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Renee Feldman is desperate for a fresh start. She’d hoped to rediscover her creative spark by taking time off from her MFA in documentary film. Instead, she’s stalled. Barista-ing doesn’t chip away at her debt, her thesis project is nonexistent, and if she doesn’t re-enroll next semester, she’ll be out of the program.

Set in Taiwan and the Silicon Valley, a collection of linked stories that explore the meaning of success and the purpose of existence, centered on the short life and long shadow of an engineering genius who descends deeper into despair while rising higher on the professional ladder.

Featuring fifteen new essays by trans people of color—spanning writers, scientists, actors, activists, and drag queens—Both/And explores what it means to live as a trans or gender nonconforming person of color today. Acclaimed authors Akwaeke Emezi, Tanaïs, Meredith Talusan, and J Wortham, share their stories alongside activist and organizer Raquel Willis and RuPaul’s Drag Race star Peppermint, as well as a host of rising literary talent.

In many ways, twelve-year-old Artem’s life in Chernihiv, Ukraine, is normal. He spends his days helping on his grandfather’s sunflower farm, drawing in his sketchbook—a treasured gift from his father, who works in America—and swimming in the river with his little brother, Yuri. In secret, Artem has begun wrestling with romantic feelings for his best friend, Viktor. In a country where love between two boys is unthinkable, Artem has begun to worry that growing up, his life will never be normal.

Pleasure should be a simple thing, but straight women are at the statistical bottom of the pile when it comes to finding a happy ending. There's a name for this phenomenon: it's called the pleasure gap. And when tracked against other gains in women's freedom, like pay or education, it is still alarmingly wide. All Women Want is about that gap, the methods women use to try to solve it (spoiler: they don't always want to do it solo), and why physical pleasure might be a final frontier for gender equality.

Magnetic, haunting, and tender, Extinction Capital of the World is a stunning portrait of Hawai’i—and a powerful meditation on family, queer love, and community amid imperialism and environmental collapse. In ten vibrant, affecting stories, Mariah Rigg immerses listeners in contemporary Hawai’i. By turns heartbreaking and hopeful, these stories of love, longing, and grief are fierce dispatches from a state haunted by the specter of colonization, a precious biome under constant threat.

Bestselling and award-winning author Mason Deaver’s adult romance debut follows a journalist in a dead-end job who agrees to teach his disastrous blind date how to be a better boyfriend. Listeners will delight in this sweet and steamy queer romance with trans representation!

A sharply personal and expansive essay collection dedicated to the strange and absurd beauty of horror films, exploring the complications of gender, the insidiousness of class ascension, and the latent violence hidden in our own uncanny reflections.

No Tea, No Shade is a collective anthem written by six drag queens who believe in equality, peace, and in a world that loves and respects all people. The defiant legacy of drag will endure fearmongering and hate because their hearts have endured the unthinkable, their courage has been relentlessly tested, and to be blunt, they have the balls to prevail.

When MC Calloway’s best friend Joe, an editor at the notorious gossip website Jawbreaker, calls her in for an emergency meeting, MC is unprepared for how frantic he is. But when he shows her a copy of Girl Next Door, the steamy, bestselling rom-com taking the literary world by storm, written under a pen name, points to one of the women on the front cover, and says, “that's you,” its MC who begins to panic.

From award-winning and USA Today bestselling author Kosoko Jackson comes his adult speculative debut, a stand-alone novel blending time travel and globe-hopping adventure, art history, and dark fantasy about magical paintings and the lengths people will go to collect them, destroy them…or be destroyed.

From the age of twelve, Alison Mau wanted to be a journalist like her father. He was a beer-swilling, straight-talking Aussie who was rough around the edges but could quote passages of Hamlet at will. He taught Ali everything—from how to skin a rabbit and throw a punch to how to craft a sharp sentence—and she craved his validation as she navigated the sexist badlands of Australian print and television journalism through the 1980s and '90s.

Drawing on their personal history as a former urban equestrian, Black queer person, and child of Jamaican and Filipino immigrants, essayist and art critic Bitter Kalli contends the horse should be regarded as a critical source of power and identity in Black life. In a series of astute essays, Kalli explores the work of Black artists and influencers from Beyoncé to filmmakers Tiona Nekkia-McClodden and Jeymes Samuel and explores their own life-long relationship to equines.

The Daughters of Izdihar—a group of women fighting for the vote and against the patriarchal rule of Parliament—have finally made strides in having their voices heard...only to find them drowned out by the cannons of the fundamentalist Ziranis. As long as Alamaxa continues to allow for the elemental magic of the weavers—and insist on allowing an academy to teach such things—the Zirani will stop at nothing to end what they perceive is a threat to not only their way of life, but the entire world.

Lacey Bond is a 13-year-old girl in New Hampshire growing up in the tranquility of her hippie parents’ rural daycare center. Then the Satanic Panic hits. It’s the summer of 1990 when Lacey ’s parents are handcuffed, flung into the county jail, and faced with a torrent of jaw-dropping accusations as part of a mass hysteria sweeping the nation. When a horrific murder brings Lacey to the breaking point, she makes a ruthless choice that will haunt her for decades.

When Mona Ramsey married Lord Teddy Roughton to secure his visa—allowing him to remain in San Francisco to fulfill his wildest dreams—she never imagined she would, by age 48, be the sole owner of Easley House, Teddy’s grand, romantic country manor in the UK. She also didn't imagine that she’d need to open the manor’s doors to paying guests to afford the electric bill and repair the leaking roof. Yet somehow she and her young friend Wilfred--whom guests assume is serving as Easley’s charming-but-clumsy butler--and the loopy old gardener Mr. Hargis, are making it work.

As a bestselling romance novelist, everyone thinks Truly Livingston is an expert on happily-ever-afters. She’s even signed on to record a podcast sharing relationship advice. Little do they know she feels like an imposter—her parents just announced they’re separating, she caught her fiancé cheating, and her entire view on love has been shaken to the core. Truly hopes the podcast will distract her... until she meets her cohost.

In the 1980s, the subways of New York City were covered with art. In the stations, black matte sheets were pasted over outdated ads, and unsigned chalk drawings often popped up on these blank spaces. These temporary chalk drawings numbered in the thousands and became synonymous with a city as diverse as it was at war with itself, beset with poverty and crime but alive with art and creative energy. And every single one of these drawings was done by Keith Haring.

Paris, 1720. La Salpêtrière hospital is in crisis: too many occupants, not enough beds. Halfway across the world, France's colony in the wilds of North America has space to spare and needs families to fill it. So the director of the hospital rounds up nearly a hundred female “volunteers” of childbearing age—orphans, prisoners, and mental patients—to be shipped to New Orleans. Among this group are three unlikely friends: a sharp-tongued twelve-year old orphan, a mute ‘madwoman,’ and an accused abortionist.

Like anyone who discusses the problems of girls and women in public, Caitlin Moran has often been confronted with the question: “But what about men?” And at first, tbh, she dgaf. Boys, and men, are fine, right? Feminism doesn’t need to worry about them. However, around the time she heard an angry young man saying he was “boycotting” International Women’ Day because “It's easier to be a woman than a man these days,” she started to wonder: are unhappy boys, and men, also making unhappy women?