The three episodes were absolutely captivating. Amazing archive, powerful interviews by all of the major players at the time but most of all I loved the editing. I reached out to Jesse Overman one of the supremely talented editors on a team of supremely talented Netflix editors who cut the series. Already a fan of Once Upon a Timeline, he came on the show and what transpired was a masterclass in documentary editing theory. Strap in for this one... it's epic.

Of course, there are pros and cons to both but it’s important to analyse every single one. We need to take a close look at how useful they are to us at every stage of our career. On this week’s show I go deep into the upsides and downsides so you can make an informed decision.

In this week’s show I’ll be going deep into the art of piloting, our ability to immediately change direction after negative feedback about our work. We’ll talk through what exactly pivoting is, how it works, the psychology behind it and how we can use it to our benefit.

Every cut we make, every shot we make longer, every piece of body language we include or exclude has massive repercussions. We’re shaping the experience of the audience with hundreds of these decisions every day. In this episode I break down all the factors at play every time we hit a fork in the road so that we can build the most exciting sequence possible.

We want to build a huge creative filing cabinet in our minds that we can apply to any set of raw footage that comes into our cutting room. I’ll be breaking down the key concepts, techniques and mindsets that we can use when researching and memorising these useful scene models.

On this weeks show Paddy talks through the definitive checklist of every single thing we need to consider when cutting, as well as every single thing directors and producers expect from us.

Scored as always by our wonderful friends over at Universal Production Music, get ready for a fantastic start to our new Season.