Join hosts Jason and Paul for a discussion of William A. Wellman's 1948 spy thriller The Iron Curtain, starring Dana Andrews and Jean Tierney. Regarded as an anti-communist propaganda film, The Iron Curtain was the first major Hollywood studio production to engage directly with the Cold War. The story is based on the memoirs of the Russian spy Igor Gouzenko, who stole documents from the Soviet embasy in Ottawa, where he worked, and defected to Canada. This act of espionage led to the dismantling of a Soviet "atomic spy ring," and the arrests or numerous people both in Canada and the United States.

At a time of relative peace post-WWII, the New York Times critic Bosley Crowther considered The Iron Curtain "a highly inflamatory film" and a dangerous provocation. "Hollywood fired its first shot in the 'cold war' against Russia yesterday," Crowther writtes in his review, "just when a faint hope was glimmering that maybe moderation in fact might be achieved.”

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We love to give book or film recommendations on the podcast, so here are ours for this episode:

Paul recommends the pro-Soviet Hollywood propaganda film Mission to Moscow (1943; dir. Michael Curtiz)

Jason recommends the 2000 book The Cultural Cold War: The CIA and the World of Arts and Letters by Frances Stonor Saunders

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Please subscribe to the podcast, and don't forget to leave a review!

Follow Jason on Twitter at @JasonAChristian and Anthony at @tonyjballas (same handles on BlueSky). Follow Paul on BlueSky at @ptklein.com. Paul writes about movies at www.howtoreadmovies.com. Paul's handle on Letterboxd is https://letterboxd.com/ptklein/; Jason's is https://letterboxd.com/exilemagic/.

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Logo by Jason Christian

Theme music by DYAD (Charles Ballas and Jeremy Averitt).

Please drop us a line anytime at coldwarcinemapod@gmail.com.

Happy listening!

Join hosts Jason, Tony, and our new co-host, Paul, on Episode One of Season Two! On this episode we discuss Sergei Eisenstein's epic two-part Soviet masterpiece Ivan the Terrible, released in 1945 and 1958 respectively. The films were commissioned by Joseph Stalin in 1941 as a means to rehabilitate Ivan the Terrible's image for a contemporary Soviet audience. Stalin celebrated Part 1, but the state banned Part 2. A third part had been in the works, but was abandoned by Eisenstein after the suppression of the second part. Our discussion touches on this history and many other topics, including Soviet montage, dialectical art construction, Eisenstein's queerness, his fraught relationship with Stalin, and more.

This is the first episode of a new format in which we take book or movie recommendations from each of us, which are found below:

Tony's book recommendations:

1. Sergei Eisenstein: A Life in Conflict by Ronald Bergan (2016)
2. Narrative, Apparatus, Ideology, edited by Philip Rosen (1986)
3. Film Form: Essays in Film Theory by Sergei Eisenstein (1949)

Paul's book and film recommendations:

1. This Thing of Darkness: Eisenstein’s Ivan the Terrible in Stalinist Russia by Joan Neuberger (2019)
2. Ivan the Terrible by Joan Neuberger
3. Battleship Potemkin (1925; dir. Sergei Eisenstein)

Jason's movie recommendations:

1. Come and See (1985; dir. Elem Klimov)
2. The Ascent (1977; dir. Larisa Shepitko)
3. Wings (1966; dir. Larisa Shepitko)

Please subscribe to the podcast, and don't forget to leave a review!

Follow Jason on Twitter at @JasonAChristian and Anthony at @tonyjballas; follow Paul on BlueSky at @ptklein.com. Paul writes about movies at www.howtoreadmovies.com. Paul's handle on Letterboxd is https://letterboxd.com/ptklein/; Jason's is https://letterboxd.com/exilemagic/.

Our logo is by Jason Christian

The theme music for this episode and all forthcoming episodes is by DYAD (Charles Ballas and Jeremy Averitt).

Please drop us a line anytime at coldwarcinemapod@gmail.com.

Happy listening!

Join hosts Jason and Tony, as well as a new guest, Felicia Maroni, for the finale of Season One. On this episode we discuss Zoltán Korda's 1951 drama Cry, the Beloved Country, a film shot on location in South Africa, starring Canada Lee and Sidney Poitier, which aimed to critique the brutal apartheid system just three years after it was codified into law. The film was based on a novel of the same name by Alan Paton, a white South African, and adapted to the screen by Paton and the blacklisted writer John Howard Lawson, who went uncredited.

Felicia is the host of the wondeful film podcast Seeing Faces in the Movies, which focuses on either a director or cinemtagrapher and how their aesthetic approach changes (or doesn't) across their ouevre. You can follow Felicia on social media at these sites:

As always, please suscribe to the podcast, and don't forget to leave a review! And follow Jason on Twitter (X) at @JasonAChristian and Anthony at @tonyjballas (same handles at Bluesky). Jason's handle on Letterboxd is https://letterboxd.com/exilemagic/.

Our logo is by Jason Christian

Theme music is by DYAD (Charles Ballas and Jeremy Averitt)

Please drop us a line at coldwarcinemapod@gmail.com.

Happy listening!