London-based music photographer and GIF artist Kate Bones joins as the guest for episode four, discussing the journey of finding your creative niche. Kate, who originally studied fine art sculpture, shares how she transitioned into portraiture through moving image. Known for her kaleidoscopic, hyper-real 3D animations, Kate explores the fusion of analogue and digital technologies, constantly pushing the boundaries of the GIF medium. Her work has been featured in Dazed, Wonderland, and Love Magazine and she has collaborated with artists including Mabel, Beth Ditto, and Ms Banks. Tune in to hear her approach to blending stills and motion and how she carved out a distinct space in the world of contemporary photography and digital art.

London-based music photographer and GIF artist Kate Bones joins as the guest for episode four, discussing the journey of finding your creative niche. Kate, who originally studied fine art sculpture, shares how she transitioned into portraiture through moving image. Known for her kaleidoscopic, hyper-real 3D animations, Kate explores the fusion of analogue and digital technologies, constantly pushing the boundaries of the GIF medium. Her work has been featured in Dazed, Wonderland, and Love Magazine and she has collaborated with artists including Mabel, Beth Ditto, and Ms Banks. Tune in to hear her approach to blending stills and motion and how she carved out a distinct space in the world of contemporary photography and digital art.

FOLLOW KATE

https://www.instagram.com/katebones/

http://www.katebones.com/portfolio/

FOLLOW CHARLOTTE

https://www.instagram.com/voteforpatmore/

https://www.charlottepatmore.com/

FOLLOW KATY

https://www.instagram.com/katycummings_/

https://www.katycummings.com/

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Next up in episode three, Charlotte and Katy head backstage at Love Supreme Festival in Glynde, East Sussex, where they are joined by singer, songwriter and producer Joel Culpepper and his go-to photographer, Michal Augustini.

Exploring the creative approach and relationship between artist and photographer, listeners will hear about the collaborative process.

Hear how live performance photography shapes an artist's narrative, the ideation of photoshoots and capturing the moments when Joel's music influences Michal's lens.

Find out what makes a great artist and photographer collaboration, and how they work in tandem to shape visual and musical storytelling.

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For episode two, Charlotte and Katy are joined by photographer and visual artist Alia Romagnoli (Hope Tala, Raveena, Bombay Mami) for an insightful conversation on how she found her style and identity as a photographer.

Alia discusses how her unique aesthetic is influenced by her South Asian background and how her work intersects withLGBTQIA+ themes. Offering valuable advice for photographers navigating their own creative journeys, Alia shares personal tips on how to develop a distinctive style and stay true to your identity in a competitive industry.

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Welcome to the brand-new podcast from the Abbey Road Music Photography Awards! Step beyond the image and explore the process behind music iconography, shining a light on the talented photographers behind the lens.

In this episode, meet our hosts: acclaimed music photographers Charlotte Patmore (Clairo, Sam Fender, Lola Young) and Katy Cummings (Two Door Cinema Club, You Me At Six, The Hunna). Hear their journeys of becoming music photographers, building your personal brand, tips for anyone starting out and much more.

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Episode one brings together two long-time collaborators - legendary British photographer and MPA co-founder Rankin and indie icon and Gossip frontwoman, Beth Ditto, who join the hosts for an electrifying conversation.

They delve into their creative journey, exploring an iconic 2009 Dazed & Confused cover shoot and reflect on their long-standing working relationship, sharing insights into the artistry behind capturing powerful moments, how to bring out the best in an artist and the unique dynamic between music and image.

Speaking about working together, Beth says, “Rankin has done so much for me and Gossip”, to which Rankin adds, “When I did Beth’s cover, I thought, this is going to be big. She jokes about it but it’s one of my best pictures”.

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