Bestselling author George Saunders joins The Culture Show to talk about his novel “Vigil.” Set over a single night, the book follows Jill “Doll” Blaine, a long-deceased guardian figure who keeps watch over a dying oil executive, returning Saunders to the moral and metaphysical terrain familiar from “Lincoln in the Bardo.”

Actress Claire Foy joins The Culture Show to talk about her film, “H Is for Hawk”, adapted from Helen Macdonald’s bestselling memoir. Known for performances defined by restraint and emotional precision, Foy reflects on inhabiting grief, solitude, and endurance in a story that unfolds through the training of a goshawk.

Boston comedian and actor Steve Sweeney joins The Culture Show to talk about his film “Townie,” which is drawn directly from his Charlestown upbringing. Known for comedy rooted in working-class Catholic culture, Sweeney uses the neighborhood as a lens on loyalty, memory, and what it means to stay put as a place — and a city — changes.

On this edition of The Culture Show, Jared Bowen, Callie Crossley, and James Parker, staff writer at The Atlantic, go over the week’s top arts and culture headlines:

The Venice Biennale is often called the Olympics of the art world, but this year its international jury made news before awarding any medals. The jury resigned, saying it would not honor artists from countries whose leaders face international criminal charges — a move effectively pointing to Russia and Israel, and throwing the exhibition into a political and cultural storm.

Robert Indiana’s famous stacked-letter LOVE image has traveled far beyond the art world — onto posters, stamps, T-shirts, tote bags and coffee mugs. Now his legacy is at the center of a major legal fight, after the Morgan Art Foundation was awarded $102 million in a case involving forged works and disputed rights to some of Indiana’s best-known images.

Nudes are nothing new in museums, from Degas’ bathers to Michelangelo’s David. But when performance artist Xandra Ibarra appeared nude in the MFA’s galleries, the reaction was very different — laying bare how complicated our feelings about the human body can be when art steps out of the frame and into the flesh.

Jimmy Kimmel, Donald Trump and the FCC are back in the ring after Kimmel joked about Trump’s mortality and Melania Trump’s future during a mock White House Correspondents’ Dinner roast. The White House called the joke “violent rhetoric,” Trump demanded ABC fire Kimmel, and now critics are questioning the timing of an FCC review of Disney-owned ABC station licenses.

Award-winning New Yorker staff writer Patrick Radden Keefe joins us to discuss his latest book, London Falling: A Mysterious Death in a Gilded City and a Family’s Search for Truth. The book investigates the death of 19-year-old Zac Brettler, who plunged from a luxury London apartment tower into the River Thames, and opens into a larger story of dirty money, criminal networks, police failure, and extreme wealth.

Obie Award-winning Boston playwright Kirsten Greenidge joins us to talk about writing the new English dialogue for Boston Lyric Opera’s Daughter of the Regiment, now onstage at the Emerson Colonial Theatre through May 3. BLO’s production moves Gaetano Donizetti’s comic opera to Revolutionary-era Massachusetts, where a young woman raised by soldiers finds love, loyalty, and a new American setting.

As part of our “Countdown to 250” series, we continue our monthly conversation with the Museum of Fine Arts, Boston about artworks that offer fresh perspectives on the American Revolution. Erica Hirshler, the MFA’s Croll Senior Curator of American Paintings, and Ben Weiss, the MFA’s Leonard A. Lauder Senior Curator of Visual Culture, join us to discuss Gilbert Stuart’s portraits of George Washington and Martha Washington — images that helped shape how a new nation pictured power, legacy, and memory.