Kate Wolf and Eric Newman are joined by the novelist and critic Namwali Serpell to discuss her latest book, On Morrison. Through close readings of Toni Morrison's many novels, as well as her plays, short stories, and early work as a book editor, Serpell's book appraises how critics, scholars, and the public received Morrison across her career and beyond. The book rigorously examines Morrison's writing from a plenitude of contexts and angles, including Black aesthetics, history, literature, race, gender, philosophy, and craft. Though Morrsion has long been considered a titan of American literature, and was the first Black woman to win the Nobel Prize for literature in 1993, On Morrison proves that there is still plenty more to be gleaned from the complexity and achievement of her work. Serpell discusses what makes Morrison a difficult writer, how she is often misread, and why her books speak, as ever, to the present moment.

Richard Hell joins Kate Wolf to speak about the reissue of his novel, Godlike. Originally published in 2005, Godlike transposes the relationship of the 19th century poets Arthur Rimabaud and Paul Verlaine to 1970s New York. Told from the hospital room of poet Paul Vaughn, the story centers on his meeting of a wily and charismatic 16-year-old punk named R.T. Wode decades earlier. Their attraction is instant, and it becomes a kind obsession for Paul that is as clarifying and creatively fruitful as it is deluding. The novel is steeped in the poetry of the New York School and captures the scene around St. Mark's Church that Hell came to know when he was just a teenager himself. An anti-nostalgic remembrance, the book reflects on aging, death, belief, and the power of the word to transform the detritus of the everyday into something holy and lasting.