In this Roomrock episode, Debora Masterson joins us for three songs and a heartfelt conversation about her new book Freedom Quest and the legacy of Freedom Quest, the album by Craig Ingraham.

https://deboramasterson.com
https://www.instagram.com/freedomquestbook
https://www.facebook.com/freedomquestbook

The Fall of Saigon (France) is back with a song from his latest album THAT SUMMERTIME with his song THE BLACKHOLE AND THE SMALL BEE a single from an album that is in my humble opinion one of his best to date! So do yourself a favour and follow the link above and listen for yourself! You won't be disappointed!

Singer-songwriter Marten (Bonn, Germany) is emotionally reserved in his personal life and tends to be shy in social settings. He uses songwriting as a way to express feelings that would otherwise remain unspoken. In this episode, Marten talks about his deep connection to music and how playing guitar and singing have become his personal form of therapy—helping him process emotions and express his love for his family.

To Craft a Song With Love

Bernard Mile' talks about his 3 Songs MADA, What a Shame, and Where Are You. It's a candid conversation of a young singer songwriter trying to showcase his music in an ever changing landscape.

LISTEN TO MORE FROM BERNARD MILE' / 9pwvzhfhnyfd3gr19

Sarima uses AI to transform her own writing into finished songs and experienced the overwhelming moment of hearing her poems come alive for the first time. What initially began as a technical experiment became a surprising discovery: hearing her own words set to music helped her find new perspectives on her depression.

Chandler Pratt- The Good Stuff- California

Chandler Pratt (The Good Luck Thrift Store Outfit), speaks about his life in Europe, his solo career and his new found love of writing and singing songs.

Chandler Pratt- The Good Stuff - California

Chandler Pratt (The Good Luck Thrift Store Outfit), speaks about his life in Europe, his solo career and his new found love of writing and singing songs.

Deep Voices

For DEThomas, his deep, resonant voice is not just a stylistic choice—it is an extension of his self. He reflects on how, from a young age, he gravitated toward low, rich tones, rejecting the high-pitched voices that reminded him of childhood authority figures. Over time, he trained his voice, sculpting it into an instrument capable of carrying the weight of his emotions.