Lorde's 'Virgin' Era: Raw Femininity, Fluid Identity & a Triumphant Return
カートのアイテムが多すぎます
ご購入は五十タイトルがカートに入っている場合のみです。
カートに追加できませんでした。
しばらく経ってから再度お試しください。
ウィッシュリストに追加できませんでした。
しばらく経ってから再度お試しください。
ほしい物リストの削除に失敗しました。
しばらく経ってから再度お試しください。
ポッドキャストのフォローに失敗しました
ポッドキャストのフォロー解除に失敗しました
Lorde's 'Virgin' Era: Raw Femininity, Fluid Identity & a Triumphant Return
-
ナレーター：
-
著者：
このコンテンツについて
In the past few days Lorde has been at the center of music headlines following the release of her highly anticipated fourth studio album Virgin on June 27 the first new record since 2021s Solar Power. According to Just Jared the new album includes singles like What Was That Man of the Year and Hammer and marks a thematic return to merging the private and public sides of her life instead of drawing the sharp divide she kept in earlier years. Lorde told Zane Lowe she wanted to capture her femininity in a raw elegant and unsentimental way with the album which she described as full transparency. Rolling Stone ran a revealing cover story in which Lorde opened up further about her identity saying she still identifies as a cis woman with she her pronouns but adds that she feels in the middle gender-wise and sometimes jokes I am a woman except for the days when I am a man. She discussed these feelings at length including stories about duct-taping her chest as a younger person and resisting any pressure to neatly box up her gender identity. In the same interview she expressed admiration for younger LGBTQ activists but clarified she is not trying to speak over or take space from anyone with more at stake than her.
Virgin has sparked global anticipation for Lordes Ultrasound World Tour which was formally announced mid August with initial dates publicized through outlets like AOL and XS Rock. The North American leg of the tour opens September 17 in Austin and runs through major cities like Chicago New York Boston and Seattle before heading to Europe in November with reported sold out dates including the highly anticipated stop at the Kia Forum in Los Angeles on October 18. Lorde shared her excitement online about touring with friends including opening acts Blood Orange and the Japanese House among others. The tours visuals and promotional material use x-ray imagery echoing the rawness and transparency of the album cover and theme.
In recent public appearances Lorde made a pop-culture splash by attending a New York Knicks basketball game where she wore a Balenciaga polo referencing the teams colors as reported by AOL a rare appearance that generated some buzz on social media especially since the pop icon is usually quite private. On Instagram the pop cabaret 54 Below promoted a tribute night celebrating Lordes music further reflecting her pop influence and relevance. Adding to the visual attention her latest music video which dropped just ahead of the album features Lorde performing alongside three imagined versions of herself—the Child the Lover and the Gardener—symbolizing the personal evolution she sings about on Virgin. The video has garnered extensive commentary for its earnest exploration of self and identity.
Overall Virgin and its rollout—accompanied by deeply personal interviews major tour announcements sold out shows new music videos and high-visibility public appearances—represent the most biographically significant period for Lorde since her original breakout solidifying her status as a music icon unafraid to examine and expose her evolving inner life to the world.
Get the best deals https://amzn.to/3ODvOta
まだレビューはありません