Should Margaret and Emily be sent to space? Absolutely not, but they will talk about it at length. Join us in this mega episode to discuss the classic sci-fi epics Interstellar (2014) and 2001: A Space Odyssey (1968) and have an existential crisis in the process. Just remember, space may seem big and scary but if you have a super cool kid who you bond with then you too can avoid the human zoo!

Ladies, Gentlemen and everyone in between welcome to an episode with state of the art technology- a moving picture! (we have a filmed episode up on youtube). Singin' in the Rain and Babylon both track the transition in the film industry from the silent films to the talkies. For Don Lockwood, lead of The classic musical, its a breeze except for his squawking co-star Lena whom he has attached at the hip. From Damien Chazzelle's perspective, it went down a little differently. For Manny Torres, it throws his and his fellow artists lives upside down, as they are forced to change with the times in an industry that does not value them.

Join us- Margaret and Rhiannon- They Talk!

This week jurors 7 and 8 (aka Emily and Margaret) call this podcast to order to discuss the modern movie ‘Juror #2’ and the classic cinema that is ‘12 Angry Men’. We examine the similarities and differences of these two legal dramas, deliberate what we would do if we were on these juries and ultimately debate what exactly do we owe each other? We charge you guilty of enjoying this episode.

Cue the music! This week we run away to a vibrant newreality with Barbie (2023) and The Young Girls of Rocheford (1967), where we wear hot pink, break into song and Gene Kelly choreographs our lives. Women take centre stage as we explore one of the movies Margot Robbie watched asinspiration for her performance in Barbie which give us insight into one of the many movie references that went into building one of the most important movies of the century! Hopeless romantics only! Hop on!

For our first episode, we take a dive into complex narrative structure and unreliable narrators with David Fincher's The Social Network (2010) and Akira Kurosawa's Rashamon (1950). The Social Network is a personal favourite of ours and when we heard that it had a lot in common with a classic Kurosawa film that neither of us were familiar with, we were intrigued. But will they make a good double feature? Let's find out.