『Emotions for Humans』のカバーアート

Emotions for Humans

Emotions for Humans

著者: Jon Hunter
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Actors train emotions on purpose. Everyone else gets them by accident.


Acting coach Jon Hunter spends his days teaching professional actors how emotion actually works - in the body, on demand, under pressure. Emotions for Humans takes that training out of the studio and hands it over.


Each episode is an honest conversation about the emotional work nobody teaches you. The anger you swallow at work. The tears that ambush you at weddings. The confidence that shows up ten minutes after you needed it.


No therapy-speak. No "good vibes only". No pretending there's a right way to feel.


Science-informed, studio-tested, human-first.


Whether your room is a studio, a meeting, or a kitchen table at midnight: you have emotions, you're a human, and this show is for you.


Now.

Go be a human.

© 2026 Jon Hunter
エピソード
  • How Quickly Can We Get to the Work?
    2026/10/19

    Here’s a question that changes rooms: what’s the work?


    This episode is about the question that gets you past the hardest part of any room or relationship – the part where the focus swings back onto you. Because trust isn’t a feeling you summon – it’s what evidence builds.


    • Confidence asks how you feel. Trust asks what you’ve done. Trust is built from evidence – the memory of having done the work and lived.
    • Two things get called feelings, and only one of them is yours to manage. What you feel about yourself is psychological. The emotion the work needs is physiological – action, not commentary. That distinction is neuroscientist Antonio Damasio’s, and it’s the spine of the whole episode.
    • Attention decides access. Research on attentional focus keeps finding the same thing: attention on the effect of the action beats attention on the self performing it.
    • The barriers come in two kinds – the ones you build and the ones you were handed. The built ones have a research name: self-handicapping. The handed ones are the scripts you were taught about what it’s appropriate to feel and show.
    • There’s training built for exactly this. The episode names the barriers, not the methods – the methods live in the studio.


    No separate tool this week – you don’t need one. The next room you care about is where you test it: before you walk in, ask what the work asks of you – name whatever stands between you and the answer – and do what the work asks. And if the work goes dark in there, ask it again: what is the work asking of you now?


    Now.

    Go be a human.


    REFERENCES


    • The emotion–feeling distinction – Damasio, A., & Carvalho, G. B. (2013). The nature of feelings: evolutionary and neurobiological origins. Nature Reviews Neuroscience, 14(2), 143-152. doi.org/10.1038/nrn3403
    • The attention research – Wulf, G. (2013). Attentional focus and motor learning: a review of 15 years. International Review of Sport and Exercise Psychology, 6(1), 77-104. doi.org/10.1080/1750984X.2012.723728
    • The self-handicapping study – Berglas, S., & Jones, E. E. (1978). Drug choice as a self-handicapping strategy in response to noncontingent success. Journal of Personality and Social Psychology, 36(4), 405-417. doi.org/10.1037/0022-3514.36.4.405
    • The interview callback – Kageyama, N. (2026, August 2). Lorna McGhee: Treating confidence as something you do, not something you feel. Bulletproof Musician. bulletproofmusician.com/lorna-mcghee-treating-confidence-as-something-you-do-not-something-you-feel


    All references with clickable links: emotionsforhumans.com/004-how-quickly-can-we-get-to-the-work

    続きを読む 一部表示
    11 分
  • Confidence is Overrated
    2026/10/12

    Nobody feels as confident as they look. Not even the people who look it most.


    This episode takes the myth apart, with help from a principal flautist who found out where pressure goes in the body:


    • Confidence is really overrated. The people on stage aren’t feeling what you think they’re feeling – and even the most rehearsed performer in the world can walk out without it.
    • Pressure has an address. In the final round of one of the world’s great auditions, her low D’s stopped speaking – because the pressure went to her jaw. The shoulders don’t get tight on their own.
    • It doesn’t matter how you feel, it’s what you do. Two words, three times, right before walking on stage: choose courage. A choice, not a feeling.
    • Your nerves are less visible than they feel. The research on the illusion of transparency says the room can’t read you nearly as well as you fear – which is bad news for defensive playing.
    • Playing generous, not defensive. Playing in order not to go wrong earns admiration, not contact. What reaches people is commitment to the task – and the body staying out of its own way.
    • Generosity settles the body. In a stress study, people who wrote a supportive letter to a friend showed smaller stress responses under pressure – while feeling just as anxious as everyone else. The feeling didn’t move – the body did. Playing not to lose is physically the harder way through.


    No handout this week – you don’t need one. Pick the next room you actually care about. Name what playing not to lose looks like for you in that room – then choose the generous version of your first move.


    Now.

    Go be a human.


    REFERENCES


    • The interview – Kageyama, N. (2026, August 2). Lorna McGhee: Treating confidence as something you do, not something you feel. Bulletproof Musician. bulletproofmusician.com/lorna-mcghee-treating-confidence-as-something-you-do-not-something-you-feel
    • The line she quotes – Sinclair, D. (2023). Dialed In: Do Your Best When It Matters Most. (book – no link; quoted as McGhee cites it in the interview)
    • The illusion of transparency – Gilovich, T., Savitsky, K., & Medvec, V. H. (1998). The illusion of transparency: Biased assessments of others’ ability to read one’s emotional states. Journal of Personality and Social Psychology, 75(2), 332-346. doi.org/10.1037/0022-3514.75.2.332
    • The spotlight effect – Gilovich, T., Medvec, V. H., & Savitsky, K. (2000). The spotlight effect in social judgment: An egocentric bias in estimates of the salience of one’s own actions and appearance. Journal of Personality and Social Psychology, 78(2), 211-222. doi.org/10.1037/0022-3514.78.2.211
    • The generosity research – Inagaki, T. K., & Eisenberger, N. I. (2016). Giving support to others reduces sympathetic nervous system-related responses to stress. Psychophysiology, 53(4), 427-435. doi.org/10.1111/psyp.12578
    • Episode 2 callback – Bandura, A. (1977). Self-efficacy: Toward a unifying theory of behavioral change. Psychological Review, 84(2), 191-215. doi.org/10.1037/0033-295X.84.2.191
    続きを読む 一部表示
    14 分
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