『History Lab』のカバーアート

History Lab

History Lab

著者： Impact Studios
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今ならプレミアムプランが3カ月 月額99円

2026年5月12日まで。4か月目以降は月額1,500円で自動更新します。

概要

 History Lab || exploring the gaps between us and the past || This series is made in collaboration by the Australian Centre for Public History and Impact Studios at the University of Technology, Sydney.2025 UTS Impact Studios and the Australian Centre for Public History 社会科学
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  • 48. Looking back: Drusilla Modjeska on women artists and what they saw

    48. Looking back: Drusilla Modjeska on women artists and what they saw
    2026/04/30
    What happens to women's art when the world stops looking?That's the question at the heart of A Woman's Eye: Her Art, Drusilla Modjeska's book about a century of women artists who made radical, visionary work — and were then, largely, forgotten. Recorded live at Gleebooks before a packed house, this is a conversation about art history as a political act: who gets remembered, who gets written out, and why it keeps happening.In conversation with literary biographer Bernadette Brennan — who is currently writing Modjeska's own biography — and joined by artist Julie Rrap, Modjeska moves from Wilhelmine Germany to 1920s Paris to the liberation of Dachau, tracing the lives of women who saw things their own way.VoicesDrusilla Modjeska is the author of Poppy, Stravinsky's Lunch, The Orchid, The Mountain, Second Half First, and A Woman's Eye: Her Art, published by Penguin Books Australia.Bernadette Brennan is a literary critic and the author of A Writing Life: Helen Garner and Her Work and Leaping into Waterfalls: The Enigmatic Gillian Mears. She is currently writing a biography of Drusilla Modjeska.Julie Rrap is one of Australia's most significant contemporary artists. Her survey exhibition Past Continuous, centred on SOMOS, was held at the Museum of Contemporary Art Australia in 2024–25. SOMOS is now in the permanent collection of the Art Gallery of Western Australia.A Woman's Eye: Her Art is published by Penguin Books Australia.CreditsThis episode of History Lab was recorded on Gadigal Land, Sydney, at Gleebooks. For more literary events like this one, see the Gleebooks events page.Edited and mixed by Maksim Voloshin-Cleary.History Lab is brought to you by the Australian Centre for Public History and UTS Impact Studios. Executive producer is Sarah Gilbert.Works mentionedPaula Modersohn-BeckerSelf-Portrait on the Sixth Wedding Anniversary (1906) — nude self-portrait depicted as pregnant Paula Modersohn-Becker Museum, Bremen https://online-sammlung.hamburger-kunsthalle.de | Google Arts & Culture entry from the Böttcherstraße Museums: https://artsandculture.google.com/story/IwVRLMk5ACZUJQLying Mother with Child II (1906) — nude mother reclining with child Paula Modersohn-Becker Museum / Museen Böttcherstraße, Bremen Google Arts & Culture: https://artsandculture.google.com/asset/lying-mother-with-child-ii-paula-modersohn-becker/LgGzY69gnE9o7QPortrait of Clara Rilke-Westhoff (1905) — Clara with rose Hamburger Kunsthalle, Hamburg Collection record: https://online-sammlung.hamburger-kunsthalle.de/de/objekt/HK-2362Claude CahunI Am in Training, Don't Kiss Me (c.1927) — self-portrait with pursed lips and curls Jersey Heritage Collection Jersey Heritage page on Cahun: https://www.jerseyheritage.org/history/claude-cahun-and-jersey/Que me veux-tu? / What Do You Want From Me? (1928) — double-exposure composite self-portrait Musée d'Art Moderne de la Ville de Paris Also held in the Met collection: https://www.metmuseum.org/art/collection/search/838682Self-portrait in jester jacket (c.1928) — catching the viewer's gaze Jersey Heritage Collection (as above)Dora MaarUntitled [Assia] (1934) — model casting dramatic shadow Centre Pompidou, Paris (various versions held there and elsewhere) Pompidou reproduction page: https://editions.centrepompidou.fr/en/home-decor/dora-maar-reproduction-untitled-assia/1577.htmlNusch Éluard on the beach (c.1935) — photograph of Éluard lying on beach Centre Pompidou, Musée national d'art moderne, Paris AWARE Women Artists entry with collection details: https://awarewomenartists.com/en/artiste/dora-maar/Lee MillerTanja Ramm under a Bell Jar (1931) — woman's head enclosed in glass bell jar Lee Miller Archives (Farley Farm, Sussex); widely reproduced but not in a single permanent public collection page — the Lee Miller Archives hold the primary rights: https://www.leemiller.co.ukLee Miller in Hitler's Bathtub, Munich (1945) — photographed by David Scherman Held at Tate Britain Tate collection record: https://www.tate.org.uk/art/artworks/miller-scherman-lee-miller-in-hitlers-bathtub-munich-x100252Julie RrapSOMOS (Standing On My Own Shoulders) (2023) — life-sized bronze, artist standing on her own shoulders Permanent collection, Art Gallery of Western Australia; also shown at MCA Sydney Ocula interview with full context: https://ocula.com/magazine/conversations/julie-rrap-standing-on-her-own-shoulders/ MCA exhibition page: https://www.mca.com.au (search "Julie Rrap Past Continuous")
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    53 分
  • 47. The Last Tour: Ann Curthoys on Paul and Eslanda Robeson

