『Journal of Biophilic Design』のカバーアート

Journal of Biophilic Design

Journal of Biophilic Design

著者： Vanessa Champion editor Journal of Biophilic Design
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今ならプレミアムプランが3カ月 月額99円

2026年5月12日まで。4か月目以降は月額1,500円で自動更新します。

概要

Welcome to our podcast series from the Journal of Biophilic Design, where we interview workplace consultants, futurists, interior designers, architects, urban planners and those working in healthcare, wellbeing and other industries to find out the latest on Biophilic Design. www.journalofbiophilicdesign.com

Content copyright Journal of Biophilic Design, opinions copyright the speaker. 心理学 心理学・心の健康 社会科学 科学 衛生・健康的な生活
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  • The Future of Material Innovation and Biophilic Design

    The Future of Material Innovation and Biophilic Design
    2026/04/14
    Have you ever wondered how materials shape our environment? What happens when design meets nature? If you’re craving a fresh perspective on sustainable, regenerative design, dive deep with us into the world of materials, creativity, and a future where biophilic principles transform every building, every product, and every space. William Knight, co-founder of Material Matters, is a passionate advocate for a future where materials tell stories, innovate endlessly, and reconnect us to nature. His journey from politics to design might surprise you, but his journey has driven him to demystify material innovation that truly inspires. In this post, you’ll discover how materials are pushing boundaries, why understanding them is critical, and how a shift in industry mindset can accelerate regenerative, biophilic environments. Living Materials and Regenerative Design Will emphasises that many materials we overlook have rich stories. Think about timber, agricultural waste, natural extracts, all of these can inspire radically different design solutions. For example, his work with companies using tree sap, algae-based bioplastics, or recycled aluminium demonstrates that every material is an opportunity. This perspective challenges the traditional sourcing black book, pushing designers to explore alternatives that are biophilic, regenerative, and resourceful. Yes, natural waste and renewable sources are eco-friendly but they can also create compelling products that challenge our assumptions and expand design possibilities. Will’s own story began unconventionally, with his early career in the House of Commons. From navigating politics to working with the UK Design Council, his journey reflects a passion for shaping perceptions and pushing creative boundaries. His work has spanned exhibitions, festivals, and major design events, with a focus on how materials are the foundation of design innovation. Today, Material Matters is a platform for exploring the pulse of material intelligence. Its an accessible, open conversation about process, resourcefulness, and ecological mindfulness. It’s about bringing transparency and democratising knowledge so everyone, from designers to end consumers, can make smarter, sustainable choices. Designing for a Biophilic Future One of the most exciting areas Will touches on is the role of biophilic design principles, the integration of natural elements into environments to foster wellbeing and sustainability. He reminds us that design is inherently reactive, it responds to market demand, manufacturing capabilities, and cultural shifts. But the real game-changer? Materials that mimic or derive directly from nature, like bio-based concrete infused with moss, or fungi-based textiles, enable us to create living buildings and products. William highlights an inspiring example: materials with embedded bio-growth, which grow, adapt, and even repair themselves. They embody nature’s resilience and regenerative capacity, leading us toward healthier, more adaptable spaces. Designers can act as catalysts, demonstrating and advocating for natural, sustainable materials. Success hinges on collaborating across sectors. Supply chains, manufacturing, regulation—each influences whether innovations reach the mainstream. We need inclusive platforms and storytelling, engaging property developers, clients, and end users in the process. When supply chains embrace natural waste, local resources, and regenerative practices, scale becomes feasible, collaborative, cross-sector thinking is key. Regenerative and biophilic materials must be supported by resilient supply chains and more succinct regulation, a collective effort fuelled by shared knowledge and a willingness to challenge orthodoxies. Your challenge: Think beyond the usual. Dive into local resources, embrace natural waste, and collaborate across disciplines to create environments that resonate deeply with human nature. The future of architecture and design is rooted in materials that are alive, local, and regenerative. To find out more about Will and Material Matters check out these links below: Material Matters: materialmatters.designPodcast (Apple Podcasts) - Material Matters with Grant Gibson: https://podcasts.apple.com/gb/podcast/material-matters-with-grant-gibson/id1450375359Bookshop: https://shop.materialmatters.design/ What is Biophilic Design? https://journalofbiophilicdesign.com/what-is-biophilic-design Have you got a copy of the Journal? You can now subscribe as a member of the Journal of Biophilic Design or purchase a gorgeous coffee table reference copy or PDF download of the Journal journalofbiophilicdesign.comor Amazon and Kindle. Credits: with thanks to George Harvey Audio Production for the calming biophilic soundscape that backs all of our podcasts. Listen to our podcast on Audible, Amazon Music, Spotify, iTunes, YouTube and all the RSS feeds.https://www.facebook.com/...
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    40 分
  • The Biophilic Imperative - From Sustainability to Regeneration

