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  • Ecola Soundwalk
    2025/09/05
    This is a free preview of a paid episode. To hear more, visit chadcrouch.substack.com

    When it comes to soundwalks, it’s unusual for me to let two years go by from the time of capturing audio until release. I had to leave this one alone for a while and come back to it with fresh ears. Dear reader, this is Ecola Soundwalk.

    There are a number of hiking routes at Ecola State Park just north of Cannon Beach, Oregon. It’s an astonishingly beautiful headland chock full of seastacks and fog belt Sitka spruce coastal forests. It’s a national treasure really, as far as state parks go.

    I went for the Clatsop Loop route, hoping the inland leg would provide for some quiet encounters with wildlife. It was quiet, and this ultimately informed the instrumentation I chose. When I finally came back to it, I realized the whole thing just needed to be softer and quieter. That’s what was missing from my first pass at composing and arranging, over a year before.

    Not that any of my soundwalks are recommended for listening in a car or on a plane trip, but Ecola Soundwalk should come with a warning label: Do not attempt to listen outside a quiet environment. It won’t sound good. There are even some passages that might sound experimental with their woozy, threadbare, textured minimalism.

    Ruby-crowned Kinglets and Chestnut-backed Chickadees eventually enter the soundscape after the five minute mark, and they come and go through the middle bit. Red crossbills fly over and Red-chested Nuthatches move slowly through the upper canopy.

    After a Barred Owl sighting, we once again hear the surf about 2/3 of the way through. It’s distant. Below. This is not a beach soundwalk. It’s a moody coastal forest soundwalk.

    And, it’s a walk with periodic astonishing vistas. The lonesome Tillamook Rock Lighthouse is a sight to behold.

    Well, that’s really all I can think of to say this week. Thanks for reading and listening. Thanks for sticking with me.

    Ecola Soundwalk is available on all music streaming services today, September 5th, 2025.

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    7 分
  • Meadow Showers
    2025/08/29

    After a few weeks, I’m back, and excited to share something new. Out today is Meadow Showers, an album offering a new twist on the soundwalk form that has given shape to my work over the last three years.

    The twist is admittedly a gentle one: In a nutshell, it’s simply less footsteps in the mix. On this soundwalk I’m engaged at intervals in plein air (outdoor) painting using an iPad (or phone), while quietly soaking up the soundscape as I sketch. If you’ve been keeping up, you may recall this post from June 12, introducing the concept:

    The soundscape for Meadow Showers was captured on June 20th of this year at the Holman Lane entrance to Forest Park in Portland Oregon. The meadow had already grown tall. Grass cuttings lay on the trail. A squall whipped through the trees.

    I took cover across the meadow under a broadleaf tree with a bench underneath it, Looking in the opposite direction, I worked up this image as a summer rain shower passed over.

    Eventually other visitors came into the scene. A child squealed with delight. A group of young people walked by speaking Chinese. The birds were temporarily quieted by the weather.

    Before long, I ventured out on the Wildwood Trail, stopping to sketch this image of the hillside terrain:

    Rain clouds came and went. With another downpour brewing, I found myself taking shelter under a tree overlooking this woodland scene with two snags emerging from the bracken:

    The wind massaged the canopy, playing it like an instrument.

    In all, Meadow Showers is a postcard-esque series of vignettes, writ in image and sound. It’s a new soundwalk formula that I will revisit through the coming year. The first handful is already on deck and slotted in the release schedule, and I have designs for creating more, with the aim of pushing against some of the self-imposed boundaries of my craft.

    I’ve been feeling a little stuck and disaffected lately, I guess. Insofar as this relates to my work, I’m hopeful a new angle can open some doors. What do you do when you feel stuck, alienated, or upset? Feel free to help me brainstorm with a comment.

    Thanks for reading and listening. I’m glad to have you along!

    Meadow Showers is available on all music streaming services August 29, 2025.



    This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit chadcrouch.substack.com/subscribe
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    27 分
  • Sunset Bay Soundwalk
    2025/08/01

    I recorded the environmental sound for Sunset Bay Soundwalk about year ago while meandering over the rocky tidal landscape on a mild summer Sunday morning at Sunset Bay, near the city of Coos Bay, Oregon.

    Sunset Bay has a crescent-shaped beach, sheltered by the North Pacific waves. Here, little rollers fan out, lapping against the rocky head outcrops on each side. Acoustically it’s a natural amphitheater. The birds, foraging in the tree canopy on the bluffs sound amplified. A Swainson’s Thrush ethereal song reverberates. The surf sound is a distant murmur. Windstill.

