On today’s date in 1950, Decca recording engineers committed to disc seven short works by American composer Leroy Anderson, with him conducting top-notch New York freelance musicians.

Since 1938, Anderson had been associated with the Boston Pops, for whom he had composed a string of very successful pieces, beginning with Jazz Pizzicato and Jazz Legato, complimentary works designed for the two sides of a 78-rpm disc. Anderson recorded both those pieces at his 1950 Decca session and also the first performance of a new work, The Waltzing Cat. In fact, after 1950 most of his premieres took place at Decca recording sessions. One of them, Blue Tango, sold over a million copies.

By 1953, one national survey found Anderson was the most-performed American composer of his day. That was the year he wrote his only extended orchestral work, a piano concerto. With the exception of a short-lived Broadway musical from 1958 Goldilocks, the bulk of his works are short, witty orchestral pieces, superbly crafted works intended to make audiences smile.

“I just did what I wanted to do, and it turned out that people liked it,” Anderson once said.

Leroy Anderson (1908–1975): Jazz Pizzicato and The Waltzing Cat; Decca studio orchestra; Leroy Anderson, conductor; MCA 9815