In Episode 18 of Drop In, Lisa and Josh are talking to the performers, singers, dancers, actors, musicians—and the parents who have spent years driving them to rehearsals, carrying garment bags, sitting through competitions, and finding dinner at 10:30 at night after a show.
Because applying to college as a performing arts student?
It is NOT the same as a traditional college application.
Now you have pre-screens. Auditions. Repertoire. Headshots. Resumes. Dance calls. Unifieds. Callbacks.
And sometimes an entirely separate set of deadlines that show up long before the university's regular application deadline.
So Lisa and Josh brought in someone who actually lives in this world.
Jacqui Touchet is an actor, writer, educator, audition coach, and member of the Decision Drop team. She studied theater and political science at Northwestern and has coached students through the college audition process.
Jacqui explains why students should begin familiarizing themselves with audition requirements as soon as they know they may want to pursue a performing arts program—and why the summer before senior year is the absolute latest time to have a real school list and start preparing material.
Because every program can ask for something different.
One school may want a 90-second monologue.
Another may want a Shakespeare piece.
Another may want a song, a dance call, a resume, or a different type of pre-screen entirely.
And one of Jacqui's biggest reminders:
Follow the directions.
Then they get into Unified auditions vs. individual college auditions, the advantages of each, and why families need to understand which schools require students to audition on campus.
They also talk about what actually separates a strong audition from an average one.
It is not just talent.
Material matters.
Jacqui explains why students should choose pieces that are age-appropriate, personally meaningful, and actually say something about who they are as an artist.
And maybe do not walk into the room singing the exact same song the faculty has heard 20 times that day.
From there, they talk about what faculty are really looking for.
Yes, they care about talent and technique.
But they are also asking:
Do I want to teach this student?
Do I want to work with them?
Will they be a good collaborator?
What unique perspective will they bring into this program?
Because they are not just admitting performers.
They are building an ensemble.
In this episode:• When students should start preparing for performing arts admissions
• What college pre-screens actually are
• Unified auditions vs. on-campus auditions
• How to choose strong audition material
• What performing arts faculty are REALLY looking for
• How to handle rejection and audition feedback
• How younger students can start preparing now
• Headshots, self-tapes, audition-day logistics, and more
One of Jacqui's biggest pieces of advice:
Control your controllables.
Know the requirements.
Know your material.
Rehearse.
Prepare.
Get there on time.
Follow directions.
And then?
Bring your fullest self into the room.
Want Lisa + Josh + Jacqui in your corner?If your kiddo is navigating performing arts admissions, college auditions, pre-screens, applications, or building a balanced college list, Lisa, Josh, and Jacqui would love to help.
Visit decisiondrop.com/contact to connect with Decision Drop.