Miles Osgood talks to James Gentry about the thousand-year history of the Tibetan maṇi pill, back to its medieval origins in an age of Mongol invasions and epidemics, through an infusion of psychoactive fungi for experimental meditation in the 13th century, and as a shared token for today’s global Tibetan Buddhist diaspora.

James Gentry is Assistant Professor of Religious Studies at Stanford. He specializes in Tibetan Buddhism, with particular focus on the literature and history of its Tantric traditions. He is the author of Power Objects in Tibetan Buddhism: The Life, Writings, and Legacy of Sokdokpa Lodrö Gyeltsen, which examines the roles of Tantric material and sensory objects in the lives and institutions of Himalayan Buddhists. Before joining Stanford, James was on the faculty of the University of Virginia. He has also taught at Rangjung Yeshe Institute’s Centre for Buddhist Studies at Kathmandu University, where he served as director of its Master of Arts program in Translation, Textual Interpretation, and Philology. He has also served as editor-in-chief of the project 84000: Translating the Words of the Buddha, which aims to commission English translations of the Buddhist sūtras, tantras, and commentaries preserved in Tibetan translation and publish them in an online open-access forum.

Miles Osgood talks to Ralph H. Craig III about crafting constructive analogies between Christian and Buddhist liturgies, characterizing the ideal preachers (dharmabhāṇakas) described in Mahāyāna sūtras, and Tina Turner’s contributions to Buddhist pedagogy.

Ralph H. Craig III is an interdisciplinary scholar of religion, whose research focuses on South Asian Buddhism and American Buddhism. He received his B.A. in Theological Studies at Loyola Marymount University and his Ph.D. in Religious Studies at Stanford University. His research interests include memoir, race, popular culture, yoga/meditation theory, religious experience and authority. He works with textual materials in Sanskrit, Pāli, Buddhist Chinese and Classical Tibetan. His work has appeared in the journals American Religion, Buddhist-Christian Studies, and the Japanese Journal of Religious Studies; in Lion’s Roar and Tricycle magazines; on the American Academy of Religion’s Reading Religion website; and the 84000: Translating the Words of the Buddha. His first book was, Dancing in My Dreams: A Spiritual Biography of Tina Turner (Eerdmans Publishing, 2023), which explores the place of religion in the life and career of Tina Turner and examines her development as a Black Buddhist teacher. His next book project is a monograph on preachers in Mahāyāna Buddhist sūtras.

Miles Osgood talks to Allan Ding about why the Chan monk Moheyan lost the 8th-century “Samyé Debate” over the future of Tibetan Buddhism, how medieval Chinese Buddhists shifted from “antiritualism” to accepting the “zhāi” feast, and what forms of religious imagination scholars can adopt from liturgical practices.

Yi (Allan) Ding received his bachelor's degree from Fudan University (2008) and his PhD in Religious Studies from Stanford University (2020). As a scholar of Chinese and Tibetan Buddhism, he has published several articles that deal with Buddhist materials from Dunhuang and Sino-Tibetan Buddhism, including “‘Translating’ Wutai Shan into Ri bo rtse lnga (‘Five-peak Mountain’): The Inception of a Sino-Tibetan Site in the Mongol-Yuan Era (1206–1368)” (2018), “The Transformation of Poṣadha/Zhai in Early Medieval China (2nd–6th Centuries CE)” (2019), and “By the Power of the Perfection of Wisdom: The ‘Sūtra-Rotation’ Liturgy of the Mahāprajñāpāramitā in Dunhuang” (2019). He is currently working on a book project that focuses on the "zhāi" feast and relevant liturgical scripts from the eighth to the tenth century. In connection to his interest in consumption rituals, he is also working on early Sanskrit and Tibetan materials concerning the practice of the Tantric feast (gaṇacakra).​​