検索キーワード： 制作 "Blackstone Publishing" エンターテインメント・アート

John Lennon 1980 traces the powerful, life-affirming story of the former Beatle’s remarkable comeback after five years of self-imposed retirement. Lennon’s final pivotal year would climax in several moments of creative triumph as he rediscovered his artistic self in dramatic fashion. With the bravura release of the Double Fantasy album with wife, Yoko Ono, he was poised and ready for an even brighter future only to be wrenched from the world by an assassin’s bullets.

Alan Zweibel started his comedy career selling jokes for seven dollars apiece to the last of the Borscht Belt standups. Then one night, despite bombing on stage, he caught the attention of Lorne Michaels and became one of the first writers at Saturday Night Live, where he penned classic material for Gilda Radner, John Belushi, and all of the original Not Ready for Prime Time Players. From SNL, he went on to have a hand in a series of landmark shows - from It’s Garry Shandling’s Show to Curb Your Enthusiasm.

This book offers a major reassessment of classical music in the 20th century. John Mauceri argues that the history of music during this span was shaped by three major wars of that century: World War I, World War II, and the Cold War.

Tom Scharpling is good at being funny, which is a miracle, considering what he’s survived. Like hitting a deer and narrowly escaping with his life on the night of the 2016 election. But that’s nothing compared to the struggles he had earlier in his life. It Never Ends is his memoir of a life writing comedy amidst a lifelong struggle with mental illness, a story he has never told before. It’s the heartbreaking account of his intense coming-of-age, and the lengths he’s undertaken to pull away from the brink of self-destruction.

Hollywood’s Dream Factory is now a nightmare of woke restrictions, identity politics run amok, and freedom-snuffing rules and regulations. The Oscars are unwatchable, as are many films and television shows thanks to the woke revolution. Virtue Bombs breaks down where Hollywood went so wrong, illustrates the slow-motion disaster infiltrating the industry, and offers a glimmer of hope for a woke-free tomorrow. Award-winning film critic Christian Toto has all the receipts, showcasing Hollywood’s virtue-signaling follies and how it could get much worse before it gets better.

Brian Holland, Edward Holland, and Lamont Dozier, known as Holland-Dozier-Holland or H-D-H, were the greatest songwriting team in American pop music history. Seventy of the songs they wrote reached the Billboard Top 40, with 15 of these reaching number one on the Billboard Hot 100 pop chart. No other songwriting team or individual has come close to equaling, let alone surpassing, this record. They’ve been inducted into both the Rock and Roll Hall of Fame and the Songwriters Hall of Fame.

To millions of fans, All About Eve represents all that’s witty and wonderful in classic Hollywood movies. Its old-fashioned, larger-than-life stars - including Bette Davis, Marilyn Monroe, Anne Baxter, George Sanders, and Celeste Holm - found their best roles in this movie, and its sophisticated dialogue has entered the lexicon. But there’s much more to know about All About Eve. Sam Staggs has written the definitive account of the making of this fascinating movie and its enormous influence on both film and popular culture.

Psychotic Reactions and Carburetor Dung contains the wild and brilliant writings of Lester Bangs—the most outrageous and popular rock critic of the 1970s—edited and with an introduction by the reigning dean of rock critics, Greil Marcus.

In this updated edition of Graeme Thomson’s critically acclaimed biography, a near-exhaustive survey of Kate Bush’s life surveys everything from her upbringing in South London to her stunning return to live performance in August 2014. The original edition of Under the Ivy was called one of the best music biographies ever, and this updated edition adds a wealth of new research to include the complete scope of Bush’s oeuvre. With new interviews and in-depth analysis of her triumphant return to the stage, this is the most complete Kate Bush biography and a must for any fan.

Once America’s capitalist dream town, Detroit is our country’s greatest urban failure, having fallen the longest and the farthest. But the city’s worst crisis yet (and that’s saying something) has managed to do the unthinkable: turn the end of days into a laboratory for the future. Urban planners, land speculators, neopastoral agriculturalists, and utopian environmentalists―all have been drawn to Detroit’s baroquely decaying frontier. With an eye for both the darkly absurd and the radically new Detroit-area native Mark Binelli has chronicled this convergence.

