『Closing Night』のカバーアート

Closing Night

Closing Night

著者: Patrick Oliver Jones
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10月19日まで。※適用条件あり
Bringing a production to Broadway is not an easy task. Some never make it to opening night, while others get to closing night rather quickly. This podcast explores famous and forgotten shows that closed too soon, uncovering the remarkable journeys from the page to the stage. Through deep research, archival recordings, and theatrical history, each episode examines the artists, productions, and moments that have shaped Broadway—both onstage and behind the scenes. From legendary flops to celebrated classics, every closing night has a story worth telling.© 2024-26 WINMI Media LLC アート エンターテインメント・舞台芸術 世界
エピソード
  • The Crucible (1953) and the Red Scare
    2026/09/11
    In January 1952, playwright Arthur Miller sat across from his closest collaborator, director Elia Kazan, and watched their partnership fall apart. Kazan had just agreed to name names before the House Un-American Activities Committee, and Miller cut off all contact with him. Out of that betrayal came The Crucible, a play about the Salem witch trials that Miller wrote as a direct answer to the fear gripping his own country. But bringing it to the stage of the Martin Beck Theatre would test him almost as much as the trials themselves. And then there was director Jed Harris, one of Broadway's most brilliant but feared men, whose volatile temper and staging choices nearly derailed the production before it ever opened, which was its own disaster. Critics were divided, audiences were stunned, and Miller himself could barely watch. The play closed within seven months, seemingly destined to become a footnote in Miller's career. But then, Arthur Miller's own life became as dramatic as the one he put on paper., and eventually The Crucible would become one of the most performed plays in American history. Senator Joe episode, Season 2 (listen on podcast apps) Orpheus Descending episode, Season 3 (starring Maureen Stapleton) Andrew Angus Dalrymple - ‘Act Two Is Spattered With Ted's Tears’ (NY Times) Transcript with photos, videos, and a list of sources used --- Produced by Patrick Oliver Jones and WINMI Media with Dan Delgado as co-producer and editor. Theme music created by Blake Stadnik. Learn more about your ad choices. Visit megaphone.fm/adchoices
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    57 分
  • 9 to 5 - Remembering Dolly Parton's Broadway Debut
    2026/08/25
    Before she became known as the Queen of Country Music, beloved by young and old alike, Dolly Parton was a barefoot kid from a two-room cabin in the Smoky Mountains, singing along to her mother's old ballads. With her passing on August 25, 2026, at the age of 80, we're revisiting one of the most joyful chapters of her remarkable career: turning one of her biggest hits, "9 to 5," into a Tony-nominated musical. This episode is taken from our first season, now with a new introduction, new soundbites, enhanced audio, and some final thoughts honoring Dolly's legacy and her influence on us all, especially on Broadway. We trace the show's journey from Jane Fonda's idea for a workplace revenge comedy to one of the most iconic movies of the 1980s, and finally to the stage. It's a story worth remembering: how Dolly carried her own voice, and her own songs, all the way to Broadway. Learn more about your ad choices. Visit megaphone.fm/adchoices
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    52 分
  • BONUS: John McWhorter and the Rise of Black Musical Theater
    2026/08/10
    What began as research for an episode on Cabin in the Sky quickly expanded into a much larger story about the Black artists who transformed Broadway long before that musical ever opened. Along the way, it was linguist, author, commentator, and Columbia University professor John McWhorter who put these past events in a more contemporary perspective. His writings and insights on language, race, and American culture shed new light on this remarkable era. And so in this companion episode, John and I go beyond Cabin in the Sky to explore the rise of Black musical theater through the groundbreaking work of artists like Will Marion Cook, Paul Laurence Dunbar, Eubie Blake, Langston Hughes, Ethel Waters, and Katherine Dunham. No snippets or soundbits here, this is the full conversation. We discuss the complicated legacy of productions such as Porgy and Bess, the creative tension between Black performers and white producers, and how these artists reshaped Broadway while navigating an industry that rarely gave them creative control. We even get into his own project of saving a forgotten musical by jazz musician Fats Waller. Whether you've already listened to the Cabin in the Sky episode or simply want a deeper understanding of this pivotal period in American theater history, our conversation offers more historical context, cultural perspective, and fascinating stories that reveal how Black artists fundamentally changed Broadway. --- Follow John McWhorter: Website | NY Times | X/Twitter Check out his upcoming book: Broadway in Black and White Learn more about your ad choices. Visit megaphone.fm/adchoices
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    1 時間 3 分
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