Pierrot le Fou (1965)
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Pierrot le Fou (1965)
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Jean-Luc Godard’s feature film-shaped provocations have incited eye rolls and ire since the start: in the leftist literary mag Les Lettres Françaises, Louis Marcorelles read Pierrot Le Fou for filth, likening it to “the refusal to construct a film, to tell a story.” But in a later issue of that same publication, poet Louis Aragon settled the score, declaring Godard himself to be “art today.” Godard’s deification says as much about the times as it does the man himself; the 60’s were pretty square, mostly. Youths and the youthful were ready for someone to erase the borders of polite society, and this brash, self-obsessed filmmaker was more than happy to.
We try to match Godard’s freak and mash-up his life, work, his influences and the influenced, and talk it out!
Next week: Le Bonheur (1965) by Agnès Varda
We’re recording a grab-bag episode soon on 2025 films and our film history project, send questions and comments to unauthorizedpod@gmail.com
Hosted by Zachary Domes (hetchy on letterboxd) and J Brooks Young (jyoun on letterboxd). Music by hetchy