“You’re trying to beat on these doors in the publishing world… and suddenly this door you didn’t even know was there opens up and says, ‘Hey, come in.’”
—Andrew Bourelle

Andrew Bourelle is the critically-acclaimed author of Shot Clock, 48 Hours to Kill, and Heavy Metal, as well as a coauthor with James Patterson of the Rory Yates series. Publishers Weekly described him as “a writer to watch”. He teaches creative writing at the University of New Mexico.

Among other things, Andrew and Carter discuss referencing cinema and tv when teaching writing, why you should always be working on your next project, and working with James Patterson. At the end of their conversation, they make up a suspenseful story using a line from C.J. Box’s Battle Mountain.

“The whole concept of working together started when we were in a writer's room—a Hollywood production company writer's room—and we learned how to create cliffhangers.” – Christina Baker Kline

Christina Baker Kline is the #1 New York Times bestselling author of ten novels, including Orphan Train, The Exiles, Please Don’t Lie (with Anne Burt), and the forthcoming The Foursome (May 2026). Published in more than 40 countries, her novels have received the New England Prize for Fiction, the Maine Literary Award, and a Barnes & Noble Discover Award, among others.

Anne Burt is the coauthor of the thriller Please Don't Lie. Anne’s debut novel, The Dig, was an American Booksellers' Association Indie Next pick and the Strand Bookstore's mystery selection of the month. Her essays and fiction have appeared in numerous publications including Salon and NPR, and she is a past winner of Meridian’s Editors’ Prize in Fiction.

Among other things, Christina, Anne, and Carter discuss how their friendship and writing relationship formed, trying to write with a unified voice in a co-authored novel, and balancing thriller “tropes” with realistic plots. At the end of their conversation, they make up a descriptive story using a line from Wendy Walker’s Blade.

“Readers are giving you such a huge gift—and the gift is their time. So I always feel like to be respectful of that time, I have to be providing them with the best quality book I can.” —Cynthia Swanson

Cynthia Swanson is the New York Times and USA Today bestselling author of the psychological suspense novels The Bookseller, The Glass Forest, and Anyone But Her. Cynthia was named 2025 Indie Author of the Year by the Indie Author Project, has received the Colorado Book Award and the WILLA Literary Award, and won the Indie Author Project contest. She is also the editor of the Colorado Book Award winning anthology Denver Noir.

Among other things, Cynthia and Carter discuss taking up writing later in life, Cynthia’s journey to self-publishing, and committing to writing a ghost story. At the end of their conversation, they make up a creepy story using a line from Jacqueline Winspear’s The Comfort of Ghosts.

“I got one life. What do I want to leave behind? And I decided a failed writer was better than a successful attorney.” —Elena Taylor

Elena Taylor spent several years working in theater as a playwright, director, designer, and educator before turning to fiction. Her first series, the Eddie Shoes Mysteries, introduced a quirky mother/daughter crime fighting duo. With the Sheriff Bet Rivers Mysteries, Elena returns to her dramatic roots and brings readers much more serious and atmospheric novels. Elena is also a senior editor with Allegory Editing, where she works one-on-one with writers to shape and polish manuscripts, short stories, and plays.

Among other things, Elena and Carter discuss Elena’s path to becoming a playwright, the role of atmosphere in thrillers, and overcoming comparison within the writing community. At the end of their conversation, they make up an incredible story using a line from Mailan Doquan’s Ceylon Sapphires.

“I wrote 90 pages about the most boring man in the world. He drove around, got coffee, thought about life... and after six months, I killed him and buried him in a desk drawer.” —Harry Hunsicker

Harry Hunsicker spent his working career as a commercial real estate appraiser. His first novel was the Shamus Award nominated Still River, about a Dallas PI with the unfortunate name of Lee Henry Oswald. Hunsicker has since written and published eight more crime thrillers, including The Life and Death of Rose Doucette, which was recently nominated for a 2025 Thriller Award. Hunsicker also writes screenplays. His short script—the PG13 titled (S)hit Squad, was produced in 2022 and has garnered a number of awards including Best Screenplay by the Twin Lakes Film Festival.

Among other things, Harry and Carter discuss Harry getting inspiration from his own bookshelves, the art of sending query letters, and receiving Thriller award nominations. At the end of their conversation, they make up a gripping story using a line from Jennifer Chase’s Count Their Graves.

“The muse days and the slog days look the same on the page, but they feel completely different when you’re writing them.” —Aime Austin

Aime Austin is the author of the Casey Cort and Nicole Long legal thriller series, weaving sharp social commentary into gripping crime fiction. Born in Brooklyn, Aime graduated from Smith College and Cornell Law School before practicing family and criminal law in Cleveland, Ohio. She now splits her time between Los Angeles and Budapest, writing thrillers, hosting the podcast A Time to Thrill, and interviewing brilliant women creators. Aime is a 2025 Mystery Writers of America Barbara Neely Scholarship recipient.

Among other things, Aime and Carter discuss Aime’s experiences doing “stringer” work for newspapers, fearing losing momentum in your writing, and attracting new readers as your fanbase ages. At the end of their conversation, they make up a dark story using a line from Tess Gerritson’s The Summer Guests.

“Don’t be afraid of the fact that pretty much every first draft is a failure. Just get the thing out.” —Scott Graham

Scott Graham is the author of the National Park Mystery Series, which includes nine books and counting. In addition to his mysteries, Scott is the author of five nonfiction books, including Extreme Kids, winner of the National Outdoor Book Award. Scott is an avid outdoorsman and advocate for public lands. He has worked as a newspaper reporter, magazine editor, radio disk jockey, city councilor, and coal-shoveling fireman on the steam-powered Durango-Silverton Narrow Gauge Railroad.

Among other things, Scott and Carter discuss staying relevant between book releases, improving your writing by reading others’, and balancing the reality of murder with hopeful storylines. At the end of their conversation, they make up an unpredictable story using a line from Matt Goldman’s The Murder Show.

“Nothing guarantees anything. A breakout book doesn’t mean your next one won’t flop—and that’s just the reality.”—Andrea Bartz

Andrea Bartz is a reporter, consultant, and New York Times bestselling author. Her third novel, WE WERE NEVER HERE, was a Reese’s Book Club pick and an instant New York Times bestseller; it was optioned by Berlanti Productions and Netflix. Her most recent thriller, THE LAST FERRY OUT, was praised by NPR’s Fresh Air, Marie Claire, Publishers Weekly, and more. She is also a journalist whose work has appeared in The Wall Street Journal, Vogue, Cosmopolitan, The New York Times, and many other outlets, and she’s held editorial positions at Glamour, Psychology Today, and Self.

Among other things, Andrea and Carter discuss thinking like a businessperson to make it as a writer, separating your emotions from feedback on your writing, and engaging with readers to show gratitude. At the end of their conversation, they make up a brilliant story using a line from Victoria Houson’s At the Edge of the Woods.