No one was sure if America was ready for a show featuring nuanced, thoughtful portrayals of Black characters―and the potential fallout was terrifying. But from the first jazzy, syncopated beats of composers Noble Sissle and Eubie Blake, New York audiences fell head over heels. This is the story of how Sissle and Blake, along with comedians Flournoy Miller and Aubrey Lyles, overcame poverty, racism, and violence to harness the energy of the Harlem Renaissance and produce a runaway Broadway hit that launched the careers of many of the twentieth century’s most beloved Black performers.

When Roxana Robinson’s definitive biography of O’Keeffe was first published in 1989, it received rave reviews and was named a New York Times Notable Book of the Year. This new edition features a new foreword by the author, setting O’Keefe in an artistic context over the last thirty years since the book was first published, as well as previously unpublished letters of the young O’Keeffe to her lover, Arthur MacMahon. This book also relates the story of Robinson’s own encounter with the artist.

Ann Beattie, a master storyteller, has been delighting readers since the publication of her short stories in the 1970s and her first novel, Chilly Scenes of Winter. But as her literary acclaim grew and she was hailed “the voice of her generation,” Beattie was also moonlighting as a nonfiction writer.

Horror movies hold a complicated space in the queer community: historically misogynist, and often homo- and transphobic, the genre has also been inadvertently feminist and open to subversive readings. It Came from the Closet features twenty-five original essays by writers speaking to this relationship, through connections both empowering and oppressive. From Carmen Maria Machado on Jennifer’s Body, Jude Ellison S. Doyle on In My Skin, Addie Tsai on Dead Ringers, and many more, these conversations convey the rich reciprocity between queerness and horror.

For all the near-fanatic attention brought each year to the Academy Awards, the organization that dispenses those awards—the Academy of Motion Picture Arts and Sciences—has yet to be understood. To date, no one has ever produced a thorough account of the Academy’s birth and its awkward adolescence, and the few reports on those periods from outside have always had a glancing, cursory quality. Yet the story of the Academy’s creation and development is a critical piece of Hollywood’s history. Now that story is finally being told.

Distinguished theater critic John Lahr brings unique perspective to the life of Arthur Miller, the playwright who almost single-handedly propelled twentieth-century American theater into a new level of cultural sophistication. Organized around the fault lines of Miller’s life—his family, the Great Depression, the rise of fascism, Elia Kazan and the House Committee on Un-American Activities, Marilyn Monroe, Vietnam, and the rise and fall of Miller’s role as a public intellectual—this book demonstrates the synergy between Arthur Miller’s psychology and his plays.

Marc Guss’s advice is impeccable; he says the things no one else in show business will, things that those who want into the business need to know. He has a heck of a story to tell. It is powerful, outspoken talk from a widely recognized agent on how to master the industry using an entrepreneur’s specific skill set. Guss shares deeply personal experiences from the trenches, experiences he has shared with such eminent names as Lauren Bacall, Floyd Mayweather Jr., Christopher Reeve, Quentin Tarantino, Whoopi Goldberg, Dr. Phil, and others.

See You At San Diego is the comprehensive chronicle of Comic-Con International and modern geekdom itself as told through countless stories by nearly fifty of the most integral members of the Comic-Con and fandom scene. This full-fledged oral history—bursting with intimate reflections, hilarious observations, and at times, heartbreaking stories—is about how the geek at last inherited the earth and the story of the transformation of mainstream American pop culture into comic book culture over the past century.

Some 500 years ago, Sandro Botticelli, a painter of humble origin, created work of unearthly beauty. An intimate associate of Florence’s unofficial rulers, the Medici, he was commissioned by a member of their family to execute a near-impossible project: to illustrate all 100 cantos of The Divine Comedy by the city’s greatest poet, Dante Alighieri. A powerful encounter between poet and artist, sacred and secular, earthly and evanescent, these drawings produced a wealth of stunning images but were never finished.

With war clouds gathering and harassment increasing, the stars of Continental opera, many of whom are Jewish, face dark futures under the boot heel of the Nazis. What can two middle-aged British spinsters do about such matters? They can form a secret cabal right under Hitler’s nose and get to work saving lives. The sisters conspire to bring together worldwide opera aficionados and insiders in an international operation to rescue Jews in the opera from the horrific fate that everyone intuits is coming.