エピソード

  • Jessica Doyle and Jordan Ferguson, "Dance Dance Revolution" (Boss Fight Books, 2025)

    Jessica Doyle and Jordan Ferguson, "Dance Dance Revolution" (Boss Fight Books, 2025)
    2025/11/03
    On September 26, 1998, a video game made its debut in Japanese arcades. It was over seven feet tall and weighed just over 900 pounds. It had no characters, no story, no quests to fulfill or bosses to beat. What it had was a metal platform on which you were supposed to stand, put your feet into the right place at the right time, and dance. Join two music critics, long-ago players, and Sota Fujimori fans as they take you on the astonishing journey through the artists, influences, and innovators of Dance Dance Revolution, a game two and a half decades in the making and still going -- in homes, arcades, and expos. From its unexpected appearance to its social heyday to its reappearance in the American market, DDR has taken many forms -- not all of them sanctioned by Konami. It has spawned community, creativity, competition, lawsuits, 1,000+ songs that range from wacky to tacky to beautiful, and yes, a lot of dancing. While we were all leaning on the back bar, working up a sweat, DDR managed to change the world. Jessica Doyle has a Ph.D. in city planning and a love for writing about the connections between pop music, globalization, and the built environment. She cares for her family in the Atlanta suburbs. Jordan Ferguson is the author of J Dilla’s Donuts, #93 in the 33 1/3 series of record guides, and co-host of the Geekdown, a podcast about fandoms. He lives and works in Toronto, Canada. Find him online @jordan_ferguson. Rudolf Thomas Inderst (*1978) enjoys video games since 1985. He received a master’s degree in political science, American cultural studies as well as contemporary and recent history from Ludwig-Maximilians-University, Munich and holds two PhDs in game studies (LMU & University of Passau). Currently, he's teaching as a professor for game design and game studies at the HNU University of Applied Sciences Neu-Ulm, Germany, has submitted his third dissertation at the University of Vechta, holds the position as lead editor at the online journal Titel kulturmagazin for the game section, hosts the German local radio show Replay Value and is editor of the weekly game research newsletter DiGRA D-A-CH Game Studies Watchlist. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts
    続きを読む 一部表示
    36 分
  • Janice Ross "The Choreography of Environments: How the Anna and Lawrence Halprin Home Transformed Contemporary Dance and Urban Design" (Oxford UP, 2025)

    Janice Ross "The Choreography of Environments: How the Anna and Lawrence Halprin Home Transformed Contemporary Dance and Urban Design" (Oxford UP, 2025)
    2025/10/28
    The Choreography of Environments: How the Anna and Lawrence Halprin Home Transformed Contemporary Dance and Urban Design (Oxford UP, 2025) explores how objects and the domestic spaces seep into the aesthetic consciousness of movement-based artists, like dancers and urban designers, significantly shaping their approach to movement invention and choreography. If these objects and spaces happen to have been designed by a leading modernist architect and landscape designer working with the dancer, then the aesthetic imprint is amplified. Dance innovation becomes pressed into dialogue with spatial, environmental, and urban agendas. The Choreography of Environments builds on this premise to consider the use of ordinary objects from a private residence as lenses into viewing dance innovation. Author Janice Ross posits the Halprins' 1950s iconic mid-century modern home and expansive outdoor dance deck as a hidden archive. She explores four objects from their house and gardens -- staircase, deck, chair, and window -- to trace how, despite the conservative postwar climate, this intimate domestic space became a radical template reshaping postmodern dance invention and its expansion into civic, social, and environmental engagement in the twentieth and twenty-first centuries. The work that happened in this white, middle class, Jewish-American home in a San Francisco suburb paved the way for changes that continue to resonate today across contemporary dance, performance, and urban design. These include: defamiliarizing urban landscape and gardens as cloistered theaters where civic identities are rehearsed, orchestrating collective problem solving and invention, normalizing the nude body, privileging a utilitarian and responsive rather than sentimental approach to dance in the environment, and re-positioning choreography as a vital medium for urban problem solving. These four representative objects in the Halprin home are also used to trace the burgeoning of dance as a forceful medium for civic engagement, and its valorization of the ordinary in movement. As a whole, this book shows how dance, architecture, and landscape design would have a profound confluence through these shared domestic spaces and objects of the Halprins' lives. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts
    続きを読む 一部表示
    57 分
  • A Song for the Horses: Musical Heritage for More-than-Human Futures in Mongolia

