『Poems of Jonathan Swift, Volume Two』のカバーアート

Poems of Jonathan Swift, Volume Two

Poems of Jonathan Swift, Volume Two

著者: Jonathan Swift
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Delve into the sharp wit and incisive commentary of Jonathan Swift in "Poems of Jonathan Swift, Volume Two," a podcast that explores the intricate layers of satire, social critique, and poetic craftsmanship. This collection invites listeners to immerse themselves in a world where humor meets earnestness, as Swift's verses challenge societal norms and confront injustices that resonate even today. Through his clever wordplay and biting observations, Swift sheds light on the follies of his time, from economic woes to the absurdities of human behavior. Every episode features a new complete audiobook, offering a rotating selection of poems that reveal the depth of Swift's intellect and artistry. This is not a single story but a series of unique explorations that encourage listeners to engage with the complexities of human experience and thought. Discover a new book with every episode and experience the enduring power of poetry to provoke, entertain, and enlighten.Copyright Single Author Genre アート エクササイズ・フィットネス フィットネス・食生活・栄養 文学史・文学批評 衛生・健康的な生活
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  • Defeat of Youth and Other Poems-Aldous Huxley
    2026/08/26
    He lived simply, loved his walks and craved the company of fellow poetical wits as they craved his company in return. With his pal Dr. Sheridan, for one, Jonathan Swift delighted in the 18th century equivalent of a rap off – going back and forth in dueling verse repartee. This second volume is a cornucopia of biting, iconoclastic humor and earnest criticism of injustice. Poems herein concerning Wood’s Halfpence are the companion to his famous Drapier’s Letters and trumpet his achievement in stirring up sufficient outcry to spare Ireland from damaging monetary debasement. He knew what real money was: “For in all the leases that ever we hold We must pay our rent in good silver and gold, And not in brass tokens of such a base mould.” And he didn’t think much of monetary debasement’s evil twin, fractional reserve banking, either: “We want our money on the nail The Banker’s ruin’d if he pays”. There’s a healthy smattering here of bums and urination references too – just so you know these are genuine Swift poems -- and all manner of other topics too. In Death and Daphne, written for a favorite grisette, we learn of Death’s sagging libido due to the skinniness of his human bride. And the last poem excoriating Sheridan for comparing base women to noble clouds is a heavenly coup de grâce for any challenger who would dare to top his politically incorrect and thunderous wit: Some critic may object, perhaps, That clouds are blamed for giving claps; But what, alas! are claps ethereal, Compared for mischief to venereal? - Summary by Arthur Krolman
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    1 時間 23 分
  • Dagonet Ditties-George R. Sims
    2026/08/25
    He lived simply, loved his walks and craved the company of fellow poetical wits as they craved his company in return. With his pal Dr. Sheridan, for one, Jonathan Swift delighted in the 18th century equivalent of a rap off – going back and forth in dueling verse repartee. This second volume is a cornucopia of biting, iconoclastic humor and earnest criticism of injustice. Poems herein concerning Wood’s Halfpence are the companion to his famous Drapier’s Letters and trumpet his achievement in stirring up sufficient outcry to spare Ireland from damaging monetary debasement. He knew what real money was: “For in all the leases that ever we hold We must pay our rent in good silver and gold, And not in brass tokens of such a base mould.” And he didn’t think much of monetary debasement’s evil twin, fractional reserve banking, either: “We want our money on the nail The Banker’s ruin’d if he pays”. There’s a healthy smattering here of bums and urination references too – just so you know these are genuine Swift poems -- and all manner of other topics too. In Death and Daphne, written for a favorite grisette, we learn of Death’s sagging libido due to the skinniness of his human bride. And the last poem excoriating Sheridan for comparing base women to noble clouds is a heavenly coup de grâce for any challenger who would dare to top his politically incorrect and thunderous wit: Some critic may object, perhaps, That clouds are blamed for giving claps; But what, alas! are claps ethereal, Compared for mischief to venereal? - Summary by Arthur Krolman
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    3 時間 14 分
  • Poems by a Slave-George Moses Horton
    2026/08/24
    He lived simply, loved his walks and craved the company of fellow poetical wits as they craved his company in return. With his pal Dr. Sheridan, for one, Jonathan Swift delighted in the 18th century equivalent of a rap off – going back and forth in dueling verse repartee. This second volume is a cornucopia of biting, iconoclastic humor and earnest criticism of injustice. Poems herein concerning Wood’s Halfpence are the companion to his famous Drapier’s Letters and trumpet his achievement in stirring up sufficient outcry to spare Ireland from damaging monetary debasement. He knew what real money was: “For in all the leases that ever we hold We must pay our rent in good silver and gold, And not in brass tokens of such a base mould.” And he didn’t think much of monetary debasement’s evil twin, fractional reserve banking, either: “We want our money on the nail The Banker’s ruin’d if he pays”. There’s a healthy smattering here of bums and urination references too – just so you know these are genuine Swift poems -- and all manner of other topics too. In Death and Daphne, written for a favorite grisette, we learn of Death’s sagging libido due to the skinniness of his human bride. And the last poem excoriating Sheridan for comparing base women to noble clouds is a heavenly coup de grâce for any challenger who would dare to top his politically incorrect and thunderous wit: Some critic may object, perhaps, That clouds are blamed for giving claps; But what, alas! are claps ethereal, Compared for mischief to venereal? - Summary by Arthur Krolman
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    48 分
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