It’s time for a special edition “Shootin’ The Shiznit” with “Rollin’ Into Mempho.” Brian Tramel is joined by RynoJB to review Championship Wrestling from Memphis for Episode 39 in their quick RT format ! They answer the following questions about the show:

-Hits?

-Misses?

-MVP??

-What do they want to see on next week’s show?

-THUMBS UP or THUMBS DOWN?

They reviewed this episode !
https://youtu.be/v2s8XRLuPCo?si=vTuOBc3EYXi4hPU5

On Episode #117 of the Retro Wrestling Re-View USWA Podcast, the gang continues into the second week of the 1992 USWA season with the January 11th episode of USWA Championship Wrestling and this one is all about Corey Maclin flying solo, Brian Christopher finally taking the full heel plunge, Eric Embry spreading his influence all over the show, and the “International Roughnecks” a.k.a the Moondogs making Corey lose his mind on live television.

The boys kick things off with some network business, new joke sponsor shirts, and a teaser of Corey Maclin absolutely coming unglued later in the show while trying to deal with Richard Lee and the Moondogs. From there, the episode jumps into the fallout from Brian Christopher’s boxing match with Tony Williams, Bart Sawyer continuing the “Bartman” energy, Jeff Jarrett and Robert Fuller taking aim at the Moondogs, and Tony Falk introducing Miss Jennifer in a segment that goes sideways almost immediately.

Episode #117 feels like 1992 USWA is starting to find its direction. Brian Christopher has turned the corner, Eric Embry is suddenly everywhere…again, the Moondogs are getting more dangerous by the week, Robert Fuller is somehow working as a babyface, and Corey Maclin may need hazard pay if Richard Lee keeps bringing those “crazy fools” into the studio.

REST IN PAIN indeed

On this episode of Rick Del Santo’s Classic Wrestling Talk, Rick sits down with Darryl Peterson, better known to wrestling fans as Maxx Payne and later Man Mountain Rock, for a wide ranging conversation about athletics, acting, amateur wrestling, Japan, Memphis, WCW, the WWF, music, and the long road from a rebellious kid in Utah to one of wrestling’s most unique heavy metal characters.

Maxx starts by going all the way back to his childhood love of sports. Before wrestling, he was a football fanatic, a basketball player, a shot-putter, a swimmer, a baseball kid, and eventually a serious amateur wrestler. He talks about clashing with a high school football coach, falling in love with wrestling after first hating it, and growing up in a household where watching sports with his father helped shape the rest of his life.

The strongest part of the interview may be the story of Takedown. Maxx explains that he ignored the early casting calls because he was focused on wrestling, then suddenly found himself reading for the role of Bobich. That movie didn’t just give him an acting credit it changed the direction of his life.

The Japan material is another highlight. Maxx talks about training with Red Bastien, heading to Japan with Chris Benoit, living in the New Japan dojo, doing the brutal daily workouts, and learning from veterans by asking what he did wrong instead of fishing for compliments. He also tells a very funny Dick Murdoch story after slipping off the ropes in Japan, with Murdoch advising him to take two weeks off and quit.

For Memphis fans, there’s some great material on how the Maxx Payne character started coming together. He talks about wanting to be the dark, heavy metal, Alice Cooper style monster of wrestling, then explains how Memphis was brutally hard but also one of the places where he truly learned the business. He gives Jerry Lawler a lot of credit, saying that working with Lawler was easy as long as you listened and knew when it was time to sell.

The WCW and music discussion is fascinating, too. Maxx says the guitar element truly took off in Germany after Dave Finlay and Rip Rogers told him to make it part of the act. That success helped lead to Bill Watts bringing him into WCW, where he debuted in early 1993 and played guitar at SuperBrawl. From there, he tried to create a band made up of wrestlers, with Brad Armstrong originally planned as the singer before Brian Armstrong stepped in.

The Man Mountain Rock section is blunt. Maxx says the WWF “de-rocked” him, that he should have pushed back harder creatively, and that the version of the character he wanted — black, white, skulls, heavy metal, and edge got softened into something he didn’t believe in. He also previews a documentary project using footage he shot during that period, which he says will show the behind the scenes tension from his point of view.

For fans of Maxx Payne, Man Mountain Rock, Memphis Wrestling, WCW, WWF New Generation, New Japan, Chris Benoit, Jerry Lawler, Bill Watts, Red Bastien, Brad Armstrong, Brian Armstrong, and wrestlers who tried to bring something completely different to the table, this episode is loaded.

Maxx Payne wasn’t just a big man with a guitar.

He was an athlete, actor, wrestler, musician, filmmaker, and one of those creative wrestling minds who may have been 30 years ahead of the room he was standing in.

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