Chicana Spiritual Activism: Making Change, Making Soul (U Arizona Press, 2026) explores the profound impact of spiritual activism within the Chicana feminist movement in Texas. It illuminates how a cohort of Texas Chicanas embraced spiritual activism in pursuit of social change during the movement and into the present day.

The book draws on an array of qualitative methodologies—including interviews, autoethnography, testimonio, pláticas, and archival analysis—to develop what the author formulates as “methodologies of the spirit.” Focusing on the lived experiences, histories, and spiritual activism of sixteen Chicanas/Tejanas, Sendejo shows how these trailblazing women confronted the enduring impacts and repercussions of colonial legacies in Texas through their involvement in movement initiatives such as electoral politics through Mujeres Por La Raza, the cultural arts movement, developing Chicana feminist thought, and the establishment of bilingual education and Chicana/o studies programs.

The activists highlighted in the book include well-known figures such as Santa Barraza, Norma E. Cantú, Rosie Castro, Martha P. Cotera, Inés Hernández-Ávila, and others. Through their work, these activists emerged as architects of their own healing and transformation. Simultaneously, they opened avenues for others to embark on similar journeys reshaping religious practices and unearthing and disseminating spiritual, feminist, and ancestral knowledges.

This interview was conducted by Mary Reynolds, publicity manager for The University of Arizona Press. Her book, The Quake That Drained the Desert, investigates the 1887 borderlands earthquake that forever changed surface water and groundwater in Arizona and Sonora, Mexico.

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How does an independent press survive by publishing the books the Big Five overlook? Amherst College professor and Spanglish scholar Ilan Stavans joins Sarah Russo to talk about Restless Books, the press he founded to champion immigrant writers, literature in translation, and the books that live between languages. Ilan shares the origin of Restless Books (including the investor who told him to take a finance course first), the creation of the Kellman Prize for Immigrant Literature, and why he considers Spanglish one of the great creative forces in American English. Ilan and Sarah dig into the practical side of publishing in translation: finding the right translator, editing hybrid-language manuscripts, and navigating the politics around a single project. Ilan also offers advice for immigrant and early-career writers, and makes the case that small presses are doing some of the most important work in publishing today.

For more information on Ilan and Restless Books, please visit the website.

Books mentioned in this episode[1] :

“People Who Live Alone Talk Too Much,” by Sofi Stambo

“A Nation Wrestles with God: American Prophets, Philosophers, and Firebrands,” edited by Ilan Stavans

“The People’s Tongue,” edited by Ilan Stavans

“Cecil the Lion Had to Die,” by Olena Stiazhkina, translated by Dominique Hoffmann

“Daniel and Ismail,” by Juan Pablo Iglesias and illustrated by Alex Peris

“Fictional Translations,” by Ilan Stavans

Also mentioned: Don Quixote, Frankenstein, and The Odyssey

Key Moments

2:02 - How a Midlife Crisis Turned Into a Publishing House 📚
Ilan's candid story of the investor who told him to take a finance course before he'd give him a dime.

5:31 - The $10,000 Bet That Became an 11-Year Literary Prize 🏆
How the Kellman Prize for Immigrant Literature grew from a scrappy idea into a career-launching institution.

8:16 - Editing a 100-Voice Anthology on Faith in America ✝️
The Lilly Endowment project that brought Obama, Du Bois, Sontag, Ginsberg, Dickenson, Rushdie, and many others into one book.

11:15 - Why Spanglish Isn't a "Broken" Language 🗣️
Ilan on the creative, mestizo identity behind Spanglish, and why he believes there's no single version of it.

19:52 - The Trilingual Children's Book That Took 3 Years to Publish 🌍
Finding an Arabic and a Hebrew translator willing to share a byline was "sheer torture."

24:09 - His Best Advice for Immigrant and First-Time Writers ✍️
Why Ilan refuses to call anyone's English "broken," and what he tells writers drowning in drafts.

[1]not sure if you want to mention the classics he cites at the end: Don Quixote, Frankenstein, and The Odyssey (we sort of have a lot here already)

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Los Angeles in the late nineteenth century was bustling with the rise of industrialization, but the growing labor force that propelled it, mostly consisting of Mexican and Chinese men, was met with exclusion policies and deportation campaigns. Nevertheless, Chinese and Mexican women, children, and men built vibrant residential and business districts—until they were all but eradicated in the 1930s. In her compelling and textured history, Urban Borderlands: Multiracial Histories and Gendered Borders in Los Angeles, Dr. Isabela Seong Leong Quintana unearths the entwined stories of Chinatown and Sonoratown through the everyday lives of their residents.

In this conversation, we talk about the significance of comparative Latinx and Asian American Studies, the importance of spatial analysis in urban history, and the methodological challenges of locating Mexican and Chinese women and children in the archives.

Dr. Quintana is an Associate Professor of Asian American Studies at the University of California, Irvine, with affiliations in Culture & Theory and Chicané/Latiné Studies. Her work explores the interconnected histories of Asian Americans and Chicanés/Latinés, centering women and children within U.S. borderlands and recovering unarchived voices. Quintana also co-directs The Five Chinatowns Project at the Chinese Historical Society of Southern California, a community-based research initiative documenting Chinese American Los Angeles through oral histories, archival creation, and youth mentorship. She is the author of Urban Borderlands: Multiracial Histories and Gendered Borders in Los Angeles (University of North Carolina Press, 2026).

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