    Perhaps the first thing you register though, is the sound of humans. For this edit, I spliced clips that were peppered here and there with human voices. They are largely undecipherable; adding a textural layer in the soundscape.

    We hear feet scuffling over rocks, with no rhythm. No urgency.

    While there, I gazed into the tide pools, enchanted by the colors. Looking for movement, I was delighted by these little colonies of life adapted to the flushing seawater tides in their dance with the moon.

    I did my best to translate the sweetness of the morning in music. Nothing like a morning outside to rinse and reset the mind!

    Thanks for listening and reading. As per usual, Sunset Bay Soundwalk is available on all music streaming services today, August 1, 2025.



    This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit chadcrouch.substack.com/subscribe
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    17 分
  • Stream
    2025/07/25
    Out today under my instrumental Sleeping Animal pseudonym is a composition entitled Stream. It’s a measured and minimal eleven minute miniature suite for electric piano and synthesizers. Look for Stream today, July 25, 2025 on all streaming services.I’m over half way through the release schedule of Sleeping Animal releases that took shape pretty quickly at the beginning of this year. My hope was that they might find an audience outside the niche I’ve cultivated with my penchant for field recording taking a co-equal, or maybe even primary role in my music. It seems like a fine time to reflect on how the Sleeping Animal experiment is going. If you’re interested in this, by all means read on. If it’s not what you signed up for, feel free to skip it. Neo-classical, Chilly Gonzales, Mood Music, and What Now?I’m thinking about an essay by Chilly Gonzales entitled Why I Regret Giving Birth to the Neoclassical Genre that opens with this paragraph:It’s usually a forest, or a mountainside, or a beach. Ideally, it’s an otherworldly volcanic terrain, maybe in Iceland. A piano sits conspicuously in the middle of this landscape, as a pianist with eyes closed exaggerates the effort required to present some familiar arpeggios on the white keys. This is Neoclassical music, a genre I may have birthed, and I hate myself for it.I had to laugh. This was accurately calling out Sleeping Animal before it even came to be. It’s usually a forest. Check. Familiar arpeggios on the white keys. Fair enough. I mean, I’m pretty comfortable on the black keys too, but I tend to follow familiar pathways when composing, so touché, and ouch!In this essay Gonzales reflects on his 2004 solo piano release, aptly entitled Solo Piano, offered up as a curveball to the “electro-hipster” fanbase he garnered in the preceding years.Back in 2004 my music business contacts saw my Solo Piano transformation as career suicide. Nobody thought of solitary piano music as a potential gravy train. But here we are, the algorithm has spoken and background music is now big business.Playlists like Peaceful Piano or Music for Studying have turbo-charged the monetisation of functional background music. These playlists pay, albeit badly. And when the playlists pay, the industry pays attention…The essay was published in September last year. While the Peaceful Piano playlist is still a gravy train for the premiere names of the genre, the chill playlist diaspora have been largely reprogrammed with “ghost artists”. (In a nutshell, ghost artists are fictional artist identities given to tracks created by for-hire studio musicians willing to crank out original songs to fit a mood, all in an obfuscated scheme to cut costs for the platform.) Today, the few high traffic playlist slots that remain for real artists might be the last of the low hanging fruit for the AI-generated music tidal wave that we are being warned about. I’m not ashamed to say that the invention of Sleeping Animal was in part an experiment to see if I could grow my streaming income by diversifying. I said that much from the get-go, calling it a spin off.Gonzales relayed an anecdote about the allure of chasing playlists: A musician friend of mine worked painstakingly for years on a complex and challenging album only to hear from his record label that “we love it but we feel we could invest more of our time, energy and money if you would add something for the fans of Ludovico Einaudi”. In other words, to become Zweinaudi or Dreinaudi.It’s difficult to resist this pressure. It wasn’t long before my friend went back to the studio and aimed a few more pieces squarely at the “peaceful piano” bullseye. And worst of all, my friend and the label were rewarded mightily for their capitulation.But really, worst of all? This seems a bit holier than thou, honestly. So, real artists only make complex, challenging music and never think about earning a living?I watched the 2019 documentary, Shut up and Play the Piano, profiling Gonzales several years ago. He exudes main character energy in the film in a way that’s almost hard to watch: complex, bedeviled, and willing to go to extremes to compensate for something—we’re not sure what. A sibling rivalry? Imposter syndrome from portraying himself as a musical genius, while struggling to read beginner level sheet music? For all the vulnerable sequences and observations in the film, there’s an equal number of clips cultivating a chameleonic chicanery.I am one of the many devotees to Gonzales’ solo piano works. These albums featured minimalist black and white drawings, evoking the trope of a serious, studied artiste. His cover for Solo Piano III went so far as to insinuate technical prowess: three disembodied hands dancing across the surface of a piano keyboard. I bought it. I thought he was a piano genius. In a way, both he and the movie pulled the rug out from under fans like me. I wasn’t sure how to feel about it.When I ...
