Taiwanese cinema is internationally celebrated for the auteurs of the Taiwan New Cinema. Yet over the past fifteen years, ghosts, demons, curses and haunted screens have become increasingly prominent, turning horror from a marginal genre into an important strand of Taiwan’s popular cinema.

Professor Corrado Neri’s new book, Taiwanese Horror Cinema in the 21st Century: Spectral Narratives and Screen Culture (Anthem Press, 2026), explores this transformation. Neri argues that Taiwanese horror has reached a new stage of maturity: it is now an established industrial category, has diversified across genres and media, and has developed a sophisticated capacity to address Taiwan’s social, historical and technological anxieties.

The book also launches the new short book series, ‘Anthem Impact in Asian Media, Cinema and Communications’.

In this podcast conversation, Dr Ming-yeh Rawnsley talks with Professor Neri about what Taiwanese horror can tell us about Taiwan itself. Their discussion moves from ghosts and folklore to democracy, historical memory, digital culture and changing understandings of identity. Themes include:

1. Why horror? – how a once-marginal genre became an important part of Taiwanese cinema.

2. Taiwan as a ‘Ghost Nation’ – why ghosts offer powerful ways of thinking about Taiwan’s contested history and identity.

3. Horror, democracy and historical memory – how liberalisation opened new possibilities for confronting difficult histories, notably the White Terror in Detention.

4. Religion, folklore and the supernatural – how beliefs, rituals and local legends provide filmmakers with distinctive cultural resources.

5. Digital ghosts – how smartphones, social media, gaming and screen culture have transformed haunting.

6. Gender, sexuality and queer horror – how films such as Marry My Dead Body use supernatural conventions to explore changing social identities.

7. Taiwan within Asian horror cinema – how Taiwanese filmmakers engage with regional traditions while developing recognisably local forms.

One of the book’s most compelling arguments is that the supernatural provides a productive language for exploring Taiwan’s relationship with its past and present. Detention transforms the political violence of the White Terror into a spectral landscape of memory, guilt and historical reckoning. The Tag-Along, The Rope Curse and Incantation bring folklore and ritual into contact with cameras, smartphones and social media.

Taiwanese horror is also transmedial. Detention moved from video game to feature film, television series and novel; The Bridge Curse and Incantation have extended into gaming, while The Tag-Along has expanded into webtoon and virtual reality. Horror thus forms part of a wider creative ecosystem in which cinema intersects with digital media, popular culture and Taiwan’s cultural-content industries.

Taiwanese horror therefore deserves attention beyond horror enthusiasts or film specialists. These films frighten, surprise and sometimes make audiences laugh, but their ghosts also carry history. They negotiate memories of authoritarianism and democratisation, questions of gender and sexuality, and move between temples, cinemas, video games and smartphone screens.

The ghosts haunting contemporary Taiwanese cinema are rarely just ghosts. They offer another way of asking questions about Taiwan: how the past survives in the present, how identities are continually remade, and how a rapidly changing society chooses to remember—and imagine—itself.

Dr Ming-yeh T. Rawnsley is a Research Associate at the Centre of Taiwan Studies, SOAS University of London, and a host for the New Books Network. She is also a co-editor (with Professor Gary Rawnsley) of the short book series, ‘Anthem Impact in Asian Media, Cinema and Communications’.

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From misty mountain oolongs to the global boba boom, Taiwan’s teas carry far more than flavor. They embody contested borders, evolving identities, and the complexities of nationhood. Routes of Taiwan Tea: Mobility, Borders, and Territoriality (U Washington Press, 2026) by Dr. Po-Yi Hung traces tea varieties, processing expertise, and merchants across Taiwan and Southeast Asia to reveal how a simple leaf has become a force in global politics.
Drawing on decades of fieldwork and extensive archival research, Dr. Hung delves deep into the history of Taiwan’s tea industry, from its roots in the Qing empire to its role in modern food nationalism. Hung shows how advocacy for Taiwanization—the movement to recover and celebrate the island’s unique history and culture—occurs not only within Taiwan’s food scenes but also through cross-border exchanges. Oolong cultivation in Thailand’s highlands and bubble tea’s rise in Vietnam demonstrate how tea acts as a nonhuman agent, fostering connections and unsettling conventional notions of sovereignty. Through these routes, tea becomes more than agriculture; it becomes an instrument of diplomacy, a marker of authenticity, and a symbol of cultural pride.
Offering a fresh perspective on Taiwan’s geopolitical positioning, Routes of Taiwan Tea redefines how borders are imagined and lived. It is an essential contribution to food studies, political geography, and East and Southeast Asian studies, illuminating how everyday practices like drinking tea shape global relations.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

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In this episode of the New Books Network, we talk with Jeremy Tiang about his English translation of The Formosa Exchange (Honford Star, 2026)—which will be released on September 18, 2026 (but is available for preorder).
Tiang is a novelist, playwright, and translator based in New York. He has translated more than thirty books from Chinese to English—including Zou Jingzhi's Ninth Building, longlisted for the 2023 International Booker Prize—and has served as a judge for the National Book Award for translated literature. Beyond translation, his novel State of Emergency won the Singapore Literature Prize in 2018, and his play Salesman之死 won a Obie Award for Outstanding New Play in 2023.

Originally published in Mandarin in 2021 as 新寶島 and winner of that year's Taiwan Literature Award, The Formosa Exchange is a work of speculative fiction by Taiwanese novelist Huang Chongkai (黃崇凱). The novel kicks off with a fantastical occurrence: one night, the entire populations of Taiwan and Cuba swap places, with Taiwanese people ending up on the island of Cuba and Cuban people on the island of Taiwan. This “Great Exchange” becomes a lens for examining national identity, indigeneity, and colonialism, especially with reference to Taiwan’s and Cuba's shared position in the shadow of their much larger neighbors of China and the United States.

Scholars and learners across history, political science, anthropology, literature, and beyond will find much food for thought in The Formosa Exchange. The novel is dense with allusions—it nods to Western thinkers like John Mearsheimer and Claude Lévi-Strauss, while also weaving in references to Taiwanese and Cuban literature, art, and film.

Anthony Kao is a writer who intersects international affairs and cultural criticism. He founded/edits Cinema Escapist—a publication exploring the sociopolitical context behind global film and television—and also writes for outlets like The Guardian, Al Jazeera, The Diplomat, and Eater.

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