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  • Leslie James, "The Moving Word: How the West African and Caribbean Press Shaped Black Political Thought, 1935-1960" (Harvard UP, 2025)
    2026/02/06
    In the 1930s and 1940s, amid intensifying anticolonial activism across the British Empire, dozens of new West African and Caribbean newspapers printed their first issues. With small staffs and shoestring budgets, these newspapers nonetheless became powerful vehicles for the expression of Black political thought. Drawing on papers from Trinidad, Jamaica, Ghana, and Nigeria, Leslie James shows how the press on both sides of the Atlantic nourished anticolonial and antiracist movements. Editors with varying levels of education, men and women journalists, worker and peasant correspondents, and anonymous contributors voiced incisive critiques of empire and experimented with visions of Black freedom. But as independence loomed, the press transformed to better demonstrate the respectability expected of a self-governing people. Seeing themselves as “the Fourth and Only Estate,” the sole democratic institution available to a colonized population, early press contributors experimented with the form and function of the newspaper itself. They advanced anticolonial goals through clipping and reprinting articles from a variety of sources; drawing on local ways of speaking; and manipulating photography, comics, and advertising. Such unruly content, James shows, served as a strategic assertion of autonomy against colonial bureaucracy. Yet in the 1950s, this landscape changed as press professionalism became a proxy for a colony’s capacity to govern itself. Analyzing a key moment in the history of Black Atlantic political thought, The Moving Word: How the West African and Caribbean Press Shaped Black Political Thought, 1935-1960 (Harvard UP, 2025) highlights the boundless, shapeshifting power of experimental media. During the era of decolonization, as independence loomed on the horizon, West African and Caribbean newspapers creatively engineered and reinvented debates about imperialism, racial capitalism, and Black freedom dreams and realities. Leslie James is Reader and Sinor Lecturer in Global History at Queen Mary University of London and the author of George Padmore and Decolonization from Below: Pan-Africanism, the Cold War, and the End of Empire, 1939–1959. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/caribbean-studies
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    55 分
  • Jacqueline Couti and Anny Dominique Curtius, "Women, Theory, Praxis, and Performativities: Transoceanic Entanglements in Francophone Settings" (Liverpool UP, 2025)
    2026/02/03
    Women, Theory, Praxis, and Performativities: Transoceanic Entanglements in Francophone Settings (Liverpool UP, 2025) bridges the gap between the Caribbean, the Indian Ocean and the Pacific. It collectively fosters new transoceanic modes of thinking to reframe postcolonial debates and reveal the interconnected dialogues led by women from former French colonies and post-contact island territories. Thus, the volume unsettles the male agenda (captains, missionaries, mariners, ethnographers), and pays attention to the ways in which artists, writers, and activists have theorized or poetized women and the seas, reclaimed agency and created transformative possibilities. To critically map out a gendered conversation with the ocean, the contributors explore activisms and feminisms, intersectional praxes of care, ecological and health impacts of nuclear radiation and chlordecone contamination, queerness, decolonizing dance, the unsettling of official archives and female tidalectical corporeality and embodiments, Mā'ohi epistemologies and ontologies, silence as empowerment against colonial violence, forced migration and vulnerability. The volume's overarching approach belongs to a "politics of refusal" which brings forth formerly discarded archives and discredited sites of knowledge to counter ideologies and doctrinal apparatus that promote forgetting or erasure among non-sovereign populations. In exploring transoceanic feminine spaces as vital sites of knowledge production, this interdisciplinary collaboration aims to ensure that readers actively engage with feminine praxes, understanding their significance not only as theoretical constructs but as lived experiences (re)occupying, (re)appropriating and transcending patriarchal and postcolonial spaces. Jacqueline Couti is the Laurence H. Favrot Professor of French in the Department of Modern & Classical Literatures & Cultures at Rice University and the author of 2016’s Dangerous Creole Liaisons: Sexuality and Nationalism in French Caribbean Discourses from 1806 to 1897 and 2021’s Sex, Sea, and Self: Sexuality and Nationalism in French Caribbean Discourses 1924–1948, as well as editing several critical editions and special journal issues, and authoring numerous articles and book chapters. Anny-Dominique Curtius is Professor of Francophone Studies in the Department of French and Italian at the University of Iowa, and has published two monographs : Symbioses d’une mémoire: Manifestations religieuses et littératures de la Caraibe in 2006 and Suzanne Césaire. Archéologie littéraire et artistique d’une mémoire empêchée in 2020. She has also co-edited a special issue of Esprit Créateur on “Francophonies of the Early Modern,” and published extensively in academic journals and edited volumes. Host Gina Stamm is Associate Professor of French at The University of Alabama, with research concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean, with a book manuscript in progress on posthumanist ecological engagement in the surrealist movement. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/caribbean-studies