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    11 分
  • Quiet Columbia Suite
    2025/07/18
    This is a free preview of a paid episode. To hear more, visit chadcrouch.substack.comThe Columbia River basin is roughly the size of France. The Columbia is the fourth-largest river in the United States by flow, and the largest river emptying into the eastern Pacific Ocean. In the last 90 years, this mighty river has been mightily renovated. The multitude of dams (around 150) in the basin now represent 44% of all US hydro-electric power generation. It all started in the 1930’s with the Bonneville Dam, a signature project of The New Deal. The Bonneville Power Administration (BPA) was created by Congress to market the power generated by the dam. The agency would grow over the years as more and more dams were built in the basin. My father was hired by BPA around 1970 as an electrical engineer. Within a few short years his salary enabled him to purchase a new home for his young family of four, and a new Ford Mustang for his commute to work from the Portland suburbs. As the 70’s drew to a close, my father began climbing a managerial ladder at BPA. Visiting his office was exciting for a kid. At one point it was located on the upper floors of the tallest building on Portland’s east side. The cars on the street looked like toys from up there. Elevator rides were a thrill. My sister and I would jump at the first sign its rapid ascent was slowing, elated by the hang time we felt.In 1984 dad moved to a new office, in an even fancier building with a curved facade overlooking the freeway. I distinctly remember him telling me about a modern white noise system that was built in. It made the office seem quieter, he said, by adding sound; a special sound that made background noise less noticeable. Conversations in far-off cubicles couldn’t be heard. This puzzled me. It sounded like white noise was black magic. Adding sound, in my experience, was a surefire way to make something— someplace—louder. What exactly he did at work in those years wasn’t obvious to me. His white collar job, in his white noise office wasn’t tangibly connected to the mechanics of hydro-power or the delivery of electricity into our homes in the Pacific Northwest. Similarly, now a generation removed, my son is both uninterested and unimpressed by my vocation, which amounts to me spending a lot of time in my home office/studio with headphones on, plunking away on a midi keyboard, scrutinizing bands of orange-hued spectrogram stereo files, poking and prodding at them with a mouse in hand.In the words of Woody Guthrie—who was hired by BPA in 1941 to ennoble the burgeoning hydro-electric empire in song—the Columbia rolls on. It rolls on four miles north of our home. Electrons arriving in wires from turbines at Bonneville Dam are converted to LCD light and computational power right here in front of me, enabling, in part, the wonderfully complicated but seemingly straightforward task of drafting this post. It rolls on and I take it for granted. Air conditioning requires a great deal many more electrons, which I’m also currently enjoying, with little thought given to it. While the hydroelectric empire of the Columbia has given the region abundant renewable electricity and supplied it with water to irrigate arid landscapes, it has done so at the cost a once great salmon fishery.Here BPA would say, no it wasn’t us. We’ve helped Salmon. We’ve spent billions. Look at all our hatcheries and fish ladders. We even transport fish in trucks around our dams. It was the fishermen and canneries who depleted the fishery before the dams were built. On that score, they wouldn’t be entirely mistaken. The early 1900’s Columbia commercial fishery knew no bounds, and within half a century it brought about its own demise. But to say that salmon and dams can get along hunky-dory, well, that’s increasingly hard to fathom.Less than a year ago, three hundred miles to the south, a campaign of dam removals was concluded on the Klamath River. The basin is still far from its pre-Euro-American state, but it was is a big move for restoration of salmon spawning habitat in the upper Klamath. Within days of the last dam removal, fall run Chinook were observed upriver for the first time in a century. Years from now perhaps stakeholders will look to the Klamath for answers about what to do about the aging infrastructure on the Columbia.Celilo Falls and the Cascades of the Columbia, once roaring, are but memories of a mighty river that ran wild nearly a century ago. Submerged by slackwater pools, today’s river soundscape is now formed by the wakes created by cargo ships and barges that ply its lower reaches. This recording is essentially a slice of time on a mild December day in 2024 between two such vessels. Centered on a reach of river absent of shoreline highways, it harkens back to a quieter time. It captures the sound of a great expanse; miles in all directions.Accordingly, the musical composition and arrangement are imbued with harmonic complexity ...
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    5 分
  • Oak Island Rain Soundwalk
    2025/07/04

    The environmental recording for Oak Island Rain Soundwalk was recorded April 30th 2024. It’s a really gentle soundscape; dewy and hushed. I chose this photo for the cover because, if you look closely, it captures the fine rain drops that fell that morning. It’s hard to take a picture of rain. I got lucky here.

