『Priceless Crimes』のカバーアート

Priceless Crimes

Priceless Crimes

著者： Creator at Obomedia
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概要
 Ever wondered about the untold stories behind history's most audacious art heists? Priceless Crimes uncovers the thrilling world of stolen masterpieces and the cunning minds who take them.

Join us as we delve into the shadowy realm of art theft, exploring everything from legendary museum robberies to intricate forgery schemes. We go beyond the headlines to reveal the meticulous planning, dramatic escapes, and often shocking fates of priceless artifacts.

New episodes arrive daily, Monday through Sunday, at 9:00 AM, bringing you a fresh dose of high-stakes intrigue. Each installment offers meticulously researched narratives, presenting a gripping account of the world's most infamous art criminals and the detectives who hunt them.

Priceless Crimes is for anyone fascinated by unsolved mysteries, true crime with a sophisticated twist, and the allure of hidden treasures. If you're captivated by the intersection of art history and criminal enterprise, this is your ultimate destination.

Subscribe now and unlock the secrets of the art world's greatest capers.© 2026 OBOMEDIA Creators ノンフィクション犯罪
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  • Conservator Walks Into a Museum: The Farwell Painting Theft

    Conservator Walks Into a Museum: The Farwell Painting Theft
    2026/11/03
    Conservator Walks Into a Museum: The Farwell Painting Theft

    A plain invoice, a nine-minute scheduled alarm window, and 42 phone calls connect a missing 1872 Thomas Cord landscape insured for $1.4 million to a conservator - but how did a county surveyor find the painting leaning against an irrigation pipe eleven days later? Who knew the mounting specs and the maintenance schedule well enough to plan the theft?

    In this episode, we follow the timeline from the March 4 maintenance window through the March 15 discovery and the later arrests, unpacking the documents, phone records, and alibis that together pose the question: was this a random burglary or a theft executed with inside knowledge?

    Person: Curtis Armstrong
    Date: March 15, 2011
    Location: Halverson property, Garfield Township, Weld County, Colorado
    Object: Thomas Cord 1872 oil landscape
    Value: $1.4 million insurance coverage

    - The painting had been missing from the Farwell Regional Museum for 11 days when found.
    - The theft occurred during a 9-minute scheduled suppression window between 7:51 and 8:00 PM on March 4.
    - The Cord landscape had hung in the Cord Gallery for 22 years.
    - Diane Fulton made or received 42 phone calls to Roy Hunt in the six weeks before the theft.
    - Roy Hunt recommended the French cleat mounting system to the museum in 2009 on a one-page invoice.

    To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.

    © 2026 OBOMEDIA. All rights reserved.
    This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.
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    16 分
  • Museum Director Sells His Own Gallery's Painting: The Dusk at Forty Feet Case

    Museum Director Sells His Own Gallery's Painting: The Dusk at Forty Feet Case
    2026/11/02
    Museum Director Sells His Own Gallery's Painting: The Dusk at Forty Feet Case

    Fear that the person guarding a museum could be the one stealing from it - a wooden frame labeled with the Millhaven Institute of Art showed up in a septic-yard while the $94,000 painting it belonged to was simultaneously on the museum wall; how did one canvas become two photographs ten months apart, and who profited? What single procedural question finally unraveled the scheme?

    In this episode, we lay out the timeline from a routine septic pump-out discovery through the investigation led by an art-history-trained state investigator, and follow the paper trail that tied museum administration, deaccession records, and banked payments to the director himself. Could institutional paperwork and a forgotten frame reveal a deliberate internal theft?

    Person: Randy Burke
    Date (discovery): February 11, 2019
    Work: Dusk at Forty Feet
    Value: $94,000
    Investigator: Linda Griffin

    - The wooden frame with the Millhaven Institute of Art accession label was found leaning against a garage back wall during a septic pump-out on February 11, 2019.
    - The Institute’s two thousand eighteen appraisal valued Dusk at Forty Feet at $94,000.
    - Randy Burke had run the Millhaven Institute of Art for eleven years and was fifty-three when the investigation opened.
    - Between 2016 and 2018, $68,000 passed through a consulting LLC registered under the director’s wife's maiden name, and the LLC dissolved in 2018.
    - Two insurance photographs taken ten months apart (March 2017 and January 2018) showed canvases with different weaves both attributed to the same accessioned painting.

    To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.

    © 2026 OBOMEDIA. All rights reserved.
    This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.
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    18 分
  • Birdwatcher's Photo Exposes a Heist Three Years in the Making: The Hessler Forgery

    Birdwatcher's Photo Exposes a Heist Three Years in the Making: The Hessler Forgery
    2026/11/01
    Birdwatcher's Photo Exposes a Heist Three Years in the Making: The Hessler Forgery

    A lone birdwatcher with a telephoto lens accidentally revealed a duplicate of a four-hundred-and-twenty-thousand-dollar lithograph pressed against a museum window, creating a brief moment when two copies of the same artwork existed in one small Ohio city. How did Passage, Inverted number twelve vanish from the Hessler Museum without anyone noticing for years?

    In this episode, we follow the timeline from the January 9, 2011 photograph to the provenance review that uncovered a single transposed word in condition reports and the transport driver tied to eight loans; the episode traces how those details opened the question of where the museum's copy went and why no one realized it was missing.

    Person: Bruce Stroud
    Date: January 9, 2011
    Work: Passage, Inverted by Clement Vore
    Edition: 1 of 200 (Hessler's copy number 12)
    Location: Hessler Museum of Regional Arts, Corrigan, Ohio

    - The photograph showing a second copy was taken with a telephoto lens while the photographer was looking for cedar waxwings.
    - Clement Vore created Passage, Inverted in 1953 and printed an edition of two hundred.
    - The Hessler acquired number twelve in 1988 through the Fenwick bequest.
    - Four condition reports between 1988 and 2003 noted foxing on the lower left margin; a 2008 report noted foxing on the lower right.
    - Dawn Peterson drove eight separate loans over fourteen months, all routes passing through Morrow, Ohio, where she rented a house with a detached garage.

    To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.

    © 2026 OBOMEDIA. All rights reserved.
    This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.
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    17 分
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