Everything for Everyone with M.E.O’Brien and Eman Abdelhadi
2025/04/09
再生時間： 55 分
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Everything for Everyone with M.E.O’Brien and Eman Abdelhadi

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What is your North Star? What are you fighting for, and what are you struggling to overcome, or leave behind? The goal is not a precise and detailed roadmap—that way lies dogma, orthodoxy, and worse—but rather a vision and a hope with which to gauge and partially frame our work in the here and now. The great Uruguay revolutionary, Edwardo Galeano, tells a story of being confronted by a person accusing him of being a utopian, and asking contemptuously, “What good is Utopia?” Galeano says, “It’s true that if I walk 2 steps toward Utopia, Utopia walks 2 steps away, and if I walk 10 steps toward her, she walks 10 steps away. So what good is Utopia?” His reply: “It’s good for walking.” We’re joined in conversation by M.E. O’Brien and Eman Abdelhadi, authors of Everything for Everyone: An Oral History of the New York Commune 2052-2072, a novel that is so imaginative, so challenging, and so surprising that it reorders our conception of what’s possible to write—and to think.

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What is your North Star? What are you fighting for, and what are you struggling to overcome, or leave behind? The goal is not a precise and detailed roadmap—that way lies dogma, orthodoxy, and worse—but rather a vision and a hope with which to gauge and partially frame our work in the here and now. The great Uruguay revolutionary, Edwardo Galeano, tells a story of being confronted by a person accusing him of being a utopian, and asking contemptuously, “What good is Utopia?” Galeano says, “It’s true that if I walk 2 steps toward Utopia, Utopia walks 2 steps away, and if I walk 10 steps toward her, she walks 10 steps away. So what good is Utopia?” His reply: “It’s good for walking.” We’re joined in conversation by M.E. O’Brien and Eman Abdelhadi, authors of Everything for Everyone: An Oral History of the New York Commune 2052-2072, a novel that is so imaginative, so challenging, and so surprising that it reorders our conception of what’s possible to write—and to think.

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