The fireworks may be over and the grill has gone cold, but Filmjitsu is still celebrating! This week, Jay and Mike recount their trip to the theater for the long-awaited return of Masters of the Universe. After a first trailer that inspired more dread than excitement, could a reported $200 million blockbuster based on an '80s toy line really succeed where the 1987 Dolph Lundgren adaptation stumbled and sent the franchise into cinematic hibernation for nearly four decades? The guys are joined by a special guest as THEY HAVE THE POWER during their full review. Then it's time for Bottom Five Tough Guys, celebrating cinema's most overrated hard cases: characters who puff out their chests, talk a big game, and somehow still leave you wondering if anyone was ever actually intimidated. From beloved classics to a few less-than-beloved oddities, the countdown might permanently alter how you see some familiar faces. After that, Jay and Mike step into the arena for another round of Dueling Double Bills, pairing films in unexpected ways before Mike reveals the next movie assignment destined to test Jay's cinematic endurance.So grab some leftovers, shake off that freedom-loving holiday hangover, and spend the last hour of your long weekend with Filmjitsu, the podcast that wields films like deadly weapons.

Since this episode lands on Father's Day, Jay decides to do something thematic for a change and assigns Mike one of the most acclaimed and divisive films of the 21st century: Terrence Malick's The Tree of Life. Is the film a profound meditation on fathers and sons, memory, grief, faith, and the very nature of existence? Or is it an overlong exercise in whispered narration, floating cameras, and cosmic self-importance? The guys tackle that question head-on and, perhaps unsurprisingly given the film's subject matter, find themselves wandering into some unexpectedly personal territory along the way. After the review, the guys count down their Bottom Five Creations, a collection of inventions, monsters, products, and catastrophically misguided acts of ingenuity that probably should have remained on the drawing board. Then it's time once again for Dueling Double Bills, where Mike and Jay attempt to pair randomly selected films into seat-filling double features and, as usual, discover that agreement is far less likely than argument. Finally, in a move that may qualify as self-harm under certain legal definitions, Mike and Jay announce an upcoming trip to the movie theater, where they'll willingly exchange approximately two mortgage payments for tickets, popcorn, and whatever fresh cinematic Hell awaits them on the big screen.

On this episode of Filmjitsu, Mike decides he'd like to "extend winter" a little longer by assigning Jay the Netflix holiday rom-com Hot Frosty. A calculated attempt to exploit Jay's well-documented affection for romantic comedies, this weird take on Frosty the Snowman stars Hallmark Channel royalty Lacey Chabert and a magically animated snowman blessed with abs that could cut glass. Is it a surprisingly heartfelt holiday romance, or just another disposable entry in the ever-expanding streaming content machine? The guys dig in during the main review and then afterward, Mike and Jay count down their Bottom Five Hotties, a collection of movie characters whose scorching appeal can't compensate for their terrible behavior or general awfulness. Then it's time once again for Dueling Double Bills, where the guys attempt to build the perfect companion features for wildly different movies and, as usual, wander into unexpected territory along the way. Finally, the eternal cycle of cinematic revenge continues when the next assignment is revealed. So crank up your air conditioning, grab a mug of hot cocoa and join the podcast that wields films like deadly weapons as they contend with more icy-hotness than Mike's used on his forever-ailing back.

This week on Filmjitsu, Mike is subjected to Bolero, the infamous 1984 erotic drama directed by John Derek and starring his wife, Bo Derek, in what may be the most lavishly photographed vanity project ever unleashed upon unsuspecting audiences.Was this a genuinely misguided attempt at prestige filmmaking, or simply expensive late-night cable fodder pretending to be profound? Mike and Jay attempt to separate the silk scarves from the sleaze during the main review. Afterward, inspired by one of cinema’s purest examples of exploitation masquerading as art, the guys count down their Bottom Five Sleazy Art Films. From self-important erotic dramas to beautifully-shot cinematic skin flicks desperate for legitimacy, these are the movies that mistake tasteful lighting and international locations for substance. Then it’s time once again for Dueling Double Bills, where Mike and Jay take tangentially related movies and create competing double features either fit for the art house or destined for the video store back room. Finally, the cycle of cinematic vengeance continues when Mike reveals what fresh madness Jay will be forced to endure on the next episode.