    A Song for the Horses: Musical Heritage for More-than-Human Futures in Mongolia
    2025/10/27
    As permafrost in Siberia continues to melt and the steppe in the Gobi turns to desert, people in Mongolia are faced with overlapping climate crises. Some nomadic herders describe climate change as the end of a world. They are quick to add that the world has ended before for Indigenous people in North Asia, as waves of colonialism have left the steppe with a complicated web of apocalypses. A Song for the Horses by K. G. Hutchins examines cases in which people respond to the pressures of climate change by drawing on cultural heritage to foster social resiliency. In this episode, K. G. joins me to discuss his research on the morin khuur, or “horse fiddle,” in Mongolia, and how Mongolians use the traditional instrument to express and envision human and more-than-human futures against the backdrop of anthropogenic climate change. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts
    続きを読む 一部表示
    1 時間 4 分
  • Julia Fawcett, "Movable Londons: Performance and the Modern City" (U Michigan Press, 2025)

    Julia Fawcett, "Movable Londons: Performance and the Modern City" (U Michigan Press, 2025)
    2025/10/25
    In September 1666, a fire sparked in a bakery on Pudding Lane grew until it had destroyed four-fifths of central London. The rebuilding efforts that followed not only launched the careers of some of London’s most famous architects, but also transformed Londoners’ relationship to their city by underscoring the ways that people could shape a city’s spaces—and the ways that a city’s spaces could shape its people. Movable Londons: Performance and the Modern City (U Michigan Press, 2025) by Dr. Julia Fawcett looks to the Restoration theater to understand how the dispossessed made London into a modern city after the Great Fire of 1666 and how the introduction of changeable scenery in theaters altered how Londoners conceptualized the city. Dr. Fawcett makes a claim for the centrality of unplanned spaces and the role of the Restoration theater in articulating those spaces as the modern city emerged and argues that movable scenery revolutionized London’s public theaters, inviting audiences to observe how the performers—many of them hailing from the same communities as their characters—navigated the stage. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts
    続きを読む 一部表示
    44 分
  • Julia Fawcett, "Movable Londons: Performance and the Modern City" (U Michigan Press, 2025)

    Julia Fawcett, "Movable Londons: Performance and the Modern City" (U Michigan Press, 2025)
    2025/10/25
    In September 1666, a fire sparked in a bakery on Pudding Lane grew until it had destroyed four-fifths of central London. The rebuilding efforts that followed not only launched the careers of some of London’s most famous architects, but also transformed Londoners’ relationship to their city by underscoring the ways that people could shape a city’s spaces—and the ways that a city’s spaces could shape its people. Movable Londons: Performance and the Modern City (U Michigan Press, 2025) by Dr. Julia Fawcett looks to the Restoration theater to understand how the dispossessed made London into a modern city after the Great Fire of 1666 and how the introduction of changeable scenery in theaters altered how Londoners conceptualized the city. Dr. Fawcett makes a claim for the centrality of unplanned spaces and the role of the Restoration theater in articulating those spaces as the modern city emerged and argues that movable scenery revolutionized London’s public theaters, inviting audiences to observe how the performers—many of them hailing from the same communities as their characters—navigated the stage. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts
    続きを読む 一部表示
    44 分
  • Peter C. Zimmerman, "The Jazz Masters: Setting the Record Straight" (UP of Mississippi, 2021)

