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The early 1990s climate of despair was weaponized by con men, conspiracists and racists – notably the former grand wizard of the Ku Klux Klan David Duke – both in the wider culture and at the ballot box. In other words, they sought to ‘break the clock’ of progress and ‘repeal the twentieth century’. They gave Americans’ resentment a shape and direction, and forged a new kind of paranoid, conspiratorial politics where harmless roguishness and vicious hate became mixed up, as well as declaring a culture war on liberal elites.

A landmark event eight years in the making, a brilliant global narrative that unravels the defining story of the past thousand years of human history.

Malcolm Gaskill knew two things about his great-uncle Ralph’s wartime adventures: he’d been a prisoner in Italy, and he’d cut his way out of a train with a knife and fork. Apart from that, he’d faded into family folklore, lost to view. Until, one hot afternoon in an English country garden, a chance conversation set him off on his uncle’s trail… What Ralph really did in the war was, he discovers, even more extraordinary than the exaggerations of family myth.

It is a truth universally acknowledged that the rich and powerful always look after their own and the working people are always revolting. But every now and again, a new group actually manages to seize power, and it changes history. Horrible Histories author Terry Deary takes listeners on a hilarious and eye-opening journey through some of the most significant revolts and uprisings that have happened around the world.

The Zorg is the most consequential slave ship of the 18th century whose voyage changed the course of history, yet the story remains largely unknown. Drawing on a trove of archival materials, New York Times bestselling author Siddharth Kara uncovers new details of the Zorg's voyage and takes the listener on a gripping journey from the Netherlands to Africa’s Gold Coast where it was captured by a British privateer before loading its human cargo and heading onto Jamaica on its ill-fated journey to fuel the lucrative sugar trade.

You can tell what a society values by who it labels as a genius. You can also tell who it excludes, who it enables, and what it is prepared to tolerate. Taking us from the Renaissance Florence of Leonardo da Vinci to the Floridian rocket launches of Elon Musk’s SpaceX, Helen Lewis unravels a word that we all use — without really questioning what it means.

At the beginning of the Second World War, a team of unlikely and ill-assorted characters assembled in their secret country headquarters. They had left their civilian roles as politicians, journalists, novelists and spies, advertisers, artists and even forgers, to work for a covert government organisation preparing to broadcast British propaganda into occupied territory. These men and women would become the Political Warfare Executive.

After five long centuries, the roots of colonialism still run deep. This is a powerful new reckoning with Britain’s imperial legacy, its transformative effects on Britain and the Caribbean and its enduring role in systemic racism today. And it is a call for us all to learn from the challenges and failures of history and to play our part in creating a blueprint for the future. We cannot change the past. But we can repair the present.

In TANK, best-selling historian and former officer in the Royal Tank Regiment Mark Urban draws on wide-ranging accounts from soldiers, designers, and politicians, from Winston Churchill to Volodymyr Zelensky, to tell the remarkable story of one of the most important developments in military history.

You can tell what a society values by who it labels as a genius. You can also tell who it excludes, who it enables, and what it is prepared to tolerate. In The Genius Myth, Helen Lewis unearths how this one word has shaped (and distorted) our ideas of success and achievement. Ultimately, argues Lewis, the modern idea of genius—a single preternaturally gifted individual, usually white and male, exempt from social niceties and sometimes even the law—has run its course.

Drawing on maritime stories from various languages and continents – from Brazil and Southeast Africa to India and the Philippines – Wreckers shares dramatic tales of the sea and the events on land that followed. This offers an alternative timeline for the century after Columbus’ 1492 voyage and sheds light on the fractures and fault lines that accompanied the increasing geographical range of European ships.

For over half a century, Werner Herzog has challenged, enriched, and expanded our understanding of the truth. His films and books have mixed fiction and nonfiction, documentary and drama, reality and imagination. Invariably, Herzog goes beyond the appearance of what is true in search of a higher truth, or what he has often referred to as the “ecstatic truth.” In The Future of Truth, a great artist essays an answer to one of humanity’s deepest, most eternal questions.

For the first 200,000 years, humanity lived in egalitarian groups and successfully thwarted any individual from ruling permanently. Our ancestors avoided a dominance hierarchy. Then, around 12,000 years ago, that began to change. The global Goliath has incentivised the creation of ever faster and more interconnected systems, all of which exacerbate the severity of our fall. Whether you are worried about climate change, nuclear weapons, or over-extended, just-in-time supply chains, the answer is the same: we must learn to democratically control Goliath, or we might face a final collapse.

From the Italian Alps to northern Germany, to London, New York, Washington and Tokyo, Victory ’45 tells the story of the extraordinary summer when the greatest conflagration the world had ever known finally came to an end after six surrenders that heralded the Allied victory. Comprised of eight chapters based around each of those surrenders and the victory celebrations which followed, it will be rich in character and human drama with revealing stories and perspectives behind the end of the war not yet told before.

New York City entered 1986 as a city reborn. Over the next four years, a singular confluence of events – involving a cast of outsized, unforgettable characters – would widen those divisions into chasms. Ed Koch. Donald Trump. Al Sharpton. The Central Park Five. Larry Kramer. Spike Lee. Rudy Giuliani. Howard Beach. Tawana Brawley. The Preppy Murder. The Tompkins Square Riots. Jimmy Breslin. Ivan Boesky. Do the Right Thing, Wall Street, crack, the AIDS epidemic, Black Monday and, of course, ready to pour gasoline on every fire – the tabloids.

In this dazzling work of restorative history, Dr Anthony Delaney has traced the stories of people daring to challenge society's expectations, unearthing archives and court records to reveal the tragedies and the joys of queer life three centuries ago.

Since the inception of mainstream art history, Blackness has been distinctly ignored. In Reframing Blackness, art historian and founder of @ABlackHistoryOfArt, Alayo Akinkugbe challenges this void. Exploring the presentation of Black figures in Western art, Blackness in museums, Blackness in feminist art movements, as well as Blackness in the curriculum, Alayo unveils an overlooked but integral part of our collective art history.

Newfoundland, 1919. Buffeted by winds, an unwieldy aircraft – made mainly from wood and stiff linen – struggled to take off from the North American island’s rocky slopes. Cramped side by side in its open cockpit were two men, freezing cold and barely able to move but resolute. They had a dream: to be the first in human history to fly, non-stop, across the Atlantic Ocean. But there were three other teams competing against them, and as the waves raged a few miles below, memories of wartime crashes resurfaced . . .

In this widely praised history of an infamous institution, award-winning scholar Marcus Rediker shines a light into the darkest corners of the British and American slave ships of the eighteenth century. With meticulous detail, Rediker uncovers the harsh realities of the slave trade, shedding light on the inhumane treatment of captives and the power dynamics aboard the ships. From the economic motivations driving the trade to the efforts of abolitionists, this book reveals the birth of African American culture amidst a backdrop of horror and despair.

On a sweltering summer day in 2007, having just lost her brother to illness, Livia Manera Sambuy finds herself standing before a 1924 photograph of a stunningly elegant Indian princess at a museum in Mumbai. What's written in the caption will change her life forever. This gorgeous Punjabi princess, it's said, sold her jewels in occupied Paris to save Jewish lives, only to be arrested by the Gestapo and sent to a concentration camp, where she died within a year. Could it be true? And if so, how could such a sensational story have gone unnoticed?