『New Books in Music』のカバーアート

New Books in Music

New Books in Music

著者： Marshall Poe
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 This podcast is a channel on the New Books Network. The New Books Network is an academic audio library dedicated to public education. In each episode you will hear scholars discuss their recently published research with another expert in their field. Discover our 150+ channels and browse our 28,000+ episodes on our website: ⁠newbooksnetwork.com⁠ Subscribe to our free weekly Substack newsletter to get informative, engaging content straight to your inbox: ⁠https://newbooksnetwork.substack.com/⁠ Follow us on Instagram and Bluesky to learn about more our latest interviews: @newbooksnetwork Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/musicNew Books Network 音楽
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  • Jane Eisner, "Carole King: She Made the Earth Move" (Yale UP, 2025)

    Jane Eisner, "Carole King: She Made the Earth Move" (Yale UP, 2025)
    2025/12/21
    Jane Eisner is a widely published journalist who held leadership positions at the Philadelphia Inquirer and The Forward. She is the author of Taking Back the Vote. Eisner lives in New York City. In our wonderful interview we discuss her new book, Carole King: She Made the Earth, (Yale UP, 2025), and her thoughts on what made Carole King the start that she is. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music
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    42 分
  • Max Brzezinski, "Under Pressure: A Song by David Bowie and Queen" (Duke UP, 2025)

    Max Brzezinski, "Under Pressure: A Song by David Bowie and Queen" (Duke UP, 2025)
    2025/12/19
    In 1981, David Bowie and Queen both happened to be in Switzerland: They met and made "Under Pressure." Recorded on a lark, the song broke the path for subsequent pop anthems. In Under Pressure (Duke University Press, 2025), Max Brzezinski tells the classic track's story, charting the relationship between pop music, collective politics, and dominant institutions of state, corporations, and civil society. Brzezinski shows that, like all great pop anthems, "Under Pressure" harnesses collective sentiments in order to model new ways of thinking and acting. As we continue to live under the sign of the global oppressive power the song names, analyzes, and attempts to move beyond, we remain, in Bowie and Freddie Mercury's phrase, under pressure. Max Brzezinski is the author of Vinyl Age: A Guide to Record Collecting Now. Max on Instragram Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music
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    59 分
  • Renee Lapp Norris, "Opera Parody Songs of Blackface Minstrels (1844–1860)" (A-R Editions, 2025)

    Renee Lapp Norris, "Opera Parody Songs of Blackface Minstrels (1844–1860)" (A-R Editions, 2025)
    2025/12/10
    Minstrelsy is often called the first American popular entertainment form. Minstrel shows presented musical, dance, and entertainment styles that continue to resonate in US culture and they also reflected the complex, contradictory, deeply prejudiced attitudes towards race that characterized antebellum America, which are still part of American political and cultural discourses. Despite the voluminous scholarship on minstrel shows, there is relatively little work that deeply investigates the music of minstrelsy. Renee Lapp Norris’s critical edition called Opera Parody Songs of Blackface Minstrelsy (1844–1860) (A-R Editions, 2025) published as part of the Music of the United States of America series (A-R Editions, 2025) aims to help remedy this absence. In this volume, Norris gathers forty opera parody songs originally published as sheet music that illustrate different approaches to opera parodies taken by minstrel performers. She analyzes how minstrels parodied opera, what political and cultural agendas the music supported, and contextualizes the parodies within the history of antebellum minstrel shows. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music
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    55 分
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