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Sir Arthur Charles Clarke (December 16, 1917-March 19, 2008) was a British science fiction writer, science writer, futurist, inventor, undersea explorer, television series host, and influential proponent of space travel. He co-wrote the screenplay for the 1968 film, 2001: A Space Odyssey, widely regarded as one of the most influential films of all time. For many years Clarke, Robert Heinlein, and Isaac Asimov were known as the "Big Three" of science fiction. The following is a speech Clarke gave at a reception for the 2001 film release.

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Kay Thompson’s larger-than-life story is an effervescent toast to show business with a shot of Auntie Mame and a twist of The Devil Wears Prada. A multi-threat entertainer and a world-class eccentric, Kay Thompson was the mentor/best friend of Judy Garland, the vocal guru for Frank Sinatra and...

Robert Lee Frost (March 26, 1874-January 29, 1963) was an American poet who frequently wrote about settings from rural life in New England in the early 20th century, using them to examine complex social and philosophical themes. The following recording is from a 1954 lecture Frost gave on poetry and writers Charles Dickens, Henry David Thoreau, Emily Dickinson, T. S. Eliot, Theodore Dreiser, William Faulkner, Walter Savage Landor, Gerard Manley Hopkins, Ralph Waldo Emerson, Percy Shelley, and John Masefield.

In ihrem Tagebuch erzählt Gabriele von Arnim ein Jahr lang über Abschiede, über Gegenwartsängste und das Ringen um Zukunftszuversicht, über Abschiede von sich selbst, von Lebenslust und über die Unausweichlichkeit des letzten Abschieds. Abschiede sind unsere täglichen Lebensgefährten und Lehrmeister. Aber Abschied ist nicht nur Verlust und Traurigkeit, Abschied ist auch befreiend.

On the surface, Julianna Glasse had it all: her husband was a huge sports star, she had three beautiful children and a career as a Christian pop singer. But in reality, Julianna's life was far from perfect. It was only when she began to read, and read widely, that she started to question the fundamentalist Christian community that she had spent her life inside. From Simone de Beauvoir to Ralph Waldo Emerson, Virginia Woolf to the Persian poet Rumi, she began to realise how shackled her mind had been. And when her husband tried to stop her from reading, it gave her every reason not to stop.

A poignant and heartfelt memoir uncovering the highs, the lows, and the paintings of an artist with a lifetime of stories to tell. Mary Marquiss invites you into the world behind her canvas and reveals the personal story behind each piece of art. Through serious life challenges, including divorce, family suicide and cancer, Marquiss discovered a relationship with her art in the form of a circular language. Throughout her life, Mary Marquiss has turned to her art as a constant source of inspiration and strength, navigating life’s challenges and changes through her creative expression.

Brought to you by Penguin. **THE NUMBER ONE SUNDAY TIMES BESTSELLER** **WINNER OF THE 2010 COSTA BIOGRAPHY AWARD** 264 wood and ivory carvings, none of them bigger than a matchbox: Edmund de Waal was entranced when he first encountered the collection in his great uncle Iggie's Tokyo apartment...

LONGLISTED FOR THE NATIONAL BOOK AWARD A moving exploration of the 2022 women-led protests in Iran, as told through the interwoven stories of two Iranian journalists “Unlike anything I’ve read . . . A searing, courageous, and ultimately beautiful book filled with the spirit of the...

In a sharp, witty memoir, iconic trailblazer and legendary journalist Connie Chung pulls no punches in detailing her storied career as the first Asian woman to break into an overwhelmingly white, male-dominated television news industry—"an absorbing look at a pioneering news figure" (TIME)...

Alice Carrière tells the story of her unconventional upbringing in Greenwich Village as the daughter of a remote mother, the renowned artist Jennifer Bartlett, and a charismatic father, European actor Mathieu Carrière. From an early age, Alice is forced to navigate her mother’s recovered memories of ritualized sexual abuse, which she turns into art, and her father’s confusing attentions—her childhood is spent in an adult’s world, with little-to-no boundaries or supervision.

In 1816, when eighteen-year old Mary Godwin began writing Frankenstein, the idea that a woman could dream up such a tale was as far-fetched as raising a being from the dead. But Mary wasn't just any woman. The daughter of two notorious radicals, Mary had become an outcast from English society when she was only sixteen. A lifelong advocate for the rights of women, she refused to be governed by social conventions, running away with a married man, having children out of wedlock, and authoring books, stories, and essays that broke literary conventions.

Elizabeth Bishop has been described as the "best-loved" poet in English of the second half of the twentieth century. This Very Short Introduction explores the ninety or so published poems that are at the core of her remarkable canon of verse. Drawing on biographical and critical material, Jonathan Post also makes frequent use of Bishop's letters and commentary by fellow poets. Throughout, Post places Bishop's lyric poetry alongside her other poetic genres, short stories, and translations within the context of her life and aesthetic values, showing how these shaped her work. 

Hace unos años me rompí por completo. Tanto como para que tuvieran que atarme a la cama de un hospital psiquiátrico para evitar que pudiera hacerme daño. No tengo ni idea de cuándo empezó a formarse mi locura. A lo mejor nací genéticamente predispuesto. A lo mejor fui macerando una depresión al callarme ciertas cosas por no preocupar a los demás. O a lo mejor simplemente hay cerebros que de la noche a la mañana hacen crec y se acabó.

After the horrors of the First World War, Oxford looked like an Arcadia - a dreamworld - from which pain could be shut out. Soldiers arrived with pictures of the university fully formed in their heads and women finally won the right to earn degrees. Freedom meant reading beneath the spires and punting down the river with champagne picnics. But all was not quite as it seemed. Boys fresh from school settled into lecture rooms alongside men who had returned from the trenches with the beginnings of shellshock. 

Come round to Louis Theroux’s house where the much-loved TV documentary-maker, podcaster and bestselling author of Gotta Get Theroux This finds himself in unexpected danger . . . Like millions of others, Louis’ plans were mothballed by the onset of Covid. Unable to escape to the porn sets...

After studying English at university, O'Leary had a successful career as a children's editor at the Penguin Random House publisher. Not enjoying living in London, O'Leary moved to the countryside and spent her daily commute working on her novel, The Flatshare. After its astounding success, O'Leary was able to achieve her dream of being a full time writer and released her second novel The Switch.

In this World Mental Health Day Audible Sessions Special, producer and presenter Holly Newson meets 10 individuals who talk frankly about their mental health. In these conversations, guests share stories about their anxiety, depression, paranoid schizophrenia, eating disorders and other mental health problems. The theme for World Mental Health Day in 2019 is suicide prevention, and some of the contributors talk of their own experiences with suicidal thoughts.

Joining us at Audible Studios is James Acaster, one of the UK's finest stand-up comedians, who has his own Netflix special, a podcast with Ed Gamble and a TV show with Josh Widdicombe. Acaster has written and recently released his second book, Perfect Sound Whatever. We spoke to James about his iPod guy, whether or not therapy was useful to him and the sheer joy he gets from recommending music.