At first glance, New Hampshire and Vermont seem like mirror images. Separated only by the Connecticut River, the oft-termed "Twin States" share a common history, relatively small populations, and heavily mountainous and forested landscapes dotted with small towns. Yet despite their similarities, they have evolved strikingly different political cultures, with Vermont prizing cooperation and community and New Hampshire celebrating independence and freedom from government. Perhaps nowhere is this divergence in political visions more pronounced than in their respective state mottos: Vermont's communal "Freedom and Unity" and New Hampshire's libertarian "Live Free or Die." Twin States, Different Paths: The Politics of New Hampshire and Vermont (U Mass Press, 2026) explores these contrasting political cultures. Brian Porto traces these differences back to the land itself: to the geology and geography that shaped early settlement, patterns of land use, and the distinct ways people built their communities. From these origins emerged two enduring civic philosophies--New Hampshire's devotion to low taxes and limited government, and Vermont's emphasis on equality and shared responsibility. Bringing historical and cultural analysis together with contemporary case studies, Porto examines how these traditions influence each state's approach to today's policy challenges, including affordable housing and public-school funding. The result is a clear, balanced portrait of how deeply rooted attitudes toward freedom, unity, and governance continue to shape public life in both states. Written with scholarly rigor yet in an engaging and accessible style, Twin States, Different Paths fills a notable gap in the study of New England politics. It offers insights not only for scholars and students of political culture, history, and public policy, but also for general readers, policymakers, and residents who wish to understand how two neighbors--so similar in geography and spirit--continue to follow such different paths in defining the role of government and community.

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Kelly M. Duke Bryant’s Negotiating Childhood: French Colonialism and African Children in Senegal, 1848-1940 (U Mass Press, 2026)explores how colonial child protection policies and African children’s responses to them produced new ways of defining, measuring, documenting, and experiencing childhood in the French colony of Senegal from 1848 to 1940. In this groundbreaking book, Bryant takes the scholarship in new directions, offering to a literature dominated by studies of British colonies in the twentieth century a study of childhood in a French colony from the immediate post-emancipation period through the 1930s. This focus allows her to complicate the generally accepted timeline of child protection in colonial Africa and question other assumptions about children’s history on the continent.

The author, Kelly M. Duke Bryant, is an Associate Professor of History at Rowan University and the current President of the French Colonial Historical Society.

The host, Elisa Prosperetti, is an Assistant Professor of African and global history at NIE/NTU in Singapore. She is the author of An Anticolonial Development: Race, Schooling, and Emancipation in Twentieth-Century West Africa (Cambridge University Press, 2026).

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A compelling and inventive memoir exploring how pain and pleasure are passed down through generations of women

For years, Lauren W. Westerfield looked back at her childhood as an imaginative playscape lovingly crafted by her artist mother. But in truth, theirs was always a fraught relationship, close yet turbulent. It wouldn’t be until her mid-twenties that Westerfield would learn that her mother was assaulted while living as a single woman in 1970s Los Angeles, or until her mid-thirties when caretaking for her now chronically ill mother during pandemic lockdown would reveal how that earlier incident and its ripple effects had shaped both their lives.

The essays and assemblages in this book plumb the depths of two women’s experiences, exploring the pain and pleasure they find in their bodies, in culture, and in their own art. Violence, beauty, and love reverberate and dissipate and shape the forms and psyches of these two profoundly connected family members. At once raw and refined, narrative and lyrical, nostalgic and blunt, the stories and images presented here explore Westerfield’s life—from childhood to adulthood—passing through innocence, self-discovery and familial tethers. In unpacking her mother’s history and the complexities of their relationship, Westerfield finds herself confronted with her own story: one grounded in a yearning for agency and individuation, of a body and mind groomed to be at odds with one another, of a feminist politics examining deeply rooted patriarchal understandings of beauty, control, and power.

Part memoir, part critical sense-making, part reckoning with family, identity, illness, addiction, art, and inheritance, Woman House (U Massachusetts Press, 2026) draws on diverse inspirations in an attempt to recontextualize the female body—in danger, in pleasure, in portraiture, in proximity, in resistance—and challenge the structures that silence and restrict female expression.

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