『The Unfinished Print : A Mokuhanga Podcast』のカバーアート

The Unfinished Print : A Mokuhanga Podcast

The Unfinished Print : A Mokuhanga Podcast

著者: Andre Zadorozny
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The Unfinished Print is a podcast dedicated to exploring the art of Japanese woodblock printing, or mokuhanga. It offers an in-depth look at the printmakers, carvers, gallerists, and collectors involved in this unique art form. Through interviews, Andre Zadorozny, a mokuhanga printmaker himself, delves into what mokuhanga means to so many people. アート
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  • Kazuko Hioki - Conservator : A Humble Utility Project
    2026/05/31

    On this episode of The Unfinished Print: A Mokuhanga Podcast, I have the opportunity to speak with Kazuko Hioki, Head of Preservation and Preservation Librarian/Conservator at the University of Hawai'i at Mānoa. We discuss how washi was used in book preservation during the Edo period in Japan, its connection to mokuhanga, and the many ways washi was used during this period of Japanese paper history, including recycled paper practices, traditional papermaking methods, and the role of washi in book creation.

    Notes: may contain a hyperlink. Simply click on the highlighted word or phrase.

    Kazuko Hioki - here are some of Kazuko Hioki's articles where you can read and get a real understanding of her work.

    Investigation of Historical Japanese Paper: An Experiment to Recreate Recycled Paper from 18th-19th Century Japan Characteristics of Japanese Block Printed Books in the Edo Period: 1603–1867

    Tamarind Institute - was originally founded in Los Angeles in 1960 by June Wayne, and is a world renowned center for fine art lithography. Established to revive and sustain the art of lithography, which was in decline in the United States, Tamarind quickly became a leader in the education and promotion of lithographic techniques. In 1970, the institute moved to the University of New Mexico in Albuquerque, where it continues to thrive as a key institution in the printmaking world. Dedicated to advancing the lithographic arts through rigorous education, collaborative projects, and the production of high-quality prints, the Tamarind Institute's influence extends globally, contributing significantly to the development and appreciation of lithography as a vibrant art form. More info, here. Edo Bakufu, also known as the Tokugawa Bakufu, was the military government that ruled Japan from 1603 to 1868. During this period, Japan experienced remarkable political stability and economic growth, maintained through a strict social hierarchy and a system that required regional lords (daimyo) to alternate their residence between their domains and Edo. The Edo Bakufu fostered an environment in which culture, education, literature, theatre, and urban centres flourished. The bakufu came to an end with the Meiji Restoration in 1868, which restored imperial rule and marked the beginning of Japan's modernization. Tohoku Region - is a region in Northern Japan which consists of six prefectures which are Aomori, Akita, Iwate, Yamagata, Miyagi and Fukushima. Tosa, Kōchi - is a city located on Shikoku island, in the prefecture of Kōchi. Ki no Tsurayuki (872-945) was a court noble promoted as provincial governor of Tosa and promoted washi. More info can be found, here. Eta - were one of the outcaste groups of Edo-period Japan. Associated with occupations involving animal carcasses, leather production, butchery, and executions, they were marginalized within the social hierarchy. Their descendants are today generally referred to as Burakumin. kusazōshi - were popular illustrated books made during the Edo Period combining text and imagery. gōkan - were a type of kusazōshi popular in late Edo-period Japan. Longer and more complex than earlier forms, they featured historical tales, adventure stories, romances, and popular fiction. Their illustrations also highlighted the craftsmanship of the artists, carvers, and printmakers who produced them.

    © Popular Wheat Productions

    logo designed and produced by Douglas Batchelor and André Zadorozny

    Introduction music while working - Lester Young / Oscar Peterson

    Disclaimer: Please do not reproduce or use anything from this podcast without shooting me an email and getting my express written or verbal consent. I'm friendly :)

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    1 時間 21 分
  • Yvonne Hering - Printmaker : Ars Longa, Vita Brevis
    2026/04/20
    When mokuhanga becomes a passion, I find it has the ability to clarify everything, in how you see the world, how you take everything in, and even how you analyze it. Mokuhanga has the ability to make so many things come into focus, pointing you into a clearer direction. On this episode, I speak with Australian printmaker Yvonne Hering. Yvonne has taken her passion for mokuhanga and made it her life's work. Through her own prints, her travels to Japan, and her dedication to teaching, she has helped bring mokuhanga to people around the world. We talk about her teachers, and how patterns in prints led her to try mokuhanga for the first time. We discuss her early days in Tokyo, and how the tradition and history of mokuhanga play a major role in her own work. We also explore her thoughts on selling prints through auctions, her evolving process, and the development of her Washi Fusion approach. Yvonne also speaks with me about her love of mokuhanga books, her studio practice, and her connection to Echizen.

    Notes: may contain a hyperlink. Simply click on the highlighted word or phrase.

    Yvonne Hering - website , Instagram

    More notes to come

    © Popular Wheat Productions

    logo designed and produced by Douglas Batchelor and André Zadorozny

    Introduction music while working - Oscar Peterson

    Disclaimer: Please do not reproduce or use anything from this podcast without shooting me an email and getting my express written or verbal consent. I'm friendly :)

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    1 時間 16 分
  • Raluca Iancu - Printmaker : Setting Intentions
    2026/03/26
    Mokuhanga is a medium that invites an adventurous side to ones personality. It can carry your ambitions to different places, allowing you to explore and grow—not only in your work, but in yourself. Raluca Iancu joins me, a mokuhanga printmaker who investigates her practice through other forms of printmaking, travel, and learning from diverse teachers and instructors from around the world. Raluca speaks with me about how she discovered mokuhanga, how her work is shaped by other printmaking mediums, and how her travels and residencies have influenced her practice. We also discuss her time with MI Lab and her role as Associate Professor of Art & Visual Culture, Printmaking at Iowa State University, and how these experiences inform her mokuhanga work. And finally, we explore if mokuhanga can be a medium for change—whether it can serve as an act of activism or a tool for transformation.

    Please follow The Unfinished Print: A Mokuhanga Podcast and my own mokuhanga work on my website andrezadoroznyprints.com Instagram @andrezadoroznyprints or email me at theunfinishedprint@gmail.com

    Artists works follow after the note if available. Pieces are mokuhanga unless otherwise noted. Dimensions are given if known. Print publishers are given if known. If there are any issues with something you've heard in the episode please don't hesitate to email.

    Notes: may contain a hyperlink. Simply click on the highlighted word or phrase.

    Raluca Iancu - website, Instagram

    More notes to come

    © Popular Wheat Productions

    logo designed and produced by Douglas Batchelor and André Zadorozny

    Introduction music while working - Oscar Peterson

    Disclaimer: Please do not reproduce or use anything from this podcast without shooting me an email and getting my express written or verbal consent. I'm friendly :)

    続きを読む 一部表示
    1 時間 16 分
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