I don't know about you, but the best part of my day is always coming home. Now, sure, the state of my residence is not always pristine, the neighbor plays dreadful anime music at a deafening volume, and the pallets of weapons grade LSD are prime for toe-stubbing, but whatever the condition of your castle, I think for many of us it's often a relief to get back to it after a long journey. If, however, your journey included things like war, suffering, and a cyclops or two, then your homecoming may be slightly more fraught. That, at least, is the central conceit of The Return, a 2024 drama directed by Uberto Pasolini and based on The Odyssey by Homer. The Return is a far quieter, more stripped back adaptation of literature's defining epic than you may be used to, which, coupled with a lukewarm advertising campaign and decent but unenthusiastic reviews, goes some way towards explaining the faint (and already fading) impact it made on release. Is its obscurity warranted, or is there more to this curious, theatrical adaptation than its diminutive presence in the zeitgeist suggests? To find out, embark on your own odyssey across the airwaves with the aid of the pods on today's new episode of Magellans at the Movies!

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