On this episode of the podcast that wields films like deadly weapons, the guys return from a brief hiatus to tackle one of the strangest high-concept movies of the last decade: The Man Who Killed Hitler and Then the Bigfoot. Starring the eternally weathered and deeply mustachioed Sam Elliott, the film answers its wacky title with meditations on aging, government conspiracies, and wartime trauma. Fun! Can a man with a voice aged in bourbon barrels—and enough quiet manliness to make the Marlboro Man—look like a ballerina hold together a movie this ambitiously bizarre? Jay and Mike offer their thoughts, then count down their Bottom Five Microgenres: those hyper-specific cinematic niches that severely test the patience of the co-hosts. Along the way, a few beloved films catch stray bullets, including Ray, Black Beauty, and Freaky Friday. Then it’s time for an unexpectedly combative round of Dueling Double Bills before Jay once again reveals what fresh cinematic suffering Mike will endure on the next episode.

On this episode of the podcast that wields films like deadly weapons, Mike is sent straight into the molten chaos of Volcano (1997), the disaster of a disaster movie starring Tommy Lee Jones, Anne Heche, and what appears to be a Hell of a lot of molten Velveeta flowing through the streets of Los Angeles. Directed by Mick Jackson, this late-’90s spectacle swaps out an actual volcano for an endless surge of lava, asking audiences to accept city management and seismology as a substitute for action. After Mike’s review, the guys count down their Bottom Five Misnamed Movies, picks that highlight some seriously misleading marketing with titles that just plain don’t match the movie they’re attached to. Then it’s time for Dueling Double Bills, as the guys square off with another pair of loosely connected double features before Mike closes things out by assigning Jay his next cinematic punishment, because on Filmjitsu the cycle of suffering never truly cools.

On this episode of the podcast that wields films like deadly weapons, Jay is forced to endure Roar (1981), the infamous “no animals were harmed” production where, somehow, nearly every human involved absolutely was. Starring Tippi Hedren and directed by Noel Marshall, this real-life experiment in living alongside big cats quickly becomes a chaotic showcase of exactly why that should never be attempted on film or otherwise. After the main review and a heartfelt and unexpected eulogy for a long-passed dear friend, the guys count down their Bottom Five Cats. From domestic nuisances to full-on man-eating nightmares, these are cinema’s least effective, most frustrating, and downright dangerous felines. Then, the show welcomes back Dueling Double Bills, as Mike and Jay once again square off with a pair of loosely connected double features and argue over whose picks actually make sense. Finally, because vengeance is a dish best served immediately, Jay closes the loop by assigning Mike his next punishment, proving once again that on Filmjitsu, the cycle of cinematic suffering never truly ends.

Justice arrives on this episode of the podcast that wields films like deadly weapons. Mike and Jay finally tallied the listener poll results for 2025's Dueling Double Bills series, and because the guys tied during last year’s competition, they were saddled with an appropriately cursed outcome. Jay must face the chaotic animatronic pairing of Tammy and the T-Rex and Howard the Duck, while Mike somehow ends up with Tammy and the T-Rex as well, but this time the Denise Richards–starring B-movie is teamed with the subterranean oddity Alien from L.A., starring Kathy Ireland. That’s right: three movies! One with a crying dinosaur, another with the most irritating voice ever committed to film, and a shocking bit of film-history trivia involving the unlikely origins of Pixar. Along the way, one of your hosts may genuinely begin to lose his sanity and threaten to quit the show. After the reviews, the guys launch into a rapid-fire Bottom Fives lightning round, with each list tailored to the themes of their respective double bills. And finally, because the wheel of cinematic suffering must always keep turning, Mike assigns Jay the next punishment in this never-ending cycle of movie mayhem.