Imari Paris Jeffries, President and CEO of Embrace Boston, joins The Culture Show for his monthly segment “AI: Actual Intelligence.” This month we get his take on Bunny’s final concert in Puerto Rico, which Jeffries attended. It wasn’t just a performance — it was a homecoming and a moment of pride for millions across the diaspora. We’ll also get his take on the reaction that Bad Bunny’s Super Bowl halftime show is already generating.

From there we’re joined by Sam Kissajukian. In 2021 the Aussie comedian quit stand-up, rented an abandoned cake factory, and became a painter. Over the course of what turned out to be a six-month manic episode, he created three hundred large-scale paintings, unknowingly documenting his mental state through the process. He turned this experience into his one-man show “300 Paintings,” now onstage at the American Repertory Theater through October 25th; more information here.

Finally we get a preview of Boston Baroque’s season opener “Baroque Masterworks." The acclaimed harpsichordist and conductor Christian Curnyn and Boston Baroque Executive Director Sarah Radcliffe-Marrs join The Culture Show. “Baroque Masterworks" is October 11th and October 12th at Jordan Hall; more information here.

We continue our “Countdown to 2026” series with the Museum of Fine Arts to look at the art reframing our understanding of the American Revolution. Ahead of Indigenous Peoples’ Day, we zoom in on Fritz Scholder’s “Bicentennial Indian.” Ethan Lasser, John Moors Cabot Chair, Art of the Americas and Marina Tyquiengco, Ellyn McColgan Associate Curator of Native American Art, lead the conversation.

From there, Harvard historian and New Yorker staff writer Jill Lepore examines whether the U.S. Constitution still functions as a living document. Drawing on The Amendments Project—a vast archive of thousands of failed amendment proposals—Lepore argues that structural and political barriers have made constitutional change nearly impossible. In her new book, “We the People,” she traces how that paralysis has shifted the power to interpret and reshape democracy from citizens and lawmakers to the courts. You can catch Jill Lepore tonight at the First Parish Church at 7:00. The event is hosted by Harvard Book Store. To learn more go here.

Finally filmmaker Tom Clement turns his lens on a new form of activism: light projections as protest. His documentary “Projecting Protest” follows artists and activists using buildings as canvases for messages that illuminate the ongoing battle between free expression, property rights, and public space. You can catch him tonight for a free screening at MassArt. The event is at 6:00. To learn more go here.

Today Culture Show co-hosts Jared Bowen, Callie Crossley and Edgar B. Herwick III drive our arts and culture week-in-review.

First up, Taylor Swift dropped her new album at midnight. “Life of a Showgirl” blends spectacle with storytelling, marking –and marketing–another milestone in her reign over pop culture.

From there, Bad Bunny is headlining the Super Bowl halftime show, a career touchdown that also amplifies Latin music on the world’s biggest stage. While fans cheer the, MAGA critics are calling it a cultural mismatch.

Plus Jane Fonda is resurrecting the Committee for the First Amendment, a Hollywood group her father once joined during the McCarthy era. With new battles over censorship raging, she says the fight to defend free expression is as urgent as ever.

Finally we remember Jane Goodall, the trailblazing primatologist, has died at 91. Her groundbreaking work with chimpanzees transformed our understanding of animal intelligence and deepened our sense of responsibility toward the natural world.