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    1 時間 18 分
  • Danielle N. Boaz, "Voodoo: The History of a Racial Slur" (Oxford UP, 2023)
    2026/02/01
    Coined in the middle of the nineteenth century, the term "voodoo" has been deployed largely by people in the U.S. to refer to spiritual practices--real or imagined--among people of African descent. "Voodoo" is one way that white people have invoked their anxieties and stereotypes about Black people--to call them uncivilised, superstitious, hypersexual, violent, and cannibalistic. In Voodoo: The History of a Racial Slur (Oxford University Press, 2023), Dr. Danielle N. Boaz explores public perceptions of "voodoo" as they have varied over time, with an emphasis on the intricate connection between stereotypes of "voodoo" and debates about race and human rights. The term has its roots in the U.S. Civil War in the 1860s, especially following the Union takeover of New Orleans, when it was used to propagate the idea that Black Americans held certain "superstitions" that allegedly proved that they were unprepared for freedom, the right to vote, and the ability to hold public office. Similar stereotypes were later extended to Cuba and Haiti in the late nineteenth and early twentieth centuries. In the 1930s, Black religious movements like the Moorish Science Temple and the Nation of Islam were derided as "voodoo cults." More recently, ideas about "voodoo" have shaped U.S. policies toward Haitian immigrants in the 1980s, and international responses to rituals to bind Nigerian women to human traffickers in the twenty-first century. Drawing on newspapers, travelogues, magazines, legal documents, and books, Dr. Boaz shows that the term "voodoo" has often been a tool of racism, colonialism, and oppression. This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/caribbean-studies
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    1 時間 2 分
  • Alaina M. Morgan, "Atlantic Crescent: Building Geographies of Black and Muslim Liberation in the African Diaspora" (UNC Press, 2025)
    2026/01/27
    Alaina Morgan's Atlantic Crescent: Building Geographies of Black and Muslim Liberation in the African Diaspora (UNC Press, 2025) introduces the conceptual framework of the “Atlantic Crescent” to capture the overlapping encounters between Black, Afro-Caribbean, and South Asian Muslims in the United States and the Caribbean. Using rich archival material, such as the Nation of Islam’s Muhammad Speaks, we learn about 20th century Black Muslim movements such as the Moorish Science Temple and the Nation of Islam as they encounter and engage with South Asian Muslim communities, like the Ahmadiyya movement in the US, as their discourses of global anti-imperial and decolonial struggles shaped or overlapped with each other. The second half of the book takes us to Bermuda to trace the translation of these Black Muslim liberation movements into the Caribbean. By focusing on the flow and encounters of these overlapping diasporas, we learn how anti-imperial and ant-colonial discourses were inhabited by varied South Asian, Black, and Afro-Caribbean diasporic communities, and how organizing, be it around labour and education, framed Islam through Black and Afro-diasporic liberatory registers. Morgan’s sharp analysis of these rich diasporic flows charts new imagined geographies of freedom struggles and resistance. This study will be of interest to scholars who think and write on Islam in the global west and the Caribbean, diaspora studies, anti-colonial and anti-imperial Muslim organizing and much more. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/caribbean-studies
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    1 時間 11 分
  • Kellen Hoxworth, "Transoceanic Blackface: Empire, Race, Performance" (Northwestern UP, 2024)
    2026/01/20
    In Transoceanic Blackface: Empire, Race, Performance (Northwestern UP, 2024) Dr. Kellen Hoxworth presents a sweeping history of racialized performance across the Anglophone imperial world from the eighteenth to the early twentieth century. A material history of racialized performance throughout the Anglophone imperial world, Transoceanic Blackface: Empire, Race, Performance revises prevailing understandings of blackface and minstrelsy as distinctively US American cultural practices. Tracing intertwined histories of racialized performance from the mid-eighteenth through the early twentieth century across the United States and the British Empire, this study maps the circulations of blackface repertoires in theatrical spectacles, popular songs, visual materials, comic operas, closet dramas, dance forms, and Shakespearean burlesques. Dr. Hoxworth focuses on overlooked performance histories, such as the early blackface minstrelsy of T. D. Rice’s “Jump Jim Crow” and the widely staged blackface burlesque versions of Othello, as traces of the racial and sexual anxieties of empire. From the nascent theatrical cultures of Australia, Britain, Canada, India, Jamaica, South Africa, and the United States, Transoceanic Blackface offers critical insight into the ways racialized performance animated the imperial “common sense” of white supremacy on a global scale. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/caribbean-studies
