Chris Pavone: Americano (Campari, sweet vermouth, club soda, orange twist)

Chris discusses his early career experiences in publishing meetings with Jaqueline Kennedy Onassis and what her work meant to him and other colleagues, the gifts his wife possesses that made her a great CEO for Penguin Random House and that also guided him to a writing career upon recognizing he did not possess those gifts, how his life as an expat inspired his debut novel THE EXPAT, how the first drafts of his novels might end personal friendships unless his wife makes some edits, the importance of writing down the flap copy of your life.

J.D. Barker: White Russian (2 ounces vodka, 1 ounce Kahlua, 1 ounce heavy cream)

J.D. talks about how he stalked and then connected with Stephen King, how his partnership with James Patterson has changed his writing method, the way he has turned his Asperger Syndrome into his secret weapon for writing novels, the landmark publishing imprint of his own within Simon & Schuster and how he worked with CEO Jonathan Karp and the private equity firm KKR to establish the business model for it, the pros and cons of independent publishing and traditional publishing, the remote island that is the setting for his latest ‘Chiller’ novel as well as is the setting for his real life.

David Baldacci: sparkling water

David names the two most underrated thriller writers, describes the way that planning-then-writing a novel can be similar to Tom Brady practicing-then-playing a football game, reveals the mystery books from his childhood that made him love reading, tells of a peak moment of dejection when he doubted he could ever become a writer, shares the story of a bizarre book signing event, talks about the fragile ‘ecosystem of literature’ and offers a terrific piece of advice.

Marcy Dermansky: House of Balloons (2 ounces vodka, 1 ounce Aperol, 1/2 ounce lemon juice, 1/2 ounce grapefruit juice, simple syrup, top with club soda)

Marcy talks about the struggles of a working writer including waiting in an unemployment line in New York while holding her newborn baby the week of publication of her novel, her isolating move to Germany and her return to New York where she was a more productive writer, how publishing short fiction can in some ways be more difficult than publishing a novel, and the fact that someone she is friends with on Facebook is the inspiration for a major character in her new novel though he does not know it

Gregory Maguire: Ginger Mojito Mocktail (grated ginger, grated cucumber, mint, lime juice, ginger ale, sparkling water)

Gregory reveals the one book that he later realized had subconsciously guided his reimagining of Oz for his novel WICKED, shares his thoughts on the departures that the adaptations (both stage and film) have taken in reimagining WICKED, names the one children’s book that made him want to be a writer, names 3 books every kid should read by age 10, talks about the blurred line between YA and adult fiction, provides some insider details about Elphaba, discusses how his Catholicism influences themes in his writing, tells the story of the very unplanned first meeting of his husband, Andy.

Elizabeth Staple: Old Fashioned (water, sugar, bitters with 2 1/2 ounces whiskey, garnish with orange and cherry)

After working in media relations for the NFL's New York Giants and the New England Patriots, Elizabeth delivers her debut crime thriller THE SNAP that takes us behind the scenes of an NFL franchise. She discusses the many points of overlap between her fictional character and her real-life work experiences that include fraught office politics, coaching NFL players to handle the press, rescuing inebriated players from nightclubs, and how friends who are still working in the NFL have reacted to the book.

Alissa Wilkinson: Gibson (3 ounces gin, 1/2 ounce dry vermouth, onion)

Film Critic for the New York Times, Alissa gives her take on the Oscars, shares some insider info on Siskel and Ebert, discusses the beginning and end of the Golden Age of TV along with some of her favorites from the era, reflects on Joan Dideon’s admiration for John Wayne and Barry Goldwater along with her surprising takes on their present day closest equivalents, and identifies why 9-11 was a before-and-after moment for American filmmaking.

David Grann: Mojito (2 ounces white rum, 1 ounce lime juice, sugar, mint, topped with club soda)

David discusses his early years covering politics on Capitol Hill, how his mother paved the way for women executives in publishing as the first woman CEO of a major publisher and how she eventually agreed that writing was a good career choice for David, describes conversations with Leonardo DiCaprio and Martin Scorsese to review details of KILLERS OF THE FLOWER MOON, mentions other authors of narrative history who he admires, identifies his first and most trusted reader of his early drafts, reveals how he organizes his thinking for new projects, names the person from history he’d most like to interview, and gives a tiny and cryptic hint about his upcoming book.