『Origin Story』のカバーアート

Origin Story

Origin Story

著者: Podmasters
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What are the real stories behind the most misunderstood and abused ideas in politics? From Conspiracy Theory to Woke to Centrism and beyond, Ian Dunt and Dorian Lynskey dig into the astonishing secret histories of concepts you thought you knew. Want to support us in making future seasons? There are now two ways you can help out: • Patreon – Get early episodes, live Zooms, merchandise and more from just £5 per month. • Apple Podcasts – Want everything in one place with one easy payment? Subscribe to our premium feed on Apple Podcasts for ad-free shows early and bonus editions too. From Podmasters, the makers of Oh God, What Now?, American Friction and The Bunker.Podmasters / Ian Dunt & Dorian Lynskey 2022 世界 政治・政府 社会科学
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  • The British Chinese – Hidden generations
    2025/09/03
    British Chinese compose nearly one per cent of the British population, but they are culturally and politically ignored with precious little representation in politics or television. In this Origin Story special edition, we trace the history of the British Chinese community, from the days of Roman Britain to the present day. Along the way, we see the construction of the first Chinatown in London's Limehouse, at the height of Empire, when ports function as joining-places for the world. We witness the racism that hit Chinese communities during the wars, when fear of 'Yellow Peril' and miscegenation resulted in deportation programmes against the very people who had helped Britain in the fight against Germany. And we follow the second triumphant wave of immigration in the 20th Century, in the restaurant business, as Chinese food helps democratise the practice of eating out in Britain. We then look at the extraordinary accomplishments of the British Chinese in the modern era, particularly in education, culture and the economy. And we start to tease apart a richer, deeper story about multicultural Britain, one which is much more varied and surprising than people allow for in the barren conversation about immigration we read in the newspapers every day. Support Origin Story on Patreon: https://www.patreon.com/originstorypod Reading list • William Poole, The Letters of Shen Fuzong to Thomas Hyde, 1687-88, British Library Journal, volume 2015, article 9 • Earle Gale, Chinese pathfinders paved the way in UK hundreds of years ago, China Daily • Marc Horne, Extraordinary tale of first Chinese Scotsman, The Times • Anonymous, William Macao • Sylvia Hahn, Stanley Nadel (eds) Asian Migrants in Europe: Transcultural Connections • Gregor Benton and Edmund Terence Gomez, The Chinese in Britain, 1800–Present • Anonymous, Liverpool Chinatown History • Jody-Lan Castle, Looking for my Shanghai father, BBC.co.uk • Anonymous, London by ethnicity: Analysis, The Guardian • Emily Thomas, British Chinese people say racism against them is 'ignored', BBC.co.uk • John Hills et al, An Anatomy of Economic Inequality in the UK: Report of the National Equality Panel, Centre for Analysis of Social Exclusion, LSE. • Tze Ming Mok and Lucinda Platt, All look the same? Diversity of labour market outcomes of Chinese ethnic group populations in the UK, Journal of Ethnic and Migration Studies • Zain Mohyuddin and Sophie Stowers, Minorities Report: The Attitudes of Britain's Ethnic Minority Population, UK in a Changing Europe • Anon, Chinese ethnic group: facts and figures, Gov.uk • Anonymous, Ethnicity pay gaps, UK: 2012 to 2022, ONS• Alan Moore and Kevin O'Neill, The League of Extraordinary Gentlemen, Volume One Written and presented by Dorian Lynskey and Ian Dunt. Produced by Simon Williams. Music by Jade Bailey. Art by Jim Parrett. Logo by Mischa Welsh. Group Editor: Andrew Harrison. Origin Story is a Podmasters production Learn more about your ad choices. Visit podcastchoices.com/adchoices
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    1 時間 5 分
  • Rivers of Blood – How Enoch Powell poisoned Britain
    2025/08/20
    Welcome back to Origin Story. In this bonus episode Dorian tells the unnervingly relevant story of Enoch Powell’s so-called “Rivers of Blood” speech. On 20 April 1968, the Conservative MP for Wolverhampton South West delivered probably the most explosive political speech in British peacetime history, bringing into the mainstream opinions previously confined to the far right. As Keir Starmer discovered, even the faintest echo of the speech is toxic on the left, yet on the right newspaper columnists and politicians like Robert Jenrick are reviving Powell’s rhetoric with impunity. We start by examining Powell’s youth as a brilliant scholar, war hero and ardent imperialist who developed an idiosyncratic version of nationalism. As a junior minister and pioneering neoliberal in the 1950s, he barely mentioned race or immigration but he became increasingly obsessed during the 1960s, and increasingly vocal. Powell contrived his speech to have the biggest possible impact and he succeeded. While he was sacked by Tory leader Ted Heath and denounced as an evil race-baiter by the establishment (even The