed mid-Atlantic. Then one of the passengers is found dead in mysterious circumstances, in a pool of coffee and surrounded by cake crumbs. It’s all hands on deck to catch the killer, but Paul soon discovers guests and crew are harbouring deadly secrets.

These piercing, surprising poems look to familial history, rituals of faith, and the natural world to explore how the intersecting cultures of Blackness and queerness relate to each other. As the collection evolves, the listener is challenged and empowered to seek expansiveness in spaces that have not previously been excavated, reckon with the complexities of interpersonal relationships, and explore memory as a catalyst for self-determination.

London, 2014. Hal Lancaster – twenty-two, gay, Catholic, chops lines of cocaine with his myWaitrose card – is the reluctant heir of his father Henry, the sixteenth Duke of Lancaster. Henry is half tyrant, half martyr, with an investment in his eldest son that has grown into an obsession. While Hal floats between internships and drinking sessions, Henry keeps him in check with passive-aggression, religious guilt, and a cruelty that Hal sometimes confuses for tenderness.

It’s been a minute—or five years—since Jordan Vargas last saw his college friends, and twenty-eight years since their graduation from Berkeley when their adult lives officially began. Now Jordan, Jordy, Naomi, Craig, and Marielle find themselves at the brink of a new decade, with all the responsibilities of adulthood, yet no closer to having their lives figured out. Though not for a lack of trying. Over the years they’ve reunited in Big Sur to honor a decades-old pact to throw each other living “funerals,” celebrations to remind themselves that life is worth living.

As Bette approached thirty, she realized something big: she’s into women. And then she fell for Mei, who’s entirely perfect. Until, out of the blue, Mei suggests they take a break. She wants Bette to have the opportunity she missed out on in her twenties: to explore the queer dating scene, and then return certain about their future, her desires, and herself. Reluctantly, Bette sets out on a mission: date hot women and have hot casual sex, before returning to her loving girlfriend. Maybe, put that way, it doesn’t sound so bad.

In 1992, on his thirtieth birthday, Artie Anderson meets the man who will change his life. Artie spends his days at a tedious advertising job, finding relief in the corner of New York City he can call his own, even as the queer community is still being ravaged by HIV. But when his birthday celebration brings Artie and his friends to his favorite bar, a chance encounter with Abe, an uptight lawyer and Artie’s opposite in almost every way, pushes Artie to want, and to ask for, more for himself.

In this groundbreaking novel, Santiago Jose Sanchez plunges us into the heart of one boy’s life. His mother takes him and his brother from Colombia to America, leaving their absent father behind but essentially disappearing herself once they get to Miami. In America, his mother works as a waitress when she was once a doctor. The boy embraces his queer identity as wholeheartedly as he embraces his new home, but not without a sense of loss.

By encouraging massive accumulations of debt from its underclass, a single corporation, Caerus, controls all aspects of society. Inesa lives with her brother in a half-sunken town where they scrape by running a taxidermy shop. Unbeknownst to Inesa, their cruel and indolent mother has accrued an enormous debt—enough to qualify one of her children for Caerus’s livestreamed assassination spectacle: the Lamb’s Gauntlet.

On the cusp of adulthood, James dreams of another life far away from his small village. His burgeoning desire – an ache for autonomy, tenderness and sex – threatens to unravel his shy exterior. Then he meets Luke. Unkempt and handsome, charismatic and impulsive, he has been sent to live with his aunt and uncle on a nearby farm. Luke comes with a reputation for danger, yet underneath his bravado lie anxieties and hopes of his own. As the seasons pass, and the pair form an ever-changing bond, James falls into a terrifying first love that will transform his life forever.

A Language of Limbs is a breathtaking spin on a will-they-won’t-they love story; it is a tender epic that explores the weight of a choice, the love of community, and how joy is found in even the darkest corners.

Max is thirty, a published poet and grossly overpaid legal counsel for a tech company. She’s living her best life! Or is she? The debris of years of dysphoria and failed relationships rattle around in her head. When she tumbles down the stairs at a New Year’s Eve party and wakes up in hospital alone, she decides to make some changes. First things first: a stab at good old-fashioned heteronormativity. Enter Vincent, corporate lawyer and hobby baker. His trad friendship group may as well speak a different language to Max, and his Chinese parents never pictured their son dating a trans woman.

Written in a Yorkshire dialect that brings a place and its people magnificently to life, We Pretty Pieces of Flesh takes you by the hand and drags you through Doncaster’s schoolyards, alleyways and nightclubs, bringing back the intimate treachery of adolescence and how we betray ourselves when we don’t trust our friends. Like The Glorious Heresies and Shuggie Bain, it tracks hard-edged lives and makes them sing, turning one overlooked and forgotten place into the very centre of the world.

Willow is in need of an escape. A former sitcom star, she’s been publicly shamed on the internet after posting something she really shouldn’t have. She checks in to Camp Castaway, an adults-only retreat based at an old campground in the woods. It’s the first night and the campers gather round the fire to tell some ghost stories. That’s when Willow hears the tale of Knock Knock Nancy. A local urban legend about a witch, brutally beheaded in this very woodland. They say her restless spirit knocks on doors late at night. If you answer, she’ll take your head.

Francine's Spectacular Crash and Burn is a bighearted novel that will wiggle its way into the heart of every listener. It follows Francine Stevenson. whose life revolved around her anxious agoraphobic mother—her abrupt passing rocks Francine to her core and sends her into a tailspin of depression. She copes by rummaging through her mother’s assortment of pills, dancing manically at night to the disco she and her mother enjoyed while keeping up appearances at work during daylight hours.

In the shadow of an ancient abbey nestled between rivers, Daniel is growing up. He is highly intelligent but little understood by his parents, and a secret passion burns inside him for love and recognition. When his father loses his job as the headmaster of the local school, his family stumbles into a rural life for which they are ill-prepared. Daniel’s sole solace is the arrival of Philip, a new boy at school, whom he worships with a confused intensity.

Cherry Hendricks might be down on her luck, but she can write the book on what makes something funny: she’s a professional clown who creates raucous, zany fun at gigs all over Orlando. Between her clowning and her shifts at an aquarium store for extra cash, she’s always hustling. Not to mention balancing her judgmental mother, her messy love life, and her equally messy community of fellow performers. Things start looking up when Cherry meets Margot the Magnificent—a much older lesbian magician—who seems to have worked out the lines between art, business, and life.

Up-and-coming stage actress Margaret Shoard has just taken a bow as Lady Macbeth, the role she has always believed was destined for her. At home, she plays wife to her best friend Wesley, even if she doesn’t hold his sole attention romantically. After a public breakdown threatens all she holds dear, Margaret’s doctor prescribes her uppers—just a little help to get through the days.

Six people land on a desert island ready to make their reality show debut. The contestants are hungry to prove themselves. The stakes are high and losing is not an option. But three weeks and eighteen episodes later, five of the six contestants sit in a Portuguese police station, and none of them are winners. Because twelve million people were watching when Rhys Sutton died on camera, and someone must pay for the crime.

By day, Joe is a hotel accountant, invisibly sitting behind their desk and playing by the rules. By night, donned in sequins, they take to the stage as Misty Divine, a star of the London drag scene. But when Misty’s drag mother, Lady Lady, is found dead in her dressing room beside a poisoned box of chocolates, Misty and her fellow performers become the prime suspects.

Ellen is tired of being overshadowed at work. Tired of watching less competent, entitled suits take the promotions she’s earned. But when one of them pushes her too far, things take a murderous turn. And it turns out the darker Ellen goes, the shinier her future starts to look. Business can be murder, but it turns out murder can also be good business for Ellen.