In this episode of The Neo Historian we are joined by Dr Matt Lodder to talk about the history of tattooing as an art form and profession. Matt tells us how tattoos existed in England long before Captain Cook was said to have brought the art form to London, the influence of Yakuza gangs on Japan's Onsen rules and on how a butcher from Wapping tempted 19th century aristocrats to tattoo their own children!

Tattoos: The Untold History of a Modern Art by Dr Matt Lodder

The true history of tattoo as both art and profession in the West.

There is a pervasive stereotype of tattoo culture as relating to an underworld of scoundrels, sailors, and ne’er-do-wells, yet it has existed in the West as a professionalized art practice for centuries. Drawing on extensive new research and unprecedented access to largely unpublished private archives of photographs, art, and ephemera, Matt Lodder offers a new perspective on the history of commercial tattooing in Europe and the United States, beginning even before it emerged as a recognizable profession in the mid-nineteenth century. In the process, he shows that the art of tattoo has long been both practiced and commissioned by individuals across economic, gender, and class divides; he also examines the stylistic trends that have shaped tattoo’s development as an art form over its history.

Lodder introduces the many artists and professionals who shaped tattoo history, including early figures like Martin Hildebrandt, the first-known professional tattoo artist in the West; prominent woman artists like Grace Bell and Jessie Knight; mid-twentieth-century icons like Sailor Jerry and Les Skuse and the Bristol Tattoo Club; and contemporary industry stars including Ed Hardy, Davy Jones, and the Leu family. Richly illustrated with rarely published images, this important book is the first to examine the history of tattoo in the west as both a serious profession and an art form.

Dr Matt Lodder is a Senior Lecturer in Art History and Theory, and Director of Undergraduate Studies in Art History at the University of Essex, and one of the University of Essex' Public Voice Scholars. He teaches European, American and Japanese art, architecture, visual culture and theory from the late 19th century to the present, including modern and contemporary art post-1945, digital and "new media" art, and the intersections between art & politics.

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Dr Matt Lodder: University of Essex Senior Lecturer

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Matt Lodder's Podcast: Beneath the Skin

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www.theneohistorian.com

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Portable Magic: A History of Books and their Readers by Emma Smith

Most of what we say about books is really about the words inside them: the rosy nostalgic glow for childhood reading, the lifetime companionship of a much-loved novel. But books are things as well as words, objects in our lives as well as worlds in our heads. And just as we crack their spines, loosen their leaves and write in their margins, so they disrupt and disorder us in turn.

All books are, as Stephen King put it, 'a uniquely portable magic'. Here, Emma Smith shows us why.

Portable Magic unfurls an exciting and iconoclastic new story of the book in human hands, exploring when, why and how it acquired its particular hold over us. Gathering together a millennium's worth of pivotal encounters with volumes big and small, Smith reveals that, as much as their contents, it is books' physical form - their 'bookhood' - that lends them their distinctive and sometimes dangerous magic. From the Diamond Sutra to Jilly Cooper's Riders, to a book made of wrapped slices of cheese, this composite artisanal object has, for centuries, embodied and extended relationships between readers, nations, ideologies and cultures, in significant and unpredictable ways.

Exploring the unexpected and unseen consequences of our love affair with books, Portable Magic hails the rise of the mass-market paperback, and dismantles the myth that print began with Gutenberg; it reveals how our reading habits have been shaped by American soldiers, and proposes new definitions of a 'classic'-and even of the book itself. Ultimately, it illuminates the ways in which our relationship with the written word is more reciprocal - and more turbulent - than we tend to imagine.

Emma Smith was born and brought up in Leeds, went unexpectedly to university in Oxford, and never really left. She is now Professor of Shakespeare Studies at Hertford College and the author of the Sunday Times bestseller This is Shakespeare. She enjoys silent films, birdwatching, and fast cars.

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Emma Smith: Author profile

Emma Smith: Academic Profile: Hertford College, University of Oxford

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Everybody Loves Our Town: A History of Grunge by Mark Yarm - published exactly twenty years after the release of Nirvana's landmark album Nevermind - is said to be the definitive word on grunge.

Grunge, also known as the 'Seattle sound', is the sludgy fusion of punk rock and heavy metal that emerged from the Pacific Northwest in the early part of the 1980s. But it was the unexpected, seemingly overnight success of Nirvana's single 'Smells Like Teen Spirit,' in the fall of 1991, that made grunge a household word and launched an American music movement on par with punk and hip-hop.

20 years later, Mark Yarm captures that era in the words of those at the forefront of the movement (and the music's lesser-known champions). Everybody Loves Our Town will tell the whole story: the founding of originators like Soundgarden and the Melvins, the early successes of Seattle's Sub Pop record label, the rise of powerhouses Nirvana and Pearl Jam, the insane media hype surrounding the grunge explosion, the suicide of Kurt Cobain, and finally, the genre's mid-to-late-'90s decline.

Mark Yarm is an adjunct assistant professor at Columbia Journalism School and the former tech desk editor at BuzzFeed News (RIP). Prior to BuzzFeed, he worked at Input, BreakerMag, and Blender. In addition, he has written for the New Yorker, the New York Times, the Washington Post, Wired, WSJ. Magazine, and Rolling Stone. His book Everybody Loves Our Town: An Oral History of Grunge, was named as a Time magazine book of the year.

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Mark Yarm: online

Twitter: https://x.com/markyarm

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