Beatles took a shot), he became the most popular politician in Britain almost overnight. It was the first eruption of what we now know as right-wing populism and its aftershocks extended from Rock Against Racism and no-platforming to the Great Replacement Theory and Brexit. How did one speech poison British politics? What led Powell to deliver it? What can it teach us about the timeless tricks of anti-immigrant oratory? Did he merely activate the British public’s latent racism or actively feed it? What lessons have politicians failed to learn about how to deal with anti-immigrant sentiment? And why are Britain’s elites more tolerant of overt racism in 2025 than they were in 1968? Support Origin Story on Patreon: https://www.patreon.com/originstorypod Reading list • Anonymous, ‘An Evil Speech’, The Times (22 April 1968) • Anonymous, ‘Coloured Family Attacked’, The Times (1 May 1968) • Paul Foot, The Rise of Enoch Powell (1969) • Simon Heffer, Like the Roman: The Life of Enoch Powell (1998) • Tom McTague, Between the Waves: The Hidden History of a Very British Revolution 1945-2016 (2025) • Sarfraz Manzoor, ‘Black Britain’s Darkest Hour’, The Guardian (2008) • Caroline Moorhead, ‘A Would-Be Leader Deserted by Destiny’, The Times (12 May 1975) • Enoch Powell, the ‘Rivers of Blood’ speech, 20 April 1968 • J. Enoch Powell, Freedom and Reality, edited by John Wood (1969) • Andrew Roth, Enoch Powell: Tory Tribune (1970) • Michael Savage, ‘Fifty years on, what is the legacy of Enoch Powell’s “rivers of blood” speech?’, The Observer (2018) • Douglas E. Schoen, Enoch Powell and the Powellites (1977) • Robert Shepherd, Enoch Powell (1996) • Evan Smith, No Platform: A History of Anti-Fascism, Universities and the Limits of Free Speech (2020) • Bill Smithies and Peter Fiddick, Enoch Powell on Immigration (1969)Written and presented by Dorian Lynskey and Ian Dunt. Produced by Simon Williams. Music by Jade Bailey. Art by Jim Parrett. Logo by Mischa Welsh. Group Editor: Andrew Harrison. Origin Story is a Podmasters production Learn more about your ad choices. Visit podcastchoices.com/adchoices
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    1 時間 26 分
  • Shostakovich and Stalin – The Composer and the Dictator
    2025/08/06
    Welcome back to Origin Story. This bonus episode is something a bit different: a story about the power of music and the music of power. Tortured genius? Stalinist stooge? Undercover dissident? Perhaps no musician better represents the competing demands of art and politics than Dmitri Shostakovich, who died 50 years ago this week. He has been called the most brilliant symphonist of his age and the most controversial composer since Wagner. Shostakovich’s career began with Lenin and ended with Brezhnev but his great antagonist was Stalin, a self-styled music buff and maestro in the art of fear. From symphony to symphony, Shostakovich danced on the edge of a knife. Sometimes he was the Soviet Union’s favourite composer, bathing in privilege and acclaim. At other times he was an “enemy of the people”, bullied into silence and terrified for his life. Nobody knew what Shostakovich’s music was really saying until the posthumous publication of his memoir Testimony made an extraordinary claim that turned all assumptions on their head. But was this just a dying man’s attempt to save his reputation and was Testimony even his words or a brilliant forgery? His admirers and detractors have been fighting the “Shostakovich wars” ever since. How did Shostakovich and contemporaries like Prokofiev manage to produce great art in a dictatorship, and what did it cost them? Why did his Leningrad Symphony transfix the world? How did he inspire the most consequential review in the history of music criticism? And can we ever truly know what his music meant or is it all in the ear of the beholder? Listen closely. Support Origin Story on Patreon: https://www.patreon.com/originstorypod Reading list • Anonymous, ‘Muddle Instead of Music’, Pravda (28 January 1936) • Anonymous, ‘Shostakovich and the Guns’, Time (20 July 1942) • Julian Barnes, The Noise of Time (2016) • James Devlin, Shostakovich (1983) • Jeremy Eichler, ‘The Composer and the Dictator’, New York Times (2004) • Laurel E. Fay, Shostakovich: A Life (2000) • Michel Krielaars, The Sound of Utopia: Musicians in the Time of Stalin (2025) • Dorian Lynskey, ‘Settling a Soviet Score’, Jewish Renaissance (Spring 2025) • Brian Morton, Shostakovich: His Life and Music (2006) • Alex Ross, The Rest Is Noise: Listening to the Twentieth Century (2007) • Nikil Saval, ‘Julian Barnes and the Shostakovich Wars’, The New Yorker (2016) • Dmitri Shostakovich, Testimony: The Memoirs of Shostakovich, as related to and edited by Solomon Volkov (1979) • Elizabeth Wilson, Shostakovich: A Life Remembered (1994) Written and presented by Dorian Lynskey and Ian Dunt. Produced by Simon Williams. Music by Jade Bailey. Art by Jim Parrett. Logo by Mischa Welsh. Group Editor: Andrew Harrison. Origin Story is a Podmasters production Learn more about your ad choices. Visit podcastchoices.com/adchoices
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    55 分
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