Kenny and Mike discuss and spot faith elements reflected in Paul Thomas Anderson's latest film One Battle after Another. Leonardo DiCaprio stars as "Ghetto" Pat Calhoun, once a leader of the famous revolutionary group, the "French 75." Following the capture of his partner Perfidia Beverly Hills (Teyana Taylor) and the capture and killing of many of the group by Col. Stephen Lockjaw (Sean Penn) Calhoun lives an underground life as Bob Ferguson raising his and Perfidia's daughter Willa (Chase Infiniti). When Lockjaw, trying to cover his tracks in order to join a secret society of white supremists, The Christmas Adventurers Club, captures Willa, Ferguson is pressed into action with little time to shake of the rust of 15 years of drugs, alcohol and little activity.

Benicio del Toro costars as Sergio St. Carolos, Willa's Karate intstructor and leader of the local undocumented community. Sergio assists Bob in finding his daughter while also helping many of the community escape from the military crackdown.

Faith Spotted:

Co-opting and nationalizing faith for personal power and profit.

The perseverance necessary to stand against injustice, seek to redeem and reclaim justice and the way of Christ and the Kingdom of God. The challenge and call to maintain faith and focus when encountering the enevitable, "gravitational force" of resistance of those who oppose the righteousness of God and Gospel of Christ.

Resist the temptations to allow diappointment and struggle change one into that which one is called to oppose. Resist the temptation to believe that unrighteous means will lead to a righteous end.

Mike and Kenny review and spot faith in the second film this year based on a novel by Stephen King, The Long Walk. Stars Cooper Hoffman, David Jonsson, Mark Hamil, Judy Greer and was directed by Francis Lawrence. The Long Walk was the first novel Stephen King wrote although it was not published for many years. Some of the film and faith themes we discuss from The Long Walk are echoed in later novels and series such as The Hunger Games, Squid Games.

Faith Spotted:

Persons of faith are called to be content with what one has Psalm 46. Greed in acquiring material, or social wealth and reptuation is contrary to the teachings of both testaments of the Bible. Set in the midst of a post apocolyptic America, the story presents 50 or 100 persons (depending on the film or novel) that are willing to put themselves in the gravest danger for a 1% or 2% chance to win a large payout. The countryside and towns are presented as bleak and the people as joyless with litte to no hope in life. Faith allows persons to find meaning, joy and purpose in life and Philippians 4 calls Christians to rejoice in the Lord, always as, regardless of one's situation, the presence of the Lord is always with one and the promises of the Gospel of new life bring joy into one's life, regardless of the challeges or even suffering one is facing.

All life has value because all people are children of God. Killing goes agains the commandments of both testaments. Not only are such contests that pit living persons against another not acceptable, participating in, or watching / condoning, them are incompatible with the teachings and life example of Christ.

Those in leadership are charged with the responsibilty of the welfare of citizens and others in their cities, states, and nations. They are called to act as shepherds in offering care and protection to all people. The film depicts the games as a way those in control distract and control the population in much the same way as the gladiatorial games during the Roman rule. Such a strategy is not faithful leadership.

Kenny and Mike review and spot faith reflected in the Sony Classic film East of Wall. The episode includes Mike and Kenny's interview with director Kate Beecroft and the film's stars and subjects, Tabatha (Tabby) and Portia Zimiga.

While not a documentary, East of Wall is a "docu-fiction" drama based on the lives of the Zimigas, the wayward teens who have found a place and home on her ranch, as well as other women in the area. Tabby rescues and trains horses from slaughter pens and sales them in sale barns in and around Wall South Dakota. Portia is a gifted rider and rodeo barrell racer. The Zimiga's and the teens are still working through the death of Tabatha's husband and stepfather to Portia as well as stuggling financially to keep the 3000 acre ranch going and provide refuge for the teens. In addition to Tabby and Portia, the vast majority of the cast are persons playing themselves. The two non-actors in starring roles are Scoot McNairy who plays Roy Waters, a Texas rancher who is interested in purchasing the ranch, and Jennifer Ehle who plays Tabby's mom, Tracey.

Althought it echoes Nomadland in both look and feel as well as using non-professional actors, East of Wall is grittier and goes deeper into the lives of the persons portraying themselves. The film has an even stronger kinship with the neo-realism style of the post-war Italian cinema.

In the midst of the struggle there is beauty in the love and trust of the community that includes the Zimigas, the teens, as well as other women friends and family who have experienced struggles life in "the new west."

The film is set against the backdrop of the South Dakota Badlands which not only provides beautiful cinematography but is also a visual symbol of the desolate looking but also rich life on the ranch and throughout the area.

The story behind the making of the film echoes much of the film's themes and adds to the experience of watching or reflecting on the film. Kate Beecroft and her director of photography were driving throughout the country looking for stories that could be made into a short film. They literally stumble across Tabby. This story is included in the interview.

Faith Spotted:

The transformative nature and power of story, trust and commitment within community. Such is depicted in both the film as well as the relationships between the director and cast.

As the film reflects the "new west" in the age of changing demographics and greater financial pressures on farming and ranching, the film also reflects what is likely to be the "new Church," where the focus is more on being in relationship and community with persons outside the walls and rolls of the church than maintaining such walls. Though most churches and members acknowledge that the Church "is not a building or steeple, but people," churches too often struggle to actually get out from behind the walls, get, and be in ministry, with persons in the community. The mission of the Church is north, south, wast and east of it's walls. The church needs to be more like, as Kate described the teens, "fierce and feral in the best way possible."

Kate would not have been able to make the film had she not been fully invested in the people and their stories. This reflects the incarnational purpose and nature of Jesus, God with us, as us.