"As a reader, if I were a fan reading this book, I want the good, the bad and the ugly. I want you to rip the band aid off and tell the truth. Because, from my from my experience, I've read a lot of memoirs that are super boring and just fluff," says Jeremy X. Wagner, co-author of Curtis Duffy's Fireproof: Memoir of a Chef (Dead Sky Publishing).

We have Jeremy X. Wagner on the show today. This dude is a stone-cold badass and the co-author/ghost writer of Fireproof: Memoir of a Chef (Dead Sky Publishing). Jeremy, man, he’s a heavy metal musician and founder of the death metal band Broken Hope.

He’s the author of the novels Rabid Heart, which was nominated for the best horror novel at the 2019 Splatterpunk Awards, and the novel The Armageddon Chord. He has a new novel coming out in January titled Wretch, so stay clued into jeremyxwagner.com for more info on that.

He’s the CEO of the TV/film company Aphotic Media and the indie publishing company Dead Sky Publishing. He has a very varied creative life which I find inspiring and really fucking cool.

In this conversation we talk about:

• How he became an accidental publisher
• Playing guitar
• Being turned on to Ride the Lightning
• Passion and imagination as a driver
• Learning the business inside and out
• Competition
• Trust
• And how he translated Curtis’s voice onto the page

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Show notes: brendanomeara.com

"This has to be meaningful to you. It has to be a story that won't leave you alone, a story that you're willing to rearrange your calendar for," says Masha Hamilton, whose Atavist Magazine story is titled "I've Gone to Look for America."

Today we have Masha Hamilton, a journalist, a novelist, a fan of the show, a fan of Pitch Club. You’ll want to visit mashahamilton.com to learn more about her wide-ranging career covering the world. She’s the author of five novels and trying to sell her sixth. She was at one point the director of communications and public diplomacy at the US embassy in Kabul.

Her story for the Atavist is about her driving the entire length of I-95 with her photographer son Cheney, and stopping at just about every rest stop to speak with strangers about how they feel about our country. “Conversations and revelations about an ailing nation along Interstate 95.” Man, those Atavist editors sure can write the hell out of a dek.

Guess who’s back!? Seyward Darby! Do your best Kermit the Frog dance. Very nice to hear her and this piece challenged Seyward in ways I didn’t see coming: Meaning, she didn’t share Masha’s optimism or hope. Seyward, for lack of a better word, disagreed with it, so there was an interesting tension she brought to the edit.

For Masha's part, we talk about:

• Novels as complimentary to her nonfiction
• Covering societies in change
• Healing through story
• How this was piece was a therapy session
• Accelerated intimacy
• Endings
• Middles
• Finding the meaning
• Writing you rearrange your calendar for
• And belonging as practice

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"My editor was like, hold on, you need to put your thumb on the scale of why this matters. Now, there's no first person in this, but you have your thumb on the scale, you need to assert your own point of view. Like, this matters, why? says Brendan O'Meara, author of The Front Runner: The Life of Steve Prefontaine Mariner Books.

Who the heck does this host think he is being a guest on his own podcast? The nerve of this guy. That’s right, for the third live taping of the Creative Nonfiction Podcast at Gratitude Brewing, I was interviewed by the brilliant Daniel Littlewood, who kinda makes me look and sound like a jabroni’s jabroni.

Daniel is Group Creative Director at The Explainer Studio at Vox Media, Inc. He edited the documentary feature film “Don’t Think I’ve Forgotten: Cambodia’s Lost Rock & Roll.” Formerly, he was the lead producer for HuffPost’s Live’s multi-million dollar sponsored content division. He has a tremendously easy-going, conversation nature to interviewing with tremendous shot-clock awareness that required next to no editing on my part.

So The Front Runner has, at this point, been out for four months. Daniel and I recorded this on July 27 so the book was only out for two months at that time. This was a painful edit for me because I’m so sick of hearing myself talk and talk and talk. I’m not so sure I took a single breath during this conversation, but Daniel was an incredible partner and if something should happen to me, I want Daniel to take over CNF Pod.

In this episode, I talk about:

• My love of my editor
• Valorization of pain
• Making the case for why I was the person to write this book
• Asserting POV in biography
• World building
• And why it was a good thing I forgot the combination of our gun safe

Ruby McConnell introduces us at Gratitude Brewing.

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Newsletter: Rage Against the Algorithm

Welcome to Pitch Club

Show notes: brendanomeara.com