『Stolen Masterpieces』のカバーアート

Stolen Masterpieces

Stolen Masterpieces

著者： Creator at Obomedia
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Ever wondered what happens after the heist? Stolen Masterpieces plunges into the thrilling, often bizarre, world of art theft, revealing the true stories behind history's most audacious heists and the priceless artifacts that vanished. We go beyond the headlines to uncover the motivations of the art thieves, the intricate schemes, and the desperate attempts to recover these cultural treasures. From daring museum robberies to clandestine black markets, each episode unravels a new saga of crime, intrigue, and the enduring allure of stolen art. Discover the hidden lives of master forgers, the cat-and-mouse games with investigators, and the surprising fates of masterpieces thought lost forever. Stolen Masterpieces delivers a fresh episode every single day, Monday through Sunday, arriving promptly at 4:00 AM, ensuring your daily dose of art crime stories is always ready. This podcast is for anyone fascinated by unsolved mysteries, true crime narratives, and the dark side of the art world. If you love tales of cunning criminals and priceless works of art, you’ve found your next obsession. Subscribe now to Stolen Masterpieces and unlock the secrets of the art underworld.© 2026 OBOMEDIA Creators ノンフィクション犯罪
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  • The White Pipe That Hid a Museum's Stolen Masterpiece

    The White Pipe That Hid a Museum's Stolen Masterpiece
    2026/09/10
    The White Pipe That Hid a Museum's Stolen Masterpiece

    A small, factory-white pipe in a gravel drain hid a $240,000 original painting while a convincing forgery hung under the same light for years - and someone used a digital shadow credential to pull it off. Who created the invisible login that altered condition notes from a public library terminal and why did the edits always avoid Wednesdays?

    In this episode, we follow the discovery and the digital trail that connected a conservator, a registrar’s stolen credentials, and a vulnerable catalog system at a regional house-museum, asking how a museum’s routine digitization became the conduit for art theft.

    Person: Sandra Bailey
    Person: Christine Polk
    Person: Person: David Harrison
    Event: Discovery of original painting in drain
    Software: ArtVault

    - The painting Interior with Blue Pitcher had been in Ardmore House’s permanent collection for nine years.
    - The insured value of the painting was $240,000.
    - The Ardmore collection comprises roughly 400 works.
    - Eleven unauthorized catalog edits were made over eleven months using Polk’s login credentials.
    - The vulnerability patch for ArtVault had been available for 18 months before Ardmore applied it.

    To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.

    © 2026 OBOMEDIA. All rights reserved.
    This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.
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    21 分
  • The Conservator Who Hid a $280K Painting in a Culvert

    The Conservator Who Hid a $280K Painting in a Culvert
    2026/09/09
    The Conservator Who Hid a $280K Painting in a Culvert

    A gilt frame worth $280,000 sat wrapped in plastic inside a dry drainage culvert while the ground outside was still wet from overnight rain - and the wrapping's left edge was folded open as if pushed in one-handed. How did a conservator with repeated access, a changed alarm code written in an unlocked notebook, and a cleared studio converge to end with a painting tucked beneath a trail?

    In this episode, we lay out the timeline and concrete details of what happened at the Pell Civic Center, who visited the gallery nine times, and the security notes that mattered, asking whether a methodical, patient theft can be pieced together from small ordinary records.

    Person: Troy Anderson
    Person: Paula Hall
    Person: Pete Culver
    Date: September 9, 2019
    Event: Painting found in drainage culvert

    - The painting "Oxbow, Late August" by Bernard Goss was worth $200,000 to $350,000 after a market spike in early 2019.
    - Troy Anderson found the painting before 7 a.m. on Monday, September 9, 2019, in a dry culvert under a ridgeline trail.
    - Paula Hall signed the Pell Civic Center visitor log nine times between November 2018 and August 2019.
    - Pete Culver wrote a new alarm code "4-7-2-9, new" in his unlocked spiral notebook on March 14, 2019.
    - Paula Hall's Hall Studio Restoration was cleared and vacant on September 5, 2019, four days before the painting was found.

    To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.

    © 2026 OBOMEDIA. All rights reserved.
    This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.
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    20 分
  • They Rehung the Fake - The Frame That Bought a Theft

    They Rehung the Fake - The Frame That Bought a Theft
    2026/09/08
    They Rehung the Fake - The Frame That Bought a Theft

    A museum’s most trusted object - a federally documented, carved gilt frame dated circa 1830 - hid a quiet, patient theft for nearly a year. The Selwyn’s jewel painting was replaced without broken glass, alarms, or forced entry; how did a plain crate and a signed ledger let four forgeries take the place of the original without anyone noticing?

    In this episode, we tell what happened at the Selwyn Museum of Regional Art from the morning of August 9, 2011 through the eleven months after the canvas left for conservation, outlining the people, the paperwork, and the small discrepancies that allowed the scheme to unfold; could a single ledger note and an unstenciled crate be enough to topple institutional safeguards?

    Person: Kevin Bauer
    Date: August 9, 2011
    Location: Selwyn Museum of Regional Art, Grennock, Pennsylvania
    Object: Dusk at Henner Creek (painting) and its carved gilded frame
    Conservator: Philip Crane

    - At 5:50 AM on August 9, 2011 a 15-year-old paperboy named Kevin Bauer found the loading dock door swinging open and called 911.
    - The painting Dusk at Henner Creek is roughly 4 feet by 3 feet and was painted in the 1930s by Amos Fell.
    - The frame was carved around 1830 and authenticated by Delmar Conservation Institute, the Carrington Appraisal Group, and a specialist at Westfield University.
    - The canvas left the museum on September 14, 2010 for condition review and returned 12 days later, logged on September 26, 2010.
    - The crate that left carried the Selwyn’s stencil; the crate that returned was plain, noted in the handwritten loading dock ledger but not acted upon for 11 months.

    To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.

    © 2026 OBOMEDIA. All rights reserved.
    This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.
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    21 分
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