    Peter C. Zimmerman, "The Jazz Masters: Setting the Record Straight" (UP of Mississippi, 2021)
    2025/10/20
    The Jazz Masters: Setting the Record Straight (UP of Mississippi, 2021) is a celebration of jazz and the men and women who created and transformed it. In the twenty-one conversations contained in this engaging and highly accessible book, we hear from the musicians themselves, in their own words, direct and unfiltered. Peter Zimmerman’s interviewing technique is straightforward. He turns on a recording device, poses questions, and allows his subjects to improvise, similar to the way the musicians do at concerts and in recording sessions. Topics range from their early days, their struggles and victories, to the impact the music has had on their own lives. The interviews have been carefully edited for sense and clarity, without changing any of the musicians’ actual words. Peter Zimmerman tirelessly sought virtuosi whose lives span the twentieth and twenty-first centuries. The reader is rewarded with an intimate look into the past century’s extraordinary period of creative productivity. The oldest two interview subjects were born in 1920 and all are professional musicians who worked in jazz for at least five decades, with a few enjoying careers as long as seventy-five years. These voices reflect some seventeen hundred years of accumulated experience yielding a chronicle of incredible depth and scope. The focus on musicians who are now emeritus figures is deliberate. Some of them are now in their nineties; six have passed since 2012, when Zimmerman began researching The Jazz Masters. Five of them have already received the NEA’s prestigious Jazz Masters award: Sonny Rollins, Clark Terry, Yusef Lateef, Jimmy Owens, and most recently, Dick Hyman. More undoubtedly will one day, and the balance are likewise of compelling interest. Artists such as David Amram, Charles Davis, Clifford Jordan, Valery Ponomarev, and Sandy Stewart, to name a few, open their hearts and memories and reveal who they are as people. This book is a labor of love celebrating the vibrant style of music that Dizzy Gillespie once described as “our native art form.” Zimmerman’s deeply knowledgeable, unabashed passion for jazz brings out the best in the musicians. Filled with personal recollections and detailed accounts of their careers and everyday lives, this highly readable, lively work succeeds in capturing their stories for present and future generations. An important addition to the literature of music, The Jazz Masters goes a long way toward “setting the record straight.” Adam Bobeck is a PhD candidate in Cultural Anthropology at the University of Leipzig. His PhD is entitled “Object-Oriented Azadari: Shi’i Muslim Rituals and Ontology”. For more about his work, see www.adambobeck.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts
    続きを読む 一部表示
    56 分
  • Bradley Morgan, "U2: Until the End of the World" (Weldon Owen, 2025)

    Bradley Morgan, "U2: Until the End of the World" (Weldon Owen, 2025)
    2025/10/19
    Bradley Morgan’s U2: Until the End of the World (Gemini Books, 2025) celebrates fifty years of U2 with a career-spanning retrospective featuring more than 150 images that trace the band’s journey from Dublin pubs to sold-out arena tours. Morgan delves into the history of U2, offering an intimate look at their formation and the evolution of their unique sound. From Boy and The Joshua Tree to Achtung Baby and beyond, the book captures how each album marked a creative turning point and cemented U2’s place as musical pioneers. Through vivid photography and thoughtful storytelling, Morgan highlights the band’s artistic growth and commitment to social activism. From Live Aid to Amnesty International, U2’s impact on global causes is as significant as their musical legacy. Readers also gain a rare glimpse into the lives of Bono, The Edge, Adam Clayton, and Larry Mullen Jr., as individuals, collaborators, and lifelong friends behind one of the most influential bands in the world. A music journalist and media arts professional, Bradley Morgan is the director of CHIRP Radio 107.1 FM’s music film festival, manages partnerships for the station, and serves on the associate board of the Art Institute of Chicago’s Gene Siskel Film Center. He also interviews authors of music and pop culture books for the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts
    続きを読む 一部表示
    35 分
  • Whitney Laemmli on Making Movement Modern

    Whitney Laemmli on Making Movement Modern
    2025/10/13
    Peoples & Things host, Lee Vinsel, talks with Whitney Laemmli, Assistant Professor in the Department of Social Science and Cultural Studies at the Pratt Institute, about her forthcoming book, Making Movement Modern: Science, Politics, and the Body in Motion. The book traces a technique for visualizing human movement, Labanotation, from its origins in expressionist dance, Austro-Hungarian military discipline, and contemporary physiology to its employment in factories and offices a half-century later. In this way, Making Movement Modern provides a beautiful example of following an object of study into many different, surprising, and unexpected worlds. The pair also discuss one of Laemmli’s new projects, which examines the history of Western ideas and theories that memory might be stored not only in brains but also in bodies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts
    続きを読む 一部表示
    1 時間 2 分