    The Biophilic Imperative - From Sustainability to Regeneration
    2026/04/10
    Biophilic Regenerative DesignIs it Utopian thinking to imagine a world architected not just to sustain, but to regenerate. A space where every brick, every plant, every human interaction pushes us closer to harmony with nature? Enrique Soler, is Design Director for Major Projects at Area, where he leads a multidisciplinary team of designers. Formerly Head of Design for Willmott Dixon Interiors, Enrique is a design visionary and passionate advocate of biophilic and regenerative spaces. In this podcast interview he takes us on a journey beyond eco-friendly clichés to uncover how biophilic design can fundamentally transform our relationship with the planet and each other.Sustainability alone is no longer enough. It’s become a hollow badge; a marketing tab on products. We have to be specifying with regeneration as a fundamental baseline. We have to aim to be net positive, to give back to the earth, and nurture all life through design. If we want to thrive, we must shift from mere mitigation to conscious creation of spaces that actively enhance biodiversity, air quality, and human well-being.Enrique’s practice extends deep into the core of biophilic philosophy. "It’s not about just having a plant here or there, it’s systems thinking, connecting everything: natural materials, community involvement, local art, and the web of life. Design must be holistic." He illustrates that interior environments capable of reducing noise, improving sleep, and fostering healthy ecosystems are essential. He shares the surprising outcome of how circadian lighting actually also reduced the sound levels in an office environment, as people were calmer. It’s amazing how biophilic elements can have a far-ranging effect on human health and productivity.We also discuss urgency. Without Biophilic Design, we're simply continuing a path of destruction. The materials we would otherwise turn to: plastic, synthetic, cheap, are the very things that threaten our future. Through Biophilic Design we’re correcting course now, returning to natural, renewable resources like hemp, timber, and even innovative composites like mycelium. We have to respect nature’s way, we have to design with circularity in mind, with long-term thinking. Modular systems, lifespan-aware biophilic materials, community-centred projects are practical strategies to future-proof spaces while healing our planet.Enrique urges designers and clients alike to rethink their priorities: "It’s not just about what looks good. It’s about systems, life cycles, interconnectedness. Our spaces should give back, support biodiversity, and reflect the complex web we’re part of." He reminds us that each choice, from material to layout, matters. "The butterfly effect is real," he says. "A simple plant, a thoughtfully designed community space, can ripple into broader ecological and social benefits."I think more and more of us are ready to build responsibly, mindfully, regeneratively. Whether you’re a designer, a business leader, or just someone who cares about planet and people, Enrique’s insights challenge you to see your role differently. Not just as someone working in design or build, but as a steward of life. Each one of us can shape the environment to support thriving communities and ecosystems for generations to come.Are we ready to change the way we create, to heal what’s broken, and to embrace a truly regenerative future? We have a collective future. For anyone committed to redefining purpose in design, this episode is an essential listen. Because the truth is, we have no other option but to build a world that regenerates, not just sustains.To find out more about the places Enrique talks about in this podcast visit:Case studies for Area’s offices in both London and Windsor, where you can read a bit about the design approach and sustainability aspects:https://area.co.uk/case-studies/area-londonhttps://area.co.uk/case-studies/area-windsorAnd the plasterboard alternative that his client suggested for a project:https://adaptavate.com/products/breathaboardIse Shrine in Japan:https://www.isejingu.or.jp/en/about/index.html#historyYou can see what Enrique talked about in terms of preserving the craft as opposed to the original materials, as well as the forest surrounding the shrine, here:https://www.worldhistory.org/Ise_Grand_Shrine/https://www.smithsonianmag.com/smart-news/this-japanese-shrine-has-been-torn-down-and-rebuilt-every-20-years-for-the-past-millennium-575558/Have you got a copy of the Journal? You can now subscribe as a member of the Journal of Biophilic Design or purchase a gorgeous coffee table reference copy or PDF download of the Journal journalofbiophilicdesign.comor Amazon and Kindle. Book tickets and join us in PERSON and LIVE STREAMED Biophilic Design Conferencewww.biophilicdesignconference.comCredits: with thanks to George Harvey Audio Production for the calming biophilic soundscape that backs all of our podcasts. Listen to our ...
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    44 分
  • The New Stone Age

