検索キーワード： 制作 "Bloomsbury Publishing" 文学・フィクション

Ali Bobrow is a single parent with a fraught nine-year-old daughter, a malevolent ex with a grabby new wife, and an underused artistic talent. A pushover when it comes to needy neighbours and uninvited children, she allows her house to be the local drop-in centre, until she collides with Noah Glazer. A solid man of science, Noah walks into Ali's life bringing good sense, order and security. But ten years on, Ali is drawn back into the complexities of her past: an old lover, two ex-spouses, a colleague from clown school and a small smuggled cat all help to rock the boat.

In the wake of a major operation, a twenty-eight-year-old woman with chronic illness has twelve weeks to heal, or rather, to acclimate to her new body and prepare herself to leave the routines, comforts, and interiority of her convalescence. In the hydrotherapy pool, she meets Frida, a young woman who looks strikingly similar to her and is also in a state of recovery. But Frida sees her chronic illness as something to overcome and her body as something to control. She adores the pool and pushes the herself toward an active life, relentlessly pursuing the prevailing narrative of illness.

The time is 1995, but everybody is linked by their past. Brilliant Australian Caroline can command everyone except her own ghoulish mother, which means that things aren't easy for Josh and Zoe, her husband and twelve-year-old daughter. In its mix of people from different spheres, the book throws up the complexity, cruelty and richness of the global world while, as a sequence of personal stories, it comes together like a dance; a masquerade in which things are not always what they seem.

It is the summer of 1919 and Constance Haverhill is without prospects. Now that all the men have returned from the front, she has been asked to give up her cottage and her job at the estate she helped to run during the war. While she looks for a position as a bookkeeper or (horror) a governess, she's sent as a lady's companion to an old family friend who is convalescing at a seaside hotel. Despite having only weeks to find a permanent home, Constance is swept up in the social whirl of Hazelbourne-on-Sea and its colorful inhabitants, most notably, Poppy Wirrall.

Eighteen-year-old Katherine - bright, stylish, frustratedly suburban - doesn't know how her life will change when the brilliant Jacob Goldman first offers her a place at university. When she enters the Goldmans' rambling bohemian home, presided over by the beatific matriarch Jane, she realises that Jacob and his family are everything she has been waiting for. But when a romantic entanglement ends in tears, Katherine is forced into exile from the family she loves most. And her journey back into the fold, after more than a decade away, will yield all kinds of delightful surprises...

Meet Me at Rainbow Corner follows the lives of Dot, Lilly and their friends, as they dance the nights away, fall in and out of love, and navigate the horrors of war. Lilly goes on a secret mission with her Colonel to France, and Dot becomes pregnant and returns to Liverpool. When the war is over, they are reunited, having travelled by boat to the US with countless other war brides to meet their repatriated fiancés again. Along the way, they uncover a case of inside espionage and learn the true meaning of love.

Asya and Manu are looking at apartments, envisioning their future in a foreign city. What should their life here look like? What rituals will structure their days? Whom can they consider family? As the young couple dreams about the possibilities of each new listing, Asya, a documentarian, gathers footage from the neighborhood like an anthropologist observing local customs. “Forget about daily life,” chides her grandmother on the phone. “We named you for a whole continent and you’re filming a park.”

Paris, 1936. When Dora Maar, a talented French photographer, painter and poet, is introduced to Pablo Picasso, she is mesmerized by his dark and intense stare. Drawn to his volcanic creativity, it isn't long before she embarks on a passionate relationship with the Spanish artist that sometimes includes sadism and masochism, and ultimately pushes her to the edge. The Paris Muse is the fictionalized retelling of this disturbing love story, as we follow Dora on her journey of self-discovery and expression.

Elsa is struggling. Her formative, exhilarating relationship – with an older couple – has abruptly ended, leaving her depressed and directionless in her childhood bedroom. In the relationship’s wake, Elsa scrolls aimlessly through the internet in search of meaning. Faithfully, her screen provides a new obsession: a charismatic young actor whose latest feature is a gay love story that illuminates Elsa’s crisis. And then, as if she had conjured him, the actor arrives in her hometown, with an entourage of fellow actors, writers, and directors, for the annual theatre festival.

What was it like? It’s the only thing anyone wants to know about war--and the last thing Corporal Dean Pusey wants to talk about, at least not with one of these fat and happy civilians crowding the bar. Dean is two months free from the Marine Corps, and life back in his Indiana hometown is anything but peaceful. That’s when the woman next to him offers to buy him a drink.