    I’ve gave Oak Island quite a bit of attention last year, initially surveying the soundscape without ornamentation:

    Later, I visited the spur road that leads to the area in the winter, basking in the sound of skeins of geese overhead and croaking Sandhill Cranes foraging in fallow fields.

    Finally, I used a recording made peering in the heart of the 100 acre Oak Savanna preserved at Oak Island for my sophomore Listening Spot effort:

    So we’re back, and even though it captures an out-of-season sound for this part of the world, I thought it might be a soothing addition for summer programming.

    The weather here in the Pacific Northwest has been idyllic. Meanwhile, headlines land in my news feed about heat waves on the US East Coast and in Europe. If you're feeling the heat, this one goes out to you.

    In this season of open windows and being outside, our cities become a little noisier. Sometimes that can be exciting. Sometimes it can be unwanted.

    I make no pretenses about what my soundwalks are for, what purpose they serve, but if this one can quell any thirst for peace, quiet, and tenderness out there, I’m all for it.

    In this landscape we hear migratory Bullock’s Oriole, Rufous Hummingbird, Orange-crowned Warbler, Yellow-rumped Warbler, Western Tanager, Purple Finch, Tree Swallow, Black-headed Grosbeak, Savannah Sparrow, Red-wing Blackbird... The interesting thing is they are all singing lowkey, as the kids say, as in quietly. The rain seems to have a subduing effect.

    Thanks for listening and reading! I’m making this one available in its entirety here on Substack, because I think there is probably someone new-to-me it could be useful to. If you enjoy what you hear, please consider telling just one person about it. As per usual, Oak Island Rain Soundwalk is available on all music streaming services today, July 4, 2025, Happy Independence Day!



    This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit chadcrouch.substack.com/subscribe
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    35 分
  • Forest Spring Suite
    2025/06/20
    This is a free preview of a paid episode. To hear more, visit chadcrouch.substack.com

    More than once in recent conversations I’ve revealed I’m not all that fond of Summer. The response has been interesting: incredulous laughter; a bemused disbelief. Why? Explain, they seemed to say.

    Maybe you recall the sleeper hit “Heatwaves” by Glass Animals that was ubiquitous in the Summer of 2022? There’s a line that I always misheard:

    Heat waves been fakin' me out

    Can't make you happier now…

    Well, I always thought it was heat waves been freakin’ me out, because that made perfect sense to me. The year before, in late June 2021, the US Pacific Northwest experienced a Heat Dome event that shattered all kinds of records. It reached 116 degrees Fahrenheit here in Portland, Oregon. It sparked wildfires, warped train tracks, and contributed to a heat-related death toll of over 1400 people in the greater geographic area including Canada. Over 70 heat-related deaths occurred in the county I live in.

    I rarely enjoy feeling hot. The smell of forest fires provokes an adrenaline flight response that requires distinctly modern reasoning to suppress. The cabin fever that settles in after multiple bad air days due to wildfire smoke produces a profound feeling of disassociation. Smoky skies were until recently thought to be a western US state phenomenon, but that seems to up for debate now.

    The anticipation of these sensations as markers of Summer, often arriving earlier in the season each year, just makes me wish I could skip to fall. These are a couple of the reasons I don’t entirely look forward to summer.

    Nevertheless, apart from two days with temperatures in the 90’s, it’s been a mild and dry June here. Temperature-wise, it’s felt more or less in line with an average end to spring in the Pacific Northwest, which is to say, lovely. Highs have hovered in the low 70’s.

    Back in Forest park, baby bird voices can be heard seemingly around every other bend along the trails. Baby bird sounds are imbued with so much joy, new life, and vulnerability. You’ll get better looks at the parents too, as they dart through the shrubs and understory defensively.

    American Robins can be seen hopping along the trail in front of you in an apparent defensive distraction behavior to protect a nearby nest. In this way, it is a season of being on guard for the birds too.

    The trills of Pacific Wrens overlap at intervals. Their effusive song is sweetened by the columnar structure of the conifer woodlands. I picture the frenetic notes of their song like pinballs bouncing off bumpers, scattering through the understory, arriving at my ears in a wash.

    At the 16-minute mark we hear a Stellar’s Jay practicing its Red-tailed Hawk imitation. It must be a youngster because it calls again and again, not quite getting it right.

