『True Voyage Is Return — Episode 6 — Shaun Hill』のカバーアート

True Voyage Is Return — Episode 6 — Shaun Hill

True Voyage Is Return — Episode 6 — Shaun Hill

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This episode features poet, filmmaker and movement artist Shaun Hill, who talks (amongst other things) about pre-colonial history — anti-capitalism and post-capitalism — queer community and the Radical Faeries — mining from other poems and his “organ donor list” — keeping going when times get difficult — the quietly radical act of sitting on floors in public spaces.


Throughout October 2024, writer Philip Holyman invited eight other professional authors — along with members of the public from across Birmingham and the Black Country — to create pieces for an anthology of brand-new work. The public could write wherever and whenever they liked. The professionals, however, were tasked with writing in real time, in full view, in the busy cafe of The Exchange, a grand city centre building which was once Birmingham’s Municipal Bank.


Each contributor responded to a broad inspirational theme, a four-word quote from Ursula K. Le Guin’s iconic novel The DispossessedTrue Voyage Is Return. The works they produced are as unique and individual as the writers themselves — and you can read them all over at philipholyman.com.


You can also hear from some of the amazing people who took part, right here in this ten-episode podcast. We’ll be digging deeper into each writer’s journey, both during this project and across their career. We’ll also be exploring their radically different experiences of creating new work under some truly unusual circumstances.


Listener note: this episode contains references to addiction, the AIDS pandemic and death by suicide.


For more information on the project, the podcast and the rest of Philip’s work, visit: philipholyman.com


Project Leader and Manager | Philip Holyman


Podcast Producer, Engineer and Music Composer | Gareth Nicholls


True Voyage Is Return was produced in partnership with University of Birmingham, and the podcast was produced in partnership with Midlands Arts Centre. The entire project was supported using public funding by Arts Council England.

Hosted on Acast. See acast.com/privacy for more information.

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