    47. The Last Tour: Ann Curthoys on Paul and Eslanda Robeson
    2026/04/16

    In this episode of History Lab Live, we revisit a remarkable moment in Australian history: the 1960 visit of Paul Robeson and his wife, Eslanda Robeson.

    Paul Robeson was one of the most famous voices in the world — a singer who could fill concert halls, but also a lawyer, actor, athlete, and one of the most outspoken civil rights activists of the 20th century.

    Alongside him was Eslanda, an anthropologist, author, actress and political organiser. Their arrival in Australia came after nearly a decade of enforced silence during the Cold War, when the US government stripped Paul Robeson of his passport.

    Recorded live at Gleebooks, historian Ann Curthoys joins journalist and academic Lorena Allam to discuss Curthoys' book, The Last Tour – a look at what happened when the Robesons finally made it to Australia.

    What emerges is a portrait of the Robesons as “figures of the future” — speaking a political language that echoes today.

    History Lab Live brings you recordings of conversations about Australian history from bookshops, universities and public institutions around the country.

    This episode is brought to you in partnership with our friends at Gleebooks. Head to the Gleebooks events page to discover more great literary events featuring some of Australia’s best and best known authors.

    Voices

    Professor Ann Curthoys is an eminent Australian historian who has researched, taught, and published on many aspects of Australian history, and also on questions of feminism, cultural studies, and historical writing and theory. Her major publications include Freedom Ride: A Freedomrider Remembers (2002); (with John Docker) Is History Fiction? (2005, 2010); and (with Jessie Mitchell), Taking Liberty: Indigenous Rights and Settler Self-government in the Australian Colonies, 1830 – 1890. The Last Tour: Paul and Eslanda Robeson's visit to Australia and New Zealand was published in 2025 by MUP.

    Lorena Allam is a multiple Walkley Award-winning journalist, a Gamilaraay and Yuwaalaraay woman, and an Industry Professor of Indigenous media at the Jumbunna Institute for Indigenous Education and Research at the University of Technology Sydney.

    Credits

    This episode was introduced by Tamson Pietsch, and mixed by Siobhan Moylan.

    History Lab is an Impact Studios podcast. Its executive producer is Sarah Gilbert.
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    27 分
  • 46. Red Light, Green Light

    46. Red Light, Green Light
    2026/04/01

    In this episode from History Lab's archive, we stay in Darlinghurst with the award winning Red Light Green Light story from our Listen to Darlinghurst series.

    Going back to the street corners and safe houses where sex workers competed for customers in Darlinghurst in the 1980s, you will hear the stories of members of the community who fought for law reform and sex worker's rights.

    The last time we heard this story, a petition had been started to bring back the statue of Joy, one of relatively few statues in Sydney that represents a woman - in this case, a sex worker. We are proud and excited to say that Joy has been returned to her rightful place in Darlinghurst, now in bronze and fully permanent!

    This episode of History Lab won a Signal Award in the social impact category.

    Voices

    Julie Bates, veteran sex worker activist; Principal of Urban Realists Planning and Health Consultants.

    Chantell Martin, veteran sex worker; Co-CEO of Sex Workers Outreach Project.

    Credits

    This audio story is a production of the Australian Centre for Public History and Impact Studios at UTS, in partnership with the Paul Ramsay Foundation. It is part of the award-winning Darlinghurst Public History Initiative.

    Producer: Catherine Freyne

    Sound engineer: Judy Rapley

    Music: Blue Dot Sessions

    Archival: ABC Library Sales
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    14 分
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