    Summer officially starts on June 21st, the day after this recording is released. All but the deepest creek canyons have already dried up in Forest Park. A wildfire 75 miles east of here destroyed 56 homes in the Columbia Gorge community of Rowena, Oregon last week. As I sit here writing this, it’s 34% contained. This news is just one of many developments in that time span to absorb, consider, and file away in my mental model of the world.

    I was out near where this soundscape was recorded last week, doing some plein air sketching and recording. It was so serene. When the world can feel overwhelming, it’s nice to just have something to do with your hands, something to focus on in the present, something to contemplate with a sense of wonder.

    Happy Summer Solstice. Thanks for being here; for listening and reading. Forest Spring Suite is available under the artist name Listening Spot on all streaming platforms Friday, June 20th.

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    4 分
  • Crane Lake Soundwalk
    2025/06/06
    I’ve been doing soundwalks for three years now, but it feels like longer. Crane Lake Soundwalk is officially #64.I remember the day my dad told me he listened to The Beatles’ “When I’m Sixty-Four” on the morning of his 64th birthday. He expressed a certain disbelief that he caught up to the song he first encountered as a twenty-year-old. He didn’t feel sixty-four, he said. I even remember the day he repurchased the Sgt. Pepper’s Lonely Hearts Club Band album as a CD in his forties. He picked me up at Dudley’s Records in downtown Portland, Oregon, and on a whim did some used CD shopping. In addition to the aforementioned Beatles, he picked up Cat Stevens’ Tea for the Tillerman and James Taylor’s Greatest Hits Vol. 1. Quite the haul, and ultimately not lost on me, even though I was in the thrall of Post New Wave. I spent my money on New Order and The Smiths. Anyway, I suppose that’s just to say, time has a way of sneaking up on all of us. And it leads me to ask, as one does occasionally, how did I get here? Luckily I’d been doing some thinking on it recently and I have a few responses in mind. Here is why I’m still making soundwalks: * These soundwalk environmental recordings—rendered while moving through the landscape at the human scale—possess an intimacy that a fixed position soundscape does not have. In the same way that a human photographed in front of a redwood tree helps communicate the grandeur of the tree, footsteps, and the passing of sounds in and out of the audible horizon lend dimensionality and scale. * It’s so much easier to get “good tape”, when you just roll all the time.* It gets me outside. * There’s room to grow. I’m getting better.Crane Lake Soundwalk is an interesting addition to the catalog. It’s stimulating. There’s a lot of wildlife to hear. And if you have the time to spare, you can compare this soundwalk to my debut Listening Spot release, Crane Lake Suite, made on the same day, in the same place, but from a fixed position. It does illustrate differences in the approach.It’s just not every day you find yourself next to a shallow body of water roiling with carp.Now, if you just tuned in to the soundwalk without reading this, and didn’t know about the carp, you might think it was me sloshing through the water, before realizing the splashes had a fishiness to them. I can imagine it being a little puzzling to the uninitiated.To get to Crane Lake you walk down a grassy lane on a seldom visited quarter of Sauvie Island, just north of Portland, Oregon.Soon enough you come to the lake. There are no official trails. Just slightly trampled lanes in the grass. Here we hear Cedar Waxwing, Black-headed Grosbeak, Tree Swallow, Song Sparrow, Western Wood Pewee, Yellow Warbler, Swainson’s Thrush… We also hear the swish of grass underfoot and the cottonwoods quaking in the breeze.At the lake Great Blue Herons stand statuesque. They occasionally erupt from the grass thickets with Cretaceous croaks, ranging around for a new fishing spot. This is like a fast food drive thru for Bald Eagles. Easy pickings in the shallow lake.Juveniles have dark head feathers. They remain silent for the duration of my visit. You will, however, hear a Stellar’s Jay mimic a Red-tailed hawk call (28:20). The Red-tailed Hawk call has long been a stand-in for an eagle call in Hollywood movie sound design. Fine sheets of rain fall in waves. The drops sound like little pin pricks, falling on the brim of my recording hat. I walk along the western perimeter of the lake on a little lane. Gentle sounds abound. I walk slowly. This is not the oldest composition I’m sharing this year, but it was tracked a year ago. It’s a little surprising to me that I’ve stuck with a lot of these instrument voices since then. My general drift, I would say, is toward a more electrified palette. But finding the electric sounds that are expressive is time consuming, so I guess it makes sense that when I find a few, I’m going to use them for a while. That’s about all I have to say about this one. I hope it adds a little something to your corner of the world. Thanks for listening and reading!Crane Lake Soundwalk is available on all music streaming services today, June 6. Have a listen, and if you enjoy what you hear, please consider telling just one person about it. Thank you! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit chadcrouch.substack.com/subscribe
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    35 分