『the body is the brain』のカバーアート

the body is the brain

the body is the brain

著者: Hope Mohr
無料で聴く

このコンテンツについて

the body is the brain is a podcast about art and social justice hosted by artist and attorney Hope Mohr. Through conversations with artists and cultural workers, we explore the practice, production, and politics of contemporary artmaking.Hope Mohr アート
エピソード
  • Episode 12: Chloë Bass
    2025/07/01
    We talk about… the difference between social practice and socially engaged art, how Bass' installation Wayfinding relates to performance, the "singular family narrative" as a fiction, how lawmaking and artmaking differ, using language as a material, being a "writer for the encounter," and much more…ABOUT THE ARTISTChloë Bass is a multiform conceptual artist working in performance, situation, conversation, publication, and installation. Her work uses daily life as a site of deep research to address scales of intimacy: where patterns hold and break as group sizes expand. She began her work with a focus on the individual (The Bureau of Self-Recognition, 2011 – 2013), followed by a study of pairs (The Book of Everyday Instruction, 2015 – 2017), and recently concluded an investigation at the scale of the immediate family (Obligation To Others Holds Me in My Place, 2018 – 2024). She will continue to scale up gradually until she’s working at the scale of the metropolis. She is currently working on Since feeling is first (2023 – ongoing), a series of works examining intimacy at the scale of the courtroom and the law.You can learn more about her work at chloebass.com.@publicinvestigatorRESOURCESLinks to specific projects by Chloë Bass discussed in the podcast:Wayfinding#sky #nofilter: Hindsight for a Future Americathis is a filmsoft servicesPerspective Alignment⁠Recess⁠ Analog ResidencyArt as Social Action: An Introduction to the Principles and Practices of Teaching Social Practice Art, by Gregory Sholette (Editor), Chloë Bass (Editor), Social Practice Queens (Editor)Social Practice CUNYsocialpracticecuny@gmail.comLauren Berlant, Cruel OptimismAruna D'Souza, review of the exhibit Cantando Bajito: Chorus at the Ford Foundation Gallery, featuring Chloe Bass, Archivo de la Memoria Trans Argentina (Trans Memory Archive Argentina), Tania Candiani, Hoda Afsharand, and Textiles Semillas (Textiles as Seeds), and curated by Roxana Fabius, Beya Othmani, Mindy Seu, and Susana Vargas Cervantes.Aruna D'Souza, Writer and Art CriticJudith Butler, The Psychic Life of PowerRuth Wilson Gilmore, Abolition Geography: Essays Towards Liberation///Are you an artist or arts organization in need of legal support or capacity-building? Reach out to Movement Law, Hope Mohr's client-driven law practice dedicated to helping artists, arts organizations, and mission-driven organizations build power and navigate change. Schedule your free 30 minute consultation today at ⁠⁠https://www.movementlaw.net/
    続きを読む 一部表示
    1 時間 1 分
  • Episode 11: Lu Zhang
    2025/06/26

    We talk about: supporting socially engaged artists, how design of arts funding pathways influences outcomes, co-leadership in the arts, the overlap between art practice and arts leadership, A Blade of Grass, and much more....


    ABOUT THE ARTIST

    Lu Zhang is an artist and arts administrator. She’s been at A Blade of Grass (ABoG) for two years. Before joining ABoG Lu was the Initiatives Director of United States Artists (USA), a national arts funding organization headquartered in Chicago. In that role, Lu launched Initiatives, a department dedicated to expanding holistic support for artists and their communities. In partnership with foundation leaders, Initiatives conducts research, shares learnings with the field, and increases direct support to individual artists across discipline and geography. Key programs include Disability Futures, a fund to increase the visibility of disabled creative practitioners, and Artist Relief, a $23.4 million emergency initiative to support artists facing dire financial circumstances due to COVID-19.

    Prior to joining USA, Lu was Deputy Director of The Contemporary, a nomadic, non-collecting art museum in Baltimore, Maryland, where she provided strategic and operational oversight, and led resource initiatives for local artists.

    As an artist, Lu creates projects that take various forms—including books, drawings, installations, interventions, and an institute. She has collaborated with Press Press to produce publications and The George Peabody Library to launch a studio residency program. Lu is the founder of the Institute for Expanded Research which activates sites and leverages resources to produce and present projects in collaboration with artists. Lu received her MFA from the Frank Mohr Institute in the Netherlands and her BFA from the Maryland Institute College of Art in Baltimore.

    https://www.abladeofgrass.org/


    @zhanglux

    @abladeofgrassorg


    RESOURCES

    Paper Monument, "As Radical, As Mother, As Salad, As Shelter: What Should Art Institutions Do Now?"

    I Want to Be With You Everywhere Performance Festival by and for Disabled Artists

    Liz Lerman's Critical Response Process


    ///


    Are you an artist in need of legal support? Are you a mission-driven organization in need of consulting or capacity-building? Reach out to Movement Law, Hope Mohr's client-driven law practice, dedicated to helping artists, arts organizations, and mission-driven organizations build power and navigate change. Schedule your free 30 minute consultation today at ⁠https://www.movementlaw.net/

    続きを読む 一部表示
    36 分
  • Episode 10: Chris Evans & Rhiannon Evans MacFadyen
    2025/06/14
    "People don't acknowledge how much capital is in cultural capital. So people will hoard it. That is what creates the gatekeeping. We were there to care. Rather than being the gatekeepers, we became the caregivers." --Rhiannon MacFadyenWe talk about artist-led mutual aid, regranting in community, reparations partnerships, calls to action for arts funders, defining who an artist is for eligibility purposes, and more…ABOUT THE ARTISTSChris Evans is an Oakland-based interdisciplinary artist with a foundation in music and dance. She is a Certified Pilates Instructor, Certified Massage Therapist, and a soon-to-be Certified Eden Energy Medicine Practitioner. She is also the founder of Deep Breath Pilates studio.Her movement background includes Modern Dance, Ballet, Aikido, and years as a competitive junior tennis player. Using tools such as the cello, improvisation, dance, literature, language, research, and collaboration, Evans creates moments of community that honor, challenge, and hold space for our imaginations, stories, and bodies.Evans is the founder of the Black Women’s Self-Care Reparations Project, co-founder of Idora Park Project Space with Ernest Jolly, and director of the Reconstruction Study Project. She was a member of the House Full of Black Women collective led by Ellen Sebastian Chang and Amara Tabor-Smith, and of A Simple Collective, founded by Rhiannon MacFadyen Evans.She received an Isadora Duncan Award for Outstanding Achievement in Music/Sound/Text in 2013, and was nominated again in 2016 for her work on Reconstruction Study 1A.@⁠deepbreathpilates⁠Rhiannon Evans MacFadyen is a curator, consultant, project-based artist, and a San Francisco native with over 20 years of in-depth experience in the performing and visual arts. Inspired by productive discomfort, their curatorial focus is on projects that push formal and contextual boundaries and her cross-discipline personal work engages symbols, identity, communication, and the unseen. Founder of A Simple Collective and the experimental project space Black & White Projects, Rhiannon has curated exhibitions and presented work nationally, including USF’s Thacher Gallery, Yerba Buena Center for the Arts and Root Division in San Francisco, SCOPE in New York, and Pro Arts in Oakland. They have been featured in the San Francisco Chronicle, KQED Arts, SF Weekly, The New Asterisk Magazine, SFArts, and Art Practical, among other publications. Deeply involved with community-building through the arts, she is on the Curatorial Committee for Root Division and is the Curator in Residence at India Basin Waterfront Park in SF’s Bayview–Hunters Point neighborhood and is a career coach for artists and creative entrepreneurs. Rhiannon is also a founding member of Pacific Felt Factory and Co-Director of Emerging Arts Professionals San Francisco/Bay Area.@curation.culture.community@emergingartsRESOURCES Artist Adaptability CirclesEmerging Arts ProfessionalsDeep Breath Pilates StudioEquus InspiredRed Clay Sound HausBlack and White ProjectsMonthly Full Moon Water Rituals at India Basin Waterfront ParkCompton FoundationMedicine for NightmaresCommunity Ownership and Self-Determination: Lessons from Atlanta, Boston, Lisjan Territory, and New Orleans, Rebecca Marx, Brett Theodos, and Tené Traylor (Urban Institute May 29, 2025)Norma Wong, When No Thing Works: A Zen and Indigenous Perspective on Resilience, Shared Purpose, and Leadership in the Timeplace of Collapse, North Atlantic Books (2024) ///Are you an artist in need of legal support? Are you a mission-driven organization in need of consulting or capacity-building? Reach out to Movement Law, Hope Mohr's client-driven law practice, dedicated to helping artists, arts organizations, and mission-driven organizations build power and navigate change. Schedule your free 30 minute consultation today at https://www.movementlaw.net/
    続きを読む 一部表示
    37 分

the body is the brainに寄せられたリスナーの声

カスタマーレビュー:以下のタブを選択することで、他のサイトのレビューをご覧になれます。