    The New Stone Age
    2026/03/26
    Imagine furniture, cities and buildings that tell stories rooted in local geology, where the materials and forms echo the unique landscapes of their region. Imagine a design language spoken with local stones and traditions, elevating cultural identity. Beyond its primal beauty and ancient aura, STONE is a material that embodies sustainability, resilience, and storytelling. If you’ve ever danced barefoot on marble floors or admired the stone facades adorning historic cities, you’ve felt that deep, almost breathing connection to the earth’s history. But how often do we truly understand this miracle of nature and see its potential to transform our built environment? Today, we dive into the heart of biophilic design and explore how embracing natural stone could upscale our approach to architecture, sustainability, and beauty with Matt Robb, Marketing and Media Manager for the Stone Federation of Great Britain. I think you’ll enjoy this interview where we celebrate our relationship with one of the earth’s oldest, most remarkable gifts. Matt shares with us how the story starts deep beneath our feet, formed over millions of years by geological forces, sedimentary layers, thermal metamorphosis, and the slow crystallization of minerals. From limestone and marble to granite and sandstone, each type tells a story of time, place, and process. There's no such thing as a bad stone, only badly used stone. When we understand the qualities of each material we can allow them to inform your design, not constrain it. Think Right Stone, Right Place. Architects like Amin Taha are leading this movement utilising full-range stone blocks, drastically reducing carbon footprints, and proving that sustainability and innovative design are not mutually exclusive. The key? Embrace the narrative of each stone, respect its natural essence, and allow it to shape your architecture—timeless, responsible, and inherently beautiful. When you learn how stone is formed which Matt shares brilliantly where it comes from, and what it can do, your designs become richer, more authentic, and more sustainable. Also there is the sustainability aspect of Stone. Imagine a world where buildings are seen as part of a living, breathing ecosystem, where materials cycle and recycle with grace. That’s the promise of stone. Its longevity is legendary think of Edinburgh’s historic streets or the enduring facades of ancient temples. Stone can be carefully dismantled, catalogued, and reimagined in future projects. The challenge? Building the infrastructure to support this reuse. But progress is happening. Architect-led networks and heritage specialists are leading the charge, turning old buildings into treasure troves of reconditioned stone. Consider this: If the entire 8 billion-strong human population built with stone, the required quarry would be just a tiny pinprick in the Earth’s crust no scars, only stories. Yes, quarrying involves extracting from the earth, but the narrative isn’t black and white. Modern practices focus on minimising impact, returning sites to nature, and enhancing biodiversity. UK quarries, for instance, often serve as reclaimed habitats and even public spaces. Stone has a 74% lower global warming potential than ceramics, and UK-produced bricks made from quarry offcuts boast 75% lower embodied carbon than traditional clay. Plus, with proper design, stone’s durability means it outlives many materials—cutting long-term waste and carbon footprints. While high-tech CNC machinery and ultra-slim stone cladding grab headlines, the most exciting innovation comes from returning to the roots of stone’s purpose. Think: robust, honest, and unpretentious. Using the full range of a stone block, giving it room to breathe, to express its natural beauty is a boundary-pushing act that challenges the wastefulness of modern architecture. Think beyond the CAD drawings with the perfect seam running through the centre of the wall panel, and instead embrace the randomness of nature’s beauty and maybe even let the stone dictate the design not the other way around. Building with the natural grain, textures, and colours celebrates its integrity while reducing waste and costs. Inside and out, designers are reimagining what’s possible when they listen to stone. From structural uses that cut entire carbon footprints to creative installations that tell stories of time and place, the future is rooted in natural materials. How to Integrate Stone into Your PracticeAre you new to specifying stone? Here’s the essential first step:Visit a quarry or large slab yard (which we are going to organise, so make sure you sign up to our Journal newsletter or become a member).See the full range of colours, textures, and sizes.Connect with a stone specialist.Understand how each material is formed and suited to different applications.Challenge misconceptions about cost.Remember: the true cost is what you reject. Use the raw ...
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    41 分
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