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Ragnarok Review

Ragnarok Review

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 Yo boys, it’s Papa 4 Da Boys, your six-string prophet, scrapin’ by with a beat-up guitar and a gut full of “hell no” for the world’s idiocy. Grab a seat, maybe a root beer, and let’s tear into Netflix’s Ragnarok. Fun plot, sure, but it’s so woke it’s practically auditioning for a TED Talk. Climate change sermons, anti-white jabs, and relationships looser sexually than a hippie’s sandals? C’mon, man, it’s silliness on steroids. Let’s shred this thing and get to what’s real. Alright, Ragnarok. Norwegian teen drama, Norse mythology, sounds badass, right? Kid named Magne moves to Edda, a pretty little town, gets zapped by some old lady, and—boom—he’s Thor reincarnated, slingin’ hammers and fightin’ evil corporations. Plot’s a hoot, like Riverdale meets God of War. You got giants posin’ as rich jerks, a fjord that’s basically Instagram bait, and enough teen angst to fuel a Hot Topic. I binged it, had a few laughs, and the mythology’s cool—Thor, Loki, all that jazz. If they’d stuck to the story, it’d be a banger. But nooo, they had to slather it in woke sauce so thick it drowns the fun. First up, the climate change preaching. Every episode’s like a Greta Thunberg fan club meeting. Magne, who is mentally slow a molasses and dumb as a box of rocks, is fightin’ the Jutul family, who run a factory that’s apparently killin’ the planet. Well “Fightin’s” a bit of an overstatement, there is no real action in this thing until the 6th episode (the last of the first season—more than a little slow). I’m all for building characters and all, but these characters are only skin deep at best and all have the same idiotic lack of personality. Anyway, Fish are dyin’, glaciers are meltin’, and the kids are wavin’ “Planet Over Profit” signs like it’s a high school musical for Mother Earth. Look, nobody’s sayin’ pollute for kicks, but the show’s so heavy-handed it feels like you’re being lectured by a vegan at a barbecue. Nature’s been through worse—ice ages, volcanoes—and it’s still here. The idea that a teen Thor’s gotta save the fjord from evil capitalists? It’s so on-the-nose it’s practically a nose ring. And the “Ragnarok” apocalypse tied to climate change? Gimme a break, that’s mythology cosplaying as a UN report.That’s why Papa’s skewering a bad script. Then there’s the anti-white vibe, and oh boy, does it stink like last week’s lutefisk. The Jutuls, the bad guys, are blonde, blue-eyed, Nordic stereotypes—basically the poster kids for “evil white people.” The show’s not subtle: rich, white, capitalist giants are trashin’ the planet, while the scrappy, diverse teens are savin’ it. One kid even says the world’s bein’ ruined by “old white men.” Really? In Norway, where it’s like 98% white? Seriously, Norway has 1.5 -2% of it’s people with African roots. And the series (which is set in a village on a fjord that’s almost off the map, has an abundance of other-than-white ethnicities in it’s small cast and even a dwarf (or midget…I don’t remember what the difference is between those groups). It’s like the writers flew in from California and forgot where they were. Pretty hilarious, actually. This ain’t storytelling—it’s a diversity checklist with a grudge. Common Sense sees through this crap: it’s not about fairness, it’s about shamin’ folks for existing. Young kings don’t need to apologize for your skin or your roots—own ‘em, and screw the guilt trips. And don’t get me started on the sexual mores. This show’s looser than a thrift-store guitar string. You got Laurits, Loki’s reincarnation, flippin’ between genders like he’s swipin’ on Tinder. He’s wearin’ makeup, flirtin’ with dudes, and—get this—“birthing” a freakin’ tapeworm-serpent thing in a nod to Norse myths. The show calls it “genderqueer” and pats itself on the back for bein’ “inclusive.” Inclusive? More like tryin’ to win a woke Oscar. Then you got teens hookin’ up left and right, no strings, no consequences, like it’s a free-love commune. One Jutul kid’s datin’ a human, another’s eyein’ Magne—it’s a soap opera with less chill than a Norwegian winter. Nature’s clear: men and women, biology, commitment. This show’s out here actin’ like relationships are a Build-A-Bear workshop. Now let’s get real. The conservative take’s got this nailed: nature ain’t a puzzle. Men are men, women are women, and relationships aren’t a free-for-all. The DSM-5 still lists gender dysphoria as a mental health issue, not a lifestyle to celebrate. Ragnarok’s obsession with fluid identities and “queer-friendly” vibes is just pandering, not truth. And the anti-white, climate-crisis preaching? It’s a tired script that damns the show to irrelevance. You young bucks don’t need this noise. You’re built to see through ...
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