Dan, Keith, and guest Emma Gallaher are back to Transylvania for the 21st century Nosferatus! In 2024, horror auteur Robert Eggers decided to take another spin at Count Orlok... and perhaps because of this some amateur filmmakers Kickstarted their own version in 2023, with almost three recognizable stars in the mix. We tackle this low-budget retread first, which makes some odd choices with the central trio, then move on to Eggers, which shifts the focus from money-focused Thomas to tormented Ellen. Does Doug Jones as Orlok make the amateur version worthwhile? How does Eggers manage retelling the first vampire movie? We discuss, you are entertained!

Dan, Keith, and returning guest Emma travel as far back in film history as we've ever been to discuss the cinematic attempt at to file the serial numbers off Dracula with Nosferatu! In this first installment, it's heute auf Deutsch time as our hosts break down 1922's Nosferatu: A Symphony of Horror, one of the earliest and most groundbreaking surviving horror movies of the silent era. How does it hold up? Can it hold up, asks Keith? Then we jump to the 70s, as Werner Herzog takes his own spin at the story, but while very much adapting Nosferatu brings back the names from Dracula? Odd choice. What other odd choices hit as the 70s auteur era reimagines the classic ugly-style vampyr? Join us to find out!

People always say "You couldn't make a [insert Mel Brooks classic] today." But were there movies Mel Brooks shouldn't have remade? That's the question facing Dan and Keith, presented by guest Olav Rokne of the Hugo Book Club, as we tackle To Be Or Not To Be. In 1942, Jack Benny starred in a farcical comedy about a theatre troupe rallying to save the Polish resistance from the Nazi occupiers, an occupation that was still very much ongoing during the film's release. Did that make the comedy a tough line to walk? Then, four decades later, Mel Brooks produced and starred in a remake that hit the throttle on the comedy yet still had more insights into the Holocaust, thanks in part to hindsight. Dan, Keith, and Olav break them both down, figure out who did what best, and how much the subject matter affected the laughs. Join us!

Dan and Keith head all the way back to the time to that brief overlap between the Golden Age of Hollywood and the dying days of vaudeville with comedy legends the Marx Brothers. In A Night at the Opera, Groucho, Chico, and Harpo Marx were said to hit a new height by blending their signature antics with a more grounded emotional arc (outsourced to supporting characters), but how do those antics hold up? Are aspects a little too vaudeville for a modern audience? And who would be bold enough to attempt to remake a Marx Brothers movie nearly six decades later, and why have you never heard of it? Should you have heard about it? Well, we're going to tell you about it. Listen in!

Dan and Keith head to ancient Greece and classic hero Perseus to weigh old-school stop motion against modern CG in the Clashes of the Titans! Back in 1981, legendary animator Ray Harryhausen wrapped a storied career with Clash of the Titans, in which Harry Hamlin's Perseus fights his way through stop-motion monsters to win the girl and claim a throne. Nearly three decades later, an all star cast (and Sam Worthington, fresh off one of the biggest hits in film history so you probably haven't already forgotten him) takes on a new twist on Perseus, with no throne to claim and the wrong girl gets chased, and only a few big name actors get wasted. Who did Perseus better? And who should have quit while they were ahead? Find out!

Turns out Rollerball was not the first instance of a Norman Jewison classic being remade by John McTiernan, so Dan and Keith strap in for round two, the Affairs of the Thomases Crown. In 1968, last days of the Hays Code, Steve McQueen and Faye Dunaway squared off as bored millionaire turned bank robbery mastermind Thomas Crown and the insurance investigator who gets pulled into his orbit while trying to prove he's the thief, in a languid romance featuring some crimes. In 1999, when sexy crime thrillers were fully off the leash, Pierce Brosnan's Thomas Crown orchestrates an art heist just to feel alive, putting him in the path of insurance investigator Rene Russo, for a much sexier game of cat and mouse. Which story of romance and betrayal manages a better theme? Better heists? Fewer crimes by law enforcement? Find out!

Lllllllllet's get ready to ROLLERBALL! Dan and Keith dig into the 1975 cult classic dystopic sports flick Rollerball, in which James Caan must rise up against the world's corporate overlords by playing the best darn game of Rollerball he can, after about an hour of worldbuilding that only partially builds the world. In the early 2000s, legendary action director John McTiernan attempted to remake it for the Extreme Sports era, a truly epic mess of a process that sank his entire career. Dan and Keith dig into both, to see which era Rolled Balls the best: New Hollywood's heady-philosophical-white man stares forlornly era, or the xXx/Fast and Furious era? Find out!

Beloved friend of the podcast and Video Vulture John Tebbutt is back, and he's got a doozy for Dan and Keith. Schlock king Roger Corman unites Mission: Impossible's Peter Graves, iconic western villain Lee Van Cleef, and B-movie queen Beverly Garland for the sci-fi thriller, question mark, It Conquered the World, in which a Venusian alien lures an Earth scientist into helping it seize control of our world, and only the scientist's wife and best friend can turn him away from his alien pal. The following decade, a much less iconic schlock filmmaker changed the names and VIRTUALLY NOTHING ELSE to make Zontar, The Thing From Venus, which if nothing else serves as proof of Roger Corman's ability to make a movie. And then somehow it gets remade again by a classic Canadian sketch show? Dan, Keith, and John break it all down for your entertainment. Listen in!