In a rented room outside Plymouth in 1685, a daughter is born as her half-brother is dying. Her mother makes a decision: Mary will become Mark, and Ma will continue to collect his inheritance money. Mary’s dual existence as Mark will lead to a role as a footman in a grand house, serving a French mistress; to the navy, learning who to trust and how to navigate by the stars; and to the army and the battlegrounds of Flanders, finding love among the bloodshed and the mud. But none of this will stop Mary yearning for the sea.

Yefim Shulman, husband, grandfather and war veteran, was beloved by his family and his coworkers. But in the days after his death, his widow Nina finds a letter to the KGB in his briefcase. Yefim had a lifelong secret, and his confession forces them to reassess the man they thought they knew and the country he had defended.

In this brash collection, we meet a sex bot trying to outlast her return policy, a skeptical lesbian grappling with her wife’s mysterious pregnancy, and a post-Earth colonist struggling to maintain her faith in humanity as she travels to “Planet B.” Whether they exist in the grounded realism of a college dance studio or the speculative world of Deep Space, these women push against social norms and family expectations to reclaim their power, understand their mistakes, and find a better future.

In this pyrotechnic memoir-in-essays, Mak ranges widely over our landscape of paranoia, crisis, and frenetic, clickable consumption. He grants listeners an inside pass to the spaces where culture was made and unmade over the past decade, from the antiseptic glare of white-walled galleries to the darkest corners of Berlin techno clubs. As the gay son of an evangelical minister, Mak fled to those spaces, hoping to join a global, influential elite. But when calamity struck, it forced Mak to confront the costs of mistaking status for belonging.

In the wake of an environmental catastrophe, January, once a principal in London's Royal Ballet, has become a refugee in Tharsis, the terraformed colony on Mars. There, January’s life is dictated by his status as an Earthstronger—a person whose body is not adjusted to lower gravity and so poses a danger to those born on, or naturalized to, Mars. January’s job choices, housing, and even transportation are dictated by this second-class status, and now a xenophobic politician named Aubrey Gale is running on a platform that would make it all worse.

Eight translators arrive at a house in a primeval Polish forest on the border of Belarus. It belongs to the world-renowned author Irena Rey, and they are there to translate her magnum opus, Gray Eminence. But within days of their arrival, Irena disappears without a trace. The translators, who hail from eight different countries but share the same reverence for their beloved author, begin to investigate where she may have gone while proceeding with work on her masterpiece.

1985. Anita de Monte, a rising star in the art world, is found dead in New York City; her tragic death is the talk of the town. Until it isn’t. By 1998 Anita’s name has been all but forgotten – certainly by the time Raquel, a third-year art history student is preparing her final thesis. Moving back and forth through time and told from the perspectives of both women, Anita de Monte Laughs Last is a propulsive, witty examination of power, love and art, daring to ask who gets to be remembered and who is left behind in the rarefied world of the elite.

Josef was an illegitimate child, a charity case from Salzburg, schooled by a benefactor. He was drafted to fight in the Second World War while still at school and sent to Russia, returning with only one leg. He married his nurse, and brought his family to the high, idyllic slopes of the Austrian Alps, where he took a position as manager of a home for injured soldiers, a strangely suspended, deeply isolated place with a remarkable library. He was a man of many mysteries. To his daughter, Monika, none was greater than his obsession with these cloistered, crumbling books.

In a city rocked by catastrophe, home-grown terrorism, shortages and wildfires, Cass is quietly raising three small children by herself. Her husband, Nathaniel, has left to serve as a medic. As life in the city becomes increasingly impossible, Cass knows she can no longer wait for Nathaniel’s return. Packing up their lives, she and the children set off in search of a place of greater safety. But Cass will learn that not all sanctuaries are what they seem – and as the fires around them begin to close in, she’ll discover just how far she’ll go for her children in a world teetering on apocalypse.

Days after the dawn of Y2K, beautiful, charismatic nineteen-year-old Karlie Richards is found brutally murdered in her campus apartment. Two decades later, those who knew Karlie—and those who just knew of her—remain consumed by her death. Among them is her freshman year roommate, Joy, now middle-aged and mid-divorce, living in the same college town and desperate for a new beginning. Jumping between 2019 and 1999, Bright and Tender Dark takes us from the era of Reddit threads and online obsession to the evangelism-infused culture of the late ’90s to reveal what really happened to Karlie.