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    45 分
  • Reena Goldthree, "Democracy’s Foot Soldiers: World War I and the Politics of Empire in the Greater Caribbean" (Princeton UP, 2025)
    2026/01/16
    Following the outbreak of World War I, tens of thousands of men from the British Caribbean volunteered as soldiers to fight on behalf of the British Empire. Despite living far from the bloody battlefields of Europe, these men enlisted for a variety of reasons—to affirm their masculine honor, pursue economic mobility, or enhance their standing as colonial subjects. Democracy’s Foot Soldiers: World War I and the Politics of Empire in the Greater Caribbean (Princeton UP, 2025) by Dr. Reena Goldthree offers a sweeping account of the British West Indies Regiment, the military unit established in 1915 for Caribbean volunteers, documenting their service during the war and their dramatic battles for racial equality and fair treatment in the armed forces and on the home front.Drawing on previously overlooked archival sources in the Caribbean, England, and United States, Dr. Goldthree demonstrates how wartime military mobilization spurred heightened demands for social, economic, and political reform in the colonial Caribbean. She recovers the forgotten contributions of Afro-Caribbean troops during the war, following their harrowing journeys to military camps in Europe, Africa, and the Middle East. Goldthree chronicles how, after the war, soldiers, their families, and their civilian allies launched their own “war for democracy,” strategically using the rhetoric of imperial patriotism—rather than the more militant language of anticolonial nationalism—to fight for respect and equality.Democracy’s Foot Soldiers places these soldiers at the forefront of popular struggles over race, labor, and economic justice in the early twentieth-century Caribbean, showing that the war years were a crucial period of political ferment and mass mobilization in the region. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/caribbean-studies
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    52 分
  • Johanna Lukate, "(Dis)Entangled: Black Hair, Race, and Identity" (Coronet, 2025)
    2026/01/16
    Even before we get to introduce ourselves by name, our hair has already started to tell stories about who we are, where we are from and where we are at. Our hair is tangled up in the interplay of race, gender, class, nationality, sexuality, power and beauty. It is an avid storyteller and a consummate performer - whether we like it or not. If our hair could talk, what stories would it tell about us? (Dis)entangled: Black Hair, Race, and Identity (Coronet, 2025) delves into the intricate and deeply personal relationship between Black individuals and their hair, exploring - through a collection of diverse experiences - the profound significance of hair as a conduit for self-expression, resilience, and collective memory within communities around the world. Each story illuminates the complex tapestry of experiences surrounding Black hair, shedding light on its intersections with gender, race and identity.Through the voices of those who have walked this textured path, the book ultimately seeks to empower readers to embrace their own unique journey of self-discovery, one strand at a time. This interview was conducted by Dr. Hannah Pool, a senior researcher at the Max Planck Institute for the Studies of Societies. Her research focuses on human mobilities and her new book has just been published (2025, Oxford University Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/caribbean-studies
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    46 分
  • Vanessa Díaz and Petra R. Rivera-Rideau, "P FKN R: How Bad Bunny Became the Global Voice of Puerto Rican Resistance" (Duke UP, 2026)
    2026/01/14
    P FKN R: How Bad Bunny Became the Global Voice of Puerto Rican Resistance (Duke UP, 2026) explores the work of Puerto Rican musical superstar Bad Bunny (Benito A. Martinez Ocasio), focusing on his cultural and political significance.Global superstar Bad Bunny, like many other Puerto Ricans, has lived a life marked by public crises—blackouts, hurricanes, political corruption and oppression, among others—that have exposed the ongoing impacts of colonialism in Puerto Rico. Offering a portrait of the past and future of Puerto Rican resistance through one of its loudest and proudest voices, P FKN R draws on interviews with musicians, politicians, and journalists as well as ethnographic research to set Bad Bunny and Puerto Rican resistance in a historical, political, and cultural context. Authors Vanessa Díaz and Petra Rivera-Rideau—creators of the “Bad Bunny Syllabus”—demonstrate Bad Bunny’s place in a long tradition of infusing both joy and protest into music and honor the many evolving forms of daily resistance to oppression and colonialism that are part of Puerto Rican life. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/caribbean-studies
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    57 分