Only one song can win the bracket, and we continue our competition to find the best MCR song with their breakout record, Three Cheers For Sweet Revenge. We look at the background, each pick our top three songs, and pit them head to head to see who comes out on top.

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It was never just a phase. We connect the Myspace era to today's waves.

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Only one song can win the bracket, and we kick-off this competition to find the best MCR song with their first record, I Brought You My Bullets, You Brought Me Your Love. We look at the background, each pick our top three songs, and pit them head to head to see who comes out on top.

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It was never just a phase. We connect the Myspace era to today's waves.

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"Emo is not alive because the old bands are playing their old songs at When We Were Young Festival. That’s a cool thing, but it’s not dead because there have been two more generations, or more; keeping it alive."

We dive deep into why "emo" was once treated as a dirty word, how underground bands rebuilt the scene from basement shows to 5,000-capacity venues, and the crucial responsibility established bands have to pay it forward to the next generation. Plus, we debate what separates the 4th and 5th waves, the role of nostalgia in modern festivals, and our ultimate dream lineup.

Pre-Order Emo Revival: https://lnk.bio/emorevivalbook

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It was never just a phase. We connect the Myspace era to today's waves.

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"My temple is twinned, my icky is thumped, and my asylum is Kia."

The hosts break down country artist Charley Crockett’s decision to drop the satanic doo-wop duo Twin Temple from his tour schedule. The situation took an unexpected turn when rock icon Jack White stepped in to save the day, offering Twin Temple an opening slot at the Hollywood Palladium. This leads the hosts to debate whether the entire falling out was a genuinely naive booking blunder or a cleverly orchestrated PR stunt meant to drive headlines and attention for both parties.

The hosts explore the viral internet concept known as the "Kia Asylum" (or Kya Asylum). They explain how the term describes pop stars, one-hit wonders, and alternative acts whose careers get stalled or shelved by labels after failing to replicate the massive commercial success of an early hit single. The discussion covers mainstream pop figures like Lizzo, Bebe Rexha, and Kim Petras, analyzing the difference between having a fleeting viral hit and cultivating a sustainable, long-term fanbase.

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It was never just a phase. We connect the Myspace era to today's waves.

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"A lot of news is just discourse. And I'm like, that's not news... News is when a band announces like a tour. That's news."

A massive portion of what is presented as "music news" today isn't actually news at all; it’s social media discourse. Through a mix of industry critique, and scene nostalgia Brian and Lizzie explore how stan culture and algorithmic metrics have fundamentally broken the way we talk about art.

They dissect the sudden resurgence of the two-year-old drama between music critic Anthony Fantano and pop-alternative star Halsey. Is it a case of "main character syndrome," or a deeper look into the death of traditional music criticism? Plus, stick around to hear our thoughts on the latest music releases they're currently listening to.

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It was never just a phase. We connect the Myspace era to today's waves.

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"Why do you keep going to the well hoping that you're going to find MCR-flavored water there? There's nothing there, man. MCR is not going to create anything they don't have to."

Brian and Lizzie tackle the chaotic realities of the summer touring season. The conversation kicks off with a roasting of the intense heat waves plaguing European festivals, which quickly segues into a deep dive on the viral Pinkpop Festival drama. The hosts dissect the hilarious clash between fans of pop princess Zara Larsson and the heavy-hitting German metalcore outfit Electric Callboy and the bizarrely foul hygiene habits of some modern festival-goers.

Switching gears from live show chaos to recorded music, the duo breaks down the internet’s collective, desperate hope for a fifth My Chemical Romance album. Evaluating the band's recent move to reopen their classic forums, Lizzie shares the community's frustration with cash-grabs, while Brian drops a harsh truth bomb: with four legendary albums already carrying their legacy, MCR has absolutely no obligation to release new music. To wrap up the episode, the hosts take a nostalgic trip down memory lane to critique the legacy of Pop Goes Punk style tracks, weighing whether modern TikTok covers hold a candle to the scene-defining execution of classic alternative covers.

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"When I'm writing...It's so detached. You can be wrong for an hour, and you can close your eyes and think for an hour, and it's for you to think of what's good. If I spent that hour thinking about what someone else might think about that thing, that's a wasted hour."

This week, Brian and Lizzie are catch-up after Vans Warped Tour in Washington, D.C. and release the final interview from the fest with the alt-act, The Wrecks.

The Wrecks for a candid, chaotic, and laugh-out-loud conversation on our signature red couch. From a heated debate over whether Limp Bizkit qualifies as "emo" to deep-dives into their musical evolution, this interview covers it all. The band gets real about their songwriting process, their favorite touring memories, and the absolute reality of navigating the current music landscape.

"All these bands and artists who have way more than us—way more followers, way more monthly listeners—are selling 50 tickets or canceling their tour because it's not selling. And we go out there and we fucking rip and our fans are there, and they're screaming every word... It's fucking awesome."

"I feel like I got into the scene—I'd show up in my skinny jeans, my studded belt, my purple and black striped sweatshirt. My sister would straighten my hair. I felt like that was the moment where I started really getting into like, this scene. That's the scene."

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"I think that whole 'you don't belong in this festival'—that's a manufactured media thing by people on the outside. Because when you go backstage... everybody is just fucking cool."

This week, Brian and Lizzie are catch-up after Vans Warped Tour in Washington, D.C. They break down the festival’s enduring backstage community, why international crowds embrace diverse lineups better than anyone else, and feature exclusive, rapid-fire interviews with some of the scene's biggest names.

We check the pulse of the scene through unfiltered conversations with Hoobastank, Super Sometimes, Rose Colored World, Saturday's at Your Place, and Deathbyromy. Our guests analyze everything from the nerve-wracking reality of playing a festival set 20 minutes after doors open, to the deep-rooted cultural representation currently reshaping pop-punk in 2026. Whether you're a seasoned Warped veteran or a newcomer to the scene, join us for an electric look at why this community still holds up today.

"I think that whole 'you don't belong in this festival'—that's a manufactured media thing by people on the outside. Everybody is just fucking cool."

"We played 20 minutes after the doors, and we were scared nobody was going to be there. Five minutes before our set, I looked out and there was nobody... and then we walked out and it was like a billion people."

"The scene—the barriers in between scenes are breaking. Let's break these walls, people!"

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It was never just a phase. We connect the Myspace era to today's waves.

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