『Florida Press Podcast』のカバーアート

Florida Press Podcast

Florida Press Podcast

著者： New Books Network
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Interviews with authors of the University Press of Florida books.New Books Network アート 世界 文学史・文学批評
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  • Ian J. McNiven, "Sentient Seas: Archaeologies of Seascapes and Maritime Rituals" (UP Florida, 2026)

    Ian J. McNiven, "Sentient Seas: Archaeologies of Seascapes and Maritime Rituals" (UP Florida, 2026)
    2026/07/20
    Sentient Seas: Archaeologies of Seascapes and Maritime Rituals (UP Florida, 2026), published by University Press of Florida (2026), offers a global perspective on maritime cultures, examining how societies across time and space have understood and interacted with the sea. Synthesizing archaeological evidence, historical documents, and ethnographic accounts, Ian McNiven explores maritime traditions from ancient civilizations in the Middle East and Mediterranean to medieval Europe and Scandinavia to contemporary Indigenous communities in the South Pacific. McNiven investigates diverse cultural practices including shipbuilding, the treatment of shipwrecks and shipwreck victims, and maritime resource use, interpreting the evidence through the perspectives of mariners who understood the seas to be sentient and capable of acting with intentionality. He introduces the concepts of “terrestrial seascapes” and “ontological switching” to illustrate how land-based shrines and votive offerings extend maritime cosmologies and maintain a liminal transition from land to sea. By bridging anthropological and archaeological research with transdisciplinary blue humanities scholarship, Sentient Seas approaches seas as spiritscapes, recontextualizing folkloric beliefs about maritime superstitions. Ian J. McNiven is Research Professor of Indigenous archaeology at the Monash Indigenous Studies Centre at Monash University in Melbourne, and a Chief Investigator with the Australian research Council Centre of Excellence for Indigenous and Environmental Histories and Futures. He is coeditor of The Oxford Handbook of the Archaeology of Indigenous Australia and New Guinea. Learn more about your ad choices. Visit megaphone.fm/adchoices
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    1 時間 24 分
  • Michelle Chase and Isabella Cosse eds., "The Cuban Revolution and the New Left: Transnational Histories of Gender, Sexuality, and Family" (U Florida Press, 2026)

    Michelle Chase and Isabella Cosse eds., "The Cuban Revolution and the New Left: Transnational Histories of Gender, Sexuality, and Family" (U Florida Press, 2026)
    2026/06/25
    Understanding overlooked dimensions of the Cuban Revolution and its impact on the global left in the 1960s and beyond. This volume, The Cuban Revolution and the New Left: Transnational Histories of Gender, Sexuality, and Family (University of Florida Press, 2026) reconsiders revolutionary Cuba's global influence by shifting the focus from high-level political leaders to perspectives traditionally sidelined, offering new insights into how everyday lives, family dynamics, and notions of gender and sexuality impacted revolutionary transformation. Its expansive scope uncovers ties between Cuba and Latin America, the United States, Africa, and Asia, examining the interplay of global forces including new models of mass consumption, feminist and LGBTQ+ movements, and national liberation struggles. Chapters include analyses of Chinese reinterpretations of a Cuban play, Angela Davis's influential visits to the island, Cuba's complex relations with Black militants in Angola, and a Mexican transgender and disability activist who reimagined Che Guevara's legacy. They also present research on Cuba's solidarity campaigns with Vietnam, foreign journalists who covered the revolution, the role of consumption and fashion, and the lasting impact of the revolution's refugee policies on exiled children and families from the Southern Cone. Through its interdisciplinary sociocultural approach, this volume challenges conventional top-down narratives by foregrounding the interplay between grassroots actors and transnational affairs. It is an essential resource for scholars, students, and anyone interested in the multilayered stages of the Cuban Revolution and its continued relationship with global politics and culture. A volume in the series Caribbean Crossroads: Race, Identity, and Freedom Struggles, edited by Lillian Guerra, Devyn Spence Benson, April Mayes, and Solsiree del Moral Publication of this work made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities. Contributors: Tanya Harmer | Emily Snyder | Felipe CesarCamilo Caro Romero | Ailynn Torres Santana | Robert Franco | MichelleChase | Isabella Cosse | Siwei Wang | Ximena Espeche | Sarah J. Seidman | Rafael Cesar | Alexis Baldacci Michelle Chase is an associate professor of history at Pace University. Isabella Cosse is a professor of history at Universidad Nacional de San Martín and researcher at Consejo Nacional de Investigaciones Científicas y Técnicas (CONICET) Katie L. Coldiron is a librarian and doctoral candidate in history at Florida International University. Learn more about your ad choices. Visit megaphone.fm/adchoices
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    42 分
  • Michael T. Bertrand, "Southern History Remixed: On Rock 'n' Roll and the Dilemma of Race" (UP Florida, 2024)

    Michael T. Bertrand, "Southern History Remixed: On Rock 'n' Roll and the Dilemma of Race" (UP Florida, 2024)
    2025/10/17
    Southern History Remixed: On Rock ‘n’ Roll and the Dilemma of Race (UP Florida, 2024) spotlights the key role of popular music in the shaping of the United States South from the late nineteenth century to the era of rock ’n’ roll in the 1940s, ’50s, and ’60s. While musical activities are often sidelined in historical narratives of the region, Michael Bertrand shows that they can reveal much about social history and culture change as he connects the rise of rock ’n’ roll to the civil rights movement for racial equality. In this book, Bertrand traces a long-term culture war in which white southerners struggled over the region’s cultural complexion with music serving as an engine that both sustained and challenged white supremacy. He shows how rock ’n’ roll emerged as a working-class genre with biracial sources that stoked white racial anxieties and engaged the region’s color and culture lines. This book discusses the conflict over southern identity that played out in responses to jazz, barn dance radio, Pentecostal and gospel music, Black radio programming, and rhythm and blues, concluding with a close look at the popularity of Elvis Presley within a racially segregated society. Southern History Remixed suggests that both Black and white southerners have used music as a tool to resist or negotiate a rigid regional hierarchy. Urging readers and scholars to take the study of popular music seriously, Bertrand argues that what occurs in the music world affects and reflects what happens in politics and history. Guest: Michael T. Bertrand is a historian of the American South and the modern United States. Host: Caroline Alt (she/her), a Ph.D. student in the Department of History at the University of Georgia. She studies the hauntings of the American South from the 19th through the 21st centuries. Learn more about your ad choices. Visit megaphone.fm/adchoices
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    1 時間 4 分
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