『Sidney Chambers and The Problem of Evil』のカバーアート

Sidney Chambers and The Problem of Evil

Grantchester Mysteries 3

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Sidney Chambers and The Problem of Evil

著者: James Runcie
ナレーター: Joe Jameson
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30日間の無料体験後は月額¥1500で自動更新します。いつでも退会できます。

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Bloomsbury presents Sidney Chambers and The Problem of Evil by James Runcie, read by Joe Jameson.

The third book in The Grantchester Mystery Series, and the inspiration for the primetime PBS/Masterpiece television series, Grantchester.

It is the 1960s and Canon Sidney Chambers is enjoying his first year of married life with his German bride Hildegard. But life in Grantchester rarely stays quiet for long.

Our favourite clerical detective soon attempts to stop a serial killer who has a grievance against the clergy; investigates the disappearance of a famous painting after a distracting display of nudity by a French girl in an art gallery; uncovers the fact that an ‘accidental’ drowning on a film shoot may not have been so accidental after all; and discovers the reasons behind the theft of a baby from a hospital in the run-up to Christmas, 1963.

In the meantime, Sidney wrestles with the problem of evil, attempts to fulfil the demands of Dickens, his faithful Labrador, and contemplates, as always, the nature of love.

The third in ‘The Grantchester Mysteries’ series – six detective novels spanning thirty years of British history – these four longer stories are guaranteed to delight the many fans of Canon Sidney Chambers.©2014 James Runcie (P)2023 Bloomsbury Publishing PLC
コージー ミステリー 大衆小説 映画・テレビ・ビデオゲーム関連 歴史 素人探偵
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批評家のレビュー

Cozy fans will be pleased.
Readers definitely are in for a treat when they meet this gentlemanly but worldly man of the cloth. I cannot but hope there are many more cases in his future.
Runcie strikes a low-key balance of theology, humor, drama and crime in this collection of ecclesiastical.
Runcie's gently persistent protagonist is almost sure to win fans, whether he's engaged in active sleuthing or musing on the nature of evil or love. Major life changes here lead to new beginnings for Chambers that should whet interest in future volumes of these charming cozies just touched with sex and violence.
Deft, witty, yet unconstrained by the literary hipster’s horror of being thought uncool, they are quite delicious.
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