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  • I Have Avenged America: Jean-Jacques Dessalines and Haiti’s Fight for Freedom

    I Have Avenged America: Jean-Jacques Dessalines and Haiti’s Fight for Freedom
    2025/09/18
    “My name has become a horror to all those who want slavery,” declared Jean‑Jacques Dessalines as he announced the independence of Haiti, the most radical nation‑state during the Age of Revolution and the first country ever to permanently outlaw slavery. Enslaved for the first thirty years of his life, Dessalines (c. 1758–1806) joined the revolution that abolished slavery within the French colony. Then he became a general in the colonial army of the new French Republic. When it was discovered that France once again supported slavery, Dessalines declared war on his former allies. Fighting under the slogan “Liberty or Death,” his army forced the French to evacuate in late 1803. At the start of the new year, Dessalines declared independence from France and became the leader of a free Haiti.A hero to Haitians for centuries, Dessalines is portrayed abroad as barbarous and violent. Yet this caricature derives not from facts—as Dr. Julia Gaffield demonstrates with extensive new research—but from the fears of contemporary enslavers. Showcasing the man behind the myths, Dr. Gaffield reveals Dessalines’s deep suffering, warm friendships, and unwavering commitment to destroying slavery, racism, and colonialism, and his bold insistence on his people’s right to liberty and equality. Our guest is: Dr. Julia Gaffield, who is associate professor of history at William & Mary. She is the author of Haitian Connections in the Atlantic World: Recognition after Revolution; and of I Have Avenged America: Jean-Jacques Dessalines and Haiti’s Fight for Freedom (Yale UP, 2025). She lives in Williamsburg, VA. Our host is: Dr. Christina Gessler, who is a writing coach and a developmental editor. She is the producer of the Academic Life podcast, and writes the show’s newsletter here Playlist for listeners: The First and Last King of Haiti: The Rise and Fall of Henry Christophe We Refuse: A Forceful History of Black Resistance The Social Constructions of Race Never Caught Living Resistance We Take Our Cities With Us Welcome to Academic Life, the podcast for your academic journey—and beyond! You can support the show by downloading and sharing episodes. Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 275+ Academic Life episodes? Find them here. And thank you for listening! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/caribbean-studies
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    56 分
  • Susan M. Rigdon, "Oscar Lewis in Cuba: La Partida Final" (Berghahn Books, 2024)

    Susan M. Rigdon, "Oscar Lewis in Cuba: La Partida Final" (Berghahn Books, 2024)
    2025/09/12
    American anthropologist Oscar Lewis secured permission from Fidel Castro to undertake three years of field research on cultural and economic change in Cuba in the decade after the victory of Castro's M-26 Movement. Oscar Lewis in Cuba: La Partida Final (Berghahn Books, 2024) delves into Lewis' research goals, methods, the training and composition of his field team, and the difficulties of executing the plan in the political climate in Cuba at the time. The government's reasons for early termination of the research agreement are enumerated and their many discrepancies and inconsistencies evaluated. The experience of Project Cuba offers lessons on the difficulties of doing social science research in any highly surveilled, politically controlled environment however sympathetic the principal investigator. Susan M. Rigdon is a Research Associate in the Department of Anthropology at University of Illinois, Urbana-Champaign. She is the author of The Culture Facade: Art, Science and Politics in the Work of Oscar Lewis (University of Illinois Press, 1988) and for 20 years co-authored the award winning textbook American Government (West, 1986). Katie L. Coldiron is Latin American & Caribbean Studies Librarian at Florida International University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/caribbean-studies
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    1 時間 8 分
  • Aliyah Khan, "Far From Mecca: Globalizing the Muslim Caribbean" (Rutgers UP, 2020)

    Aliyah Khan, "Far From Mecca: Globalizing the Muslim Caribbean" (Rutgers UP, 2020)
    2025/08/31
    Muslims have lived in the Caribbean for centuries. Far From Mecca: Globalizing the Muslim Caribbean (Rutgers University Press, 2020) examines the archive of autobiography, literature, music and public celebrations in Guyana and Trinidad, offering an analysis of the ways Islam became integral to the Caribbean, and the ways the Caribbean shaped Islamic practices. Aliyah Khan recovers stories that have been there all along, though they have received little scholarly attention. The interdisciplinary approach takes on big questions about creolization, gender, politics and cultural change, but it does so with precision and attention to detail. Aliyah Khan is an assistant professor of English and Afroamerican and African studies at the University of Michigan, Ann Arbor. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/caribbean-studies
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    45 分
  • Kathleen Wilson, "Strolling Players of Empire: Theater and Performances of Power in the British Imperial Provinces, 1656–1833" (Cambridge UP, 2022)

    Kathleen Wilson, "Strolling Players of Empire: Theater and Performances of Power in the British Imperial Provinces, 1656–1833" (Cambridge UP, 2022)
    2025/08/21
    Why did Britons get up a play wherever they went? In Strolling Players of Empire: Theater and Performances of Power in the British Imperial Provinces, 1656–1833 (Cambridge UP, 2022), Dr. Kathleen Wilson reveals how the performance of English theater and a theatricalized way of viewing the world shaped the geopolitics and culture of empire in the long eighteenth century. Ranging across the Atlantic, Indian and Pacific Oceans to encompass Kingston, Calcutta, Fort Marlborough, St. Helena and Port Jackson as well as London and provincial towns, she shows how Britons on the move transformed peripheries into historical stages where alternative collectivities were enacted, imagined and lived. Men and women of various ethnicities, classes and legal statuses produced and performed English theater in the world, helping to consolidate a national and imperial culture. The theater of empire also enabled non-British people to adapt or interpret English cultural traditions through their own performances, as Englishness also became a production of non-English peoples across the globe. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/caribbean-studies
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    56 分
  • Disco's "Latin Tinge"

    Disco's "Latin Tinge"
    2025/08/19
    In the 1930s, musical Ferdinand “Jelly Roll” Morton identified the influence of Latin American rhythms like the habanera in jazz, as a sonic “tinge” that fundamentally shaped his style as a stride pianist. In the Seventies, disco presented its own Latin tinge. The Latin American and Latino influence on 1970s New York disco extended far beyond the familiar narratives of the Paradise Garage and Studio 54, creating vibrant spaces that celebrated cultural fusion and community. Clubs like the Ipanema Discotheque, Copacabana, and Roseland Ballroom became crucial venues where Latin rhythms, Brazilian beats, and Caribbean sounds mixed with emerging disco to create something entirely new. These spaces, often overlooked in mainstream disco histories, were essential to the genre's evolution—places where the infectious energy of Latin music met the innovative production techniques of American dance music. The DJs who commanded these dance floors brought not just technical skill but cultural knowledge, understanding how to weave together the musical traditions of their homelands with the cutting-edge sounds emerging from New York's studios and clubs. In the fourth episode of Season Two of Soundscapes NYC, hosts Ryan Purcell and Kristie Soares welcome DJs Ronnie Soares and Luis Mario Orellana Rizzo to explore the Latin American contributions to New York's disco revolution. Soares, born in Brazil and arriving in New York as a teenager, became a DJ by accident in 1974 when asked to spin a Brazilian night at the French club Directoire. Though initially a dancer, he quickly became resident DJ at the famed Ipanema Discotheque and went on to create "Midnight Disco" at Roseland Ballroom—the first club in the city to hold 5,000 people. Rizzo began his career at the very inception of club culture in 1969-70, learning from DJ Francis Grasso before working at legendary venues including Cork & Bottle and Copacabana. As the first DJ to tour nationally and internationally, Rizzo helped spread dance music globally while founding Legends of Vinyl, an archival project celebrating the art of DJing. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/caribbean-studies
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    1 時間 1 分
  • Manuel Barcia, "The Yellow Demon of Fever: Fighting Disease in the 19th-Century Transatlantic Slave Trade" (Yale UP, 2020)

    Manuel Barcia, "The Yellow Demon of Fever: Fighting Disease in the 19th-Century Transatlantic Slave Trade" (Yale UP, 2020)
    2025/08/09
    As we now know, epidemics and pandemics are not new phenomena. In her new book The Yellow Demon of Fever: Fighting Disease in the 19th-Century Transatlantic Slave Trade (Yale University Press, 2020), Manuel Barcia offers a striking rendition of the diseases that swept through the illegal slave trade Atlantic World. In fact, Barcia argues that the history of disease and the story of continuing traffic in enslaved people despite the abolition of the slave trade are processes that must be understood together. Barcia demonstrates that in the 19th century Atlantic, quarantines were politicized, sworn enemies were forced to work together to combat disease, and the medical expertise of enslaved people often prevailed despite efforts to silence or ignore it. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/caribbean-studies
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    49 分
  • César Brioso, "Last Seasons in Havana: The Castro Revolution and the End of Professional Baseball In Cuba" (U Nebraska Press, 2019)

    César Brioso, "Last Seasons in Havana: The Castro Revolution and the End of Professional Baseball In Cuba" (U Nebraska Press, 2019)
    2025/08/04
    Today we are joined by César Brioso, author of the book Last Seasons in Havana: The Castro Revolution and the End of Professional Baseball In Cuba (University of Nebraska Press, 2019). Blending the love for baseball fans in Cuba had during the 1950s with the political upheaval that led to Fidel Castro’s rise to power in 1959, Brioso weaves a fascinating tale. Brioso focuses on the last two seasons of the Havana Sugar Kings of the International League (1958-1959) and the last three seasons of the Cuban League (1958-1961). In the 1950s, Havana was a city teeming with rabid baseball fans, swanky hotels, luxurious casinos, and warm, tropical weather. Influential baseball men in Cuba like Bobby Maduro believed Havana was on the short list to earn a major league franchise when baseball expanded. But what happened politically signaled the death knell for those dreams. Castro may have been a big sports fan, but political events in Cuba would take “a sinister turn” as he and the Communists in his regime tightened their grip on the Caribbean island. Brioso’s extensive research, plus more than 20 interviews with former players, Maduro’s son, and even a man who spent a year as the batboy for the transplanted Sugar Kings in Jersey City, New Jersey, gives the reader a unique perspective about Cuba. Former major leaguers interviewed included Orlando Peña, Pedro Ramos, Cookie Rojas and Luis Tiant. Bob D’Angelo was a sports journalist and sports copy editor for more than three decades and is currently a digital national content editor for Cox Media Group. He received his master’s degree in history from Southern New Hampshire University in May 2018. He is the author of Never Fear: The Life & Times of Forest K. Ferguson Jr. (2015), reviews books on his blog, Bob D’Angelo’s Books & Blogs, and has reviewed books for Sport In American History. Can be reached at bdangelo57@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/caribbean-studies
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    43 分
  • Dan-el Padilla Peralta, "Classicism and Other Phobias" (Princeton UP, 2025)

    Dan-el Padilla Peralta, "Classicism and Other Phobias" (Princeton UP, 2025)
    2025/07/30
    Classicism and Other Phobias (Princeton University Press, 2025) shows how the concept of “classicism” lacks the capacity to affirm the aesthetic value of Black life and asks whether a different kind of classicism—one of insurgence, fugitivity, and emancipation—is possible. Engaging with the work of Sylvia Wynter and other trailblazers in Black studies while drawing on his own experiences as a Black classicist, Dan-el Padilla Peralta situates the history of the classics in the racial and settler-colonialist settings of early modern and modern Europe and North America. He argues that immortalizing ancient Greek and Roman authors as “the classical” comes at the cost of devaluing Black forms of expression. Is a newfound emphasis on Black classicism the most effective counter to this phobia? In search of answers, Padilla Peralta ranges from the poetry of Juan de Castellanos to the writings of W.E.B. Du Bois and paintings by contemporary artists Kehinde Wiley and Harmonia Rosales. Based on the prestigious W.E.B. Du Bois Lectures delivered at Harvard University, Classicism and Other Phobias draws necessary attention to the inability of the classics as a field of study to fully cope with Blackness and Black people. Dan-el Padilla Peralta is professor of classics at Princeton University. Caleb Zakarin is editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/caribbean-studies
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    51 分