『the body is the brain』のカバーアート

the body is the brain

the body is the brain

著者： Hope Mohr
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 the body is the brain is a podcast about art and social justice hosted by artist and attorney Hope Mohr. Through conversations with artists and cultural workers, we explore the practice, production, and politics of contemporary artmaking.Hope Mohr アート
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  • Episode 14: Rashaun Mitchell + Silas Riener

    Episode 14: Rashaun Mitchell + Silas Riener
    2025/12/06

    We talk about: attention as a material, the politics of audio description, queer abstraction, tuning ensemble in improvisation, avoiding saying "no" when directing, translating site-specific improvisation to a proscenium context, the difference between impulse and desire, refusal as a practice, making experimental dance with AI, and much more…


    ABOUT THE ARTISTS


    Rashaun Mitchell + Silas Riener's work involves the building of collaborative worlds through improvisational techniques, digital technologies, and material construction. They met as dancers in the Merce Cunningham Dance company and since 2010 they have created over 25 multidisciplinary dance works including site-responsive installations, concert dances, gallery performances and dances for film in venues such as the Brooklyn Academy of Music, Barbican Centre, REDCAT, The Walker Art Center, and MoMA/PS1. Throughout they have maintained a commitment to queer culture and aesthetics. Their partnership intentionally blurs authorship and maintains a deep commitment to collaboration with a diverse community of dancers, performers, artists and cultural institutions.

    https://www.rashaunsilasdance.com/

    @rashaun.silas


    SHOW NOTES


    Rashaun Mitchell, Silas Riener, and Claudia LaRocco, Already & Not Yet: Rashaun Mitchell and Silas Riener in Conversation with Claudia La Rocco, SFMOMA's Open Space, Nov. 7, 2019


    Megan Metcalf, Future Formers, Former Futures, SFMOMA's Open Space, February 13, 2018


    Ted Chiang, Why AI isn't going to Make Art, The New Yorker


    Danielle Goldman, I Want to be Ready: Improvised Dance as a Freedom


    Hope Mohr, Self and System, SFMOMA's Open Space, Oct. 24, 2019


    Signals from the West: Bay Area Artists in Conversation with Merce Cunningham at 100


    ///


    Are you an artist or arts organization in need of legal support or capacity-building? Reach out to Movement Law, dedicated to building power with artists and mission-driven organizations. ⁠⁠⁠⁠https://www.movementlaw.net/⁠
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    55 分
  • Episode 13: Eric Avery

    Episode 13: Eric Avery
    2025/07/21
    We talk about: audience-determined structures, reparations as a culture-building project, Augusto Boal's "rehearsal for revolution," balancing audience choice with a desire to "get into the harder stuff," the "curb cut effect" (why reparations are for everyone), and much more… ABOUT THE ARTISTEric Avery is an interdisciplinary artist and cultural organizer with over eighteen years of professional experience in theatre, interactive performance, and community-based projects. Since 2018, they have focused on applying a reparationist framework to their creative practice, organizing projects, and life. This dedication to relationship-centered process has put Avery in partnership with non-profit organizations, municipalities, social service agencies, universities, farms, community centers, prisons, art galleries, and private homes. In addition to collaborations, Avery has independently created over 25 original productions. They earned a Bachelor's in Theatre & Film from the University of Kansas and an MFA in Theatre Arts from Towson University. Honors/Awards, including a Bessie Award (Outstanding Visual Design), Lavender Magazine Best of List (Outstanding Performance), Elliot Norton Award (Outstanding Design), 2024 MAP Grant Awardee, Zellerbach: Community Arts, East Bay Fund for Artists, Dresher Ensemble Artist Residency, and a TBA CA$H Grant.@efranklin.tvRESOURCESEric Avery, The Pla[y/n] for Reparation$Eric Avery, 67 Simple OperationsARTIST INSPIRATIONSTheater of the Oppressed (Augusto Boal)On Theater of the Oppressed 10,000 Things Theater CompanyLee BruerBasil TwistPina Bausch36 Questions to Fall in LoveREPARATIONS RESOURCESCalifornia Reparations ReportReparations in California (KQED)On "the curb cut effect"Nine Charts about Wealth Inequality in AmericaCenter for Belonging (UC Berkeley)SPECIFIC REPARATIONS PROJECTSBruce's Beach (Southern California)Wildseed (New York)Stockton Economic Empowerment Demonstration (Universal Basic Income pilot program)More on the Stockton UBI projectLand Back to Shasta Indian NationVirginia Policy regarding "Enslaved Ancestors College Access Scholarship and Memorial Program"UBNC Chapel Hill tuition proposal ///Are you an artist or arts organization in need of legal support or capacity-building? Reach out to Movement Law, a law practice dedicated to helping artists and mission-driven organizations build power and navigate change. Schedule your free 30 minute consultation today at ⁠⁠⁠https://www.movementlaw.net/
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    52 分
  • Episode 12: Chloë Bass

    Episode 12: Chloë Bass
    2025/07/01
    We talk about… the difference between social practice and socially engaged art, how Bass' installation Wayfinding relates to performance, the "singular family narrative" as a fiction, how lawmaking and artmaking differ, using language as a material, being a "writer for the encounter," and much more…ABOUT THE ARTISTChloë Bass is a multiform conceptual artist working in performance, situation, conversation, publication, and installation. Her work uses daily life as a site of deep research to address scales of intimacy: where patterns hold and break as group sizes expand. She began her work with a focus on the individual (The Bureau of Self-Recognition, 2011 – 2013), followed by a study of pairs (The Book of Everyday Instruction, 2015 – 2017), and recently concluded an investigation at the scale of the immediate family (Obligation To Others Holds Me in My Place, 2018 – 2024). She will continue to scale up gradually until she’s working at the scale of the metropolis. She is currently working on Since feeling is first (2023 – ongoing), a series of works examining intimacy at the scale of the courtroom and the law.You can learn more about her work at chloebass.com.@publicinvestigatorRESOURCESLinks to specific projects by Chloë Bass discussed in the podcast:Wayfinding#sky #nofilter: Hindsight for a Future Americathis is a filmsoft servicesPerspective Alignment⁠Recess⁠ Analog ResidencyArt as Social Action: An Introduction to the Principles and Practices of Teaching Social Practice Art, by Gregory Sholette (Editor), Chloë Bass (Editor), Social Practice Queens (Editor)Social Practice CUNYsocialpracticecuny@gmail.comLauren Berlant, Cruel OptimismAruna D'Souza, review of the exhibit Cantando Bajito: Chorus at the Ford Foundation Gallery, featuring Chloe Bass, Archivo de la Memoria Trans Argentina (Trans Memory Archive Argentina), Tania Candiani, Hoda Afsharand, and Textiles Semillas (Textiles as Seeds), and curated by Roxana Fabius, Beya Othmani, Mindy Seu, and Susana Vargas Cervantes.Aruna D'Souza, Writer and Art CriticJudith Butler, The Psychic Life of PowerRuth Wilson Gilmore, Abolition Geography: Essays Towards Liberation///Are you an artist or arts organization in need of legal support or capacity-building? Reach out to Movement Law, Hope Mohr's client-driven law practice dedicated to helping artists, arts organizations, and mission-driven organizations build power and navigate change. Schedule your free 30 minute consultation today at ⁠⁠https://www.movementlaw.net/
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    1 時間 1 分
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