『the body is the brain』のカバーアート

the body is the brain

the body is the brain

著者： Hope Mohr
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 the body is the brain is a podcast about art and social justice hosted by artist and attorney Hope Mohr. Through conversations with artists and cultural workers, we explore the practice, production, and politics of contemporary artmaking.Hope Mohr アート
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  • Episode 7: Yanira Castro

    Episode 7: Yanira Castro
    2025/04/24
    "It comes back to not letting the Trump Administration frame the problem, but remembering the world and the environment and the circumstances under which we want to work." – Yanira CastroWe talk about: the arts funding landscape, inviting audiences to create systems of cooperation, "thinking in an emergency," performance as civic orientation, resilience practices, "scoring freedom" and much more… ABOUT THE ARTISTYanira Castro's work is rooted in communal construction as a rehearsal for radical democracy. She is an interdisciplinary artist born in Borikén (Puerto Rico) and living in Lenapehoking (Brooklyn). Castro forms iterative, multimodal projects that center the complexity of land, citizenship, and governance in works activated and performed by the public. Co-creating with a team of collaborators under the name, a canary torsi, she investigates choreography as a practice of collective embodiment, grappling with agency and communal action as a body politic. She has developed over fifteen projects that have been recognized with national awards, commissions and residency support, including Creative Capital, Herb Alpert Award in the Arts for Dance, NYSCA/NYFA Interdisciplinary Artist and Choreography Fellowships, and two Bessie Awards for Outstanding Production. She has recently been in residence at LMCC, MacDowell, Yaddo, and The Maggie Allesee National Center for Choreography.https://www.acanarytorsi.org/⁠@acanarytorsi⁠RESOURCES & REFERENCESTo receive emails for IRL and virtual gatherings for Circle Up, an effort to build and strengthen the performance artist community through knowledge shares and collective action, contact Yanira at hello@acanarytorsi.org.ArtPlace America, Local Control, Local FieldsCreating New Futures: Notes for Equitable FundingIn Thinking in an Emergency, Elaine Scarry lays bare the realities of “emergency” politics and emphasizes what she sees as the ultimate ethical concern: “equality of survival.” She reveals how regular citizens can reclaim the power to protect one another and our democratic principles.Keeanga-Yamahtta Taylor, The War on Diversity, Equity, and Inclusion, The New Yorker, February 8, 2025Council of Nonprofits, Executive Orders Impacting Nonprofits PR News Wire, American Alliance for Equal Rights Files Request to IRSPresident Trump’s executive order “Restoring Public Service Loan Forgiveness,” issued March 7, 2025Solidarity Economy PrinciplesSustainable Economies Law CenterFor more information and resources about legal support and capacity-building for your art practice and/or arts organization, visit https://www.movementlaw.net/.
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    46 分
  • Episode 6: Michèle Steinwald

    Episode 6: Michèle Steinwald
    2025/03/31
    We talk about: curatorial practice, radical hospitality in performance, ethical grantmaking in the arts, softening the architecture of engagement, operationalizing "art for change," the current state of arts funding, and much more…ABOUT THE ARTISTSince retiring as a dancer and choreographer, Michèle has managed performing arts projects and professional development programs for On the Boards (Seattle), New England Foundation for the Arts/National Dance Project (Boston), DanceUSA (DC), and the Deborah Hay Dance Company (Austin). She joined the Walker Art Center (Minneapolis) in October of 2006 as Assistant Curator for the Performing Arts and remained in that role until summer of 2013. She was on the boards of the National Performance Network (New Orleans) and Movement Research (NYC) from 2012-2018. She has served on panels for the NEA, MANCC, NPN, McKnight Foundation, USA Fellows, Pew Foundation, Herb Alpert Award, MAP Fund and been an artist mentor for Creative Capital's retreat and Arts Midwest's ArtsLab. She holds an MA from the Institute for Curatorial Practice in Performance at Wesleyan University and was published in Curating Live Arts (Berghahn Books, New York/Oxford). Committed to social justice in the arts, she has researched and facilitated sessions at conferences and professional gatherings such as Grantmakers in the Arts (2022), Association of Performing Arts Professionals (2018 & 2019) in partnership with American Realness, Interrarium at Banff Centre (2018), National Performance Network (2017 & 2018), Arts Midwest (2011 & 2014), and DanceUSA (2012 & 2013 + 2014 host & showcase committees). Half Québécoise and half American, Steinwald is currently living in Montréal as an independent curator, community organizer, dramaturg, and occasional writer. www.44artsproductive.com@michele_steinwaldRESOURCES AND REFERENCESMichèle Steinwald, Noticing the Feedback: A Proposal to the Contemporary Dance Field or This Revolution will be CrowdsourcedHope Mohr and Michèle Steinwald, Building Accountability in the Dance FieldHope Mohr, Shifting Cultural Power: Case Studies and Questions in Performance, with a foreword by Michèle SteinwaldMichèle Steinwald and Michael Trent, "A Note on Curatorial Statements-A Third Space: Chasing the Intangible," in Curating Live Arts: Critical Perspectives, Essays, and Conversations on Theory and Practice, Edited by Dena Davida, Marc Pronovost, Véronique Hudon, and Jane GabrielsMichèle Steinwald, Feminist Movement: Deborah Hay, Artistic Survival, Aesthetic Freedom, and Feminist Organizational PrinciplesMeg Foley, Blood BabyMichèle Steinwald, Cultural Dramaturgy and the Early Mapping of Meg Foley’s Blood BabyLuciana Achugar and Michèle Steinwald in Conversation at the Walker Art CenterLuciana Achugar, Otro TeatroDance USA, DFA Data Collection and AccountabilityBridget Fiske + Joseph Lau, Project Auske Manchester Art Gallery, Rethinking the collection
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    49 分
  • Episode 5: Ranu Mukherjee

    Episode 5: Ranu Mukherjee
    2025/03/01

    We talk about: scores for performance, weaving politics and abstraction, dance and visual art in conversation, revolutionary time, Ranu's painting process, the importance of sari fabric in her work, hybridity, installation "versus" performance, the fires in LA and much more…


    ABOUT THE ARTIST

    Ranu Mukherjee makes hybrid work in painting, film installation and performance to expand imaginative capacities. Commissioned projects have been presented by Asian Art Museum, San Francisco, 18th Street Arts Center, Los Angeles, de Young Museum, Karachi Biennale 2019, Los Angeles County Museum of Art, San Francisco Arts Commission, San Francisco Ballet, San Jose Museum of Art and Singapore Biennale 2022. Recent honors include an Artadia Award (2023), Pollock Krasner Grant (2020) and a Lucas Visual Arts fellowship (2019-2024). Gallery Wendi Norris published her first monograph, Shadowtime in 2021. Mukherjee is dean of the School of Film and Video at CalArts.

    https://www.ranumukherjee.com/

    @ranumukherjee


    score for transitional times, The Moody Center for the Arts

    float the mark, Mills Art Museum

    Ensemble for Non-Linear Time, 836M Gallery/18th Street Arts Center

    Hope Mohr/Ranu Mukherjee Collaborative Projects

    Gallery Wendi Norris, Ranu Mukherjee: Shadowtime

    Night Thicket (image of painting discussed)


    Fanny Soderback, Revolutionary Time: On Time and Difference in Kristeva and Irigaray


    Jonathan Griffin, On Fire (Paper Monument) An oral history of the phenomenon of the studio fire.


    RESOURCES FOR RESPONDING TO THE FIRES IN LA

    LA Arts Community Fire Relief Fund

    Grief and Hope- Help LA's Artists and Art Workers Start Over

    Mutual Aid LA

    Altadena Girls

    Free Art Fair LA

    Studio Loan Project A project of the Contemporary Art League and The Artist's Contract providing tools for sharing short-term studio space in LA.


    @thebodyisthebrain
